Linda Barwick | |
---|---|
Born | Linda Mary Barwick 1954 |
Awards | Sir Bernard Heinze Memorial Award (2024) |
Academic background | |
Alma mater | Flinders University |
Thesis | Critical perspectives on oral song in performance : the case of Donna lombarda (1986) |
Academic work | |
Institutions | Sydney Conservatorium of Music The University of Sydney |
Linda Mary Barwick AM FAHA (born 1954) is an Australian musicologist and professor emeritus at the Sydney Conservatorium of Music. Barwick has focused on researching Australian Indigenous music and the music of immigrant communities. She also works in the field of digital humanities,archiving recordings. [1]
Barwick was born Linda Mary Barwick in 1954. Early publications appeared under her married surname Linda Mary Bone [2] [3] She graduated with a BA (hons,1980) [2] and PhD (1986) from Flinders University. Her PhD thesis was titled "Critical perspectives on oral song in performance :the case of Donna lombarda" [4] and was supervised by Antonio Comin and Catherine Ellis. [5]
Following her PhD,Barwick moved to the University of New England,where she worked with Professor Catherine Ellis and began to study Australian Indigenous music and Aboriginal women's participation in it. [6] [7]
Based at the Sydney Conservatorium of Music,Barwick was co-founder [8] and served as the first director of the Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) in 2003. [9] As of June 2022 she is chair of the steering committee of PARADISEC. [10]
In 1995 she co-edited a collection of essays titled The essence of singing and the substance of song recent responses to the Aboriginal performing arts and other essays in honour of Catherine Ellis. [11]
Barwick was elected a Fellow of the Australian Academy of the Humanities in 2014. [9] She was appointed a Member of the Order of Australia in the 2023 Australia Day Honours. [12] In 2024 she was presented with the Sir Bernard Heinze Memorial Award. [5]
Indigenous music of Australia comprises the music of the Aboriginal and Torres Strait Islander peoples of Australia, intersecting with their cultural and ceremonial observances, through the millennia of their individual and collective histories to the present day. The traditional forms include many aspects of performance and musical instrumentation that are unique to particular regions or Aboriginal Australian groups; and some elements of musical tradition are common or widespread through much of the Australian continent, and even beyond. The music of the Torres Strait Islanders is related to that of adjacent parts of New Guinea. Music is a vital part of Indigenous Australians' cultural maintenance.
Anne Elizabeth Boyd AM is an Australian composer and emeritus professor of music at the University of Sydney.
The Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) is a digital archive of records of some of the many small cultures and languages of the world. They digitise reel-to-reel field tapes, have a mass data store and use international standards for metadata description. PARADISEC is part of the worldwide community of language archives. PARADISEC's main motivation is to ensure that unique recordings of small languages are preserved for the future, and that researchers consider the future accessibility of their materials for other researchers, community members, or anyone who has an interest in such materials.
Nicholas Evans is an Australian linguist and a leading expert on endangered languages. He was born in Los Angeles.
Performing arts education in Australia refers to the teaching of different styles of creative activity that are performed publicly. The performing arts in Australia encompasses many disciplines including music, dance, theatre, musical theatre, circus arts and more. Performing arts education in Australia occurs both formally and informally at all levels of education, including in schools, tertiary institutions and other specialist institutions. There is also a growing body of evidence, from the Australian Council for the Arts and the Parliament of Australia, showing that First Nation's participation in the arts and culture has significant economic, social and cultural benefits to Australia and further supports the outcomes of the Australian governments ‘Closing the Gap’ campaign. There has been an increasing number of scholarships opening up in educational institutions for Indigenous Australians aimed at encouraging this participation in the arts.
Deborah Joy Cheetham Fraillon is an Aboriginal Australian soprano, composer, and playwright. She leads Short Black Opera, based in Melbourne, which provides training and opportunities for emerging Aboriginal and Torres Strait Islander musical artists.
"Treaty" is a protest song by Australian musical group Yothu Yindi, which is made up of Aboriginal and balanda (non-Aboriginal) members. Released in June 1991, "Treaty" was the first song by a predominantly Aboriginal band to chart in Australia and was the first song partly in any Aboriginal Australian language to gain extensive international recognition, peaking at No. 6 on the Billboard Hot Dance Club Play singles charts. The song contains lyrics in Gumatj, one of the Yolngu Matha dialects and a language of the Yolngu people of Arnhem Land in northern Australia.
Nicholas Thieberger is an Australian linguist and an Associate Professor in the School of Languages and Linguistics at the University of Melbourne.
The Sir Bernard Heinze Memorial Award is an Australian music award.
The Marranunggu are an Aboriginal Australian people and language group, of the Northern Territory.
Margaret Susan "Peggy" Brock was an Australian historian and writer. Her major areas of interest were colonial and Indigenous history in Australia, the Pacific and parts of Canada and Africa, with particular interest in Australian Aboriginal women. Her work continues to be cited in national and international debates over Indigenous policy. Born in Adelaide, she took up academic positions and was at the end of her career emeritus professor at Edith Cowan University in Perth, Western Australia.
The Melbourne Conservatorium of Music is the music school at the University of Melbourne and part of the Faculty of Fine Arts and Music. It is located near the Melbourne City Centre on the Southbank campus of the University of Melbourne.
The Emmiyangal, also known as the Amijangal, are an indigenous Australian people of the Northern Territory in Australia,
The Menthe, occasionally called Menthajangal (Menhdheyangal), are an indigenous Australian people of the Northern Territory.
The Wadjiginy, also referred to historically as the Wogait, are an indigenous Australian people of the Northern Territory, specifically from just north of modern-day Darwin. The Wadjiginy are a saltwater people who describe themselves as wagatj 'beach-dwellers' from the Batjamalh word wagatj 'beach'.
The Centre for Aboriginal Studies in Music (CASM), originally founded as the Adelaide Aboriginal Orchestra in 1972, is an educational centre focused on Indigenous Australian music based at the University of Adelaide. It is one of three units that make up the National Centre for Aboriginal Language and Music Studies, and is located within the Elder Conservatorium.
Alice Marshall Moyle was an Australian ethnomusicologist.
Catherine Joan Ellis was an Australian ethnomusicologist. She co-founded the Centre for Aboriginal Studies in Music (CASM) at the University of Adelaide in 1972.
Brenda Gifford is a Yuin classical composer, saxophonist and pianist. She was a member of the Australian rock band Mixed Relations and is an archivist in the Indigenous Collection Branch of the National Film and Sound Archive of Australia (NFSA).
Lyn Adrienne Williams, AM is an Australian choral conductor and the founder and artistic director of the Gondwana Choirs. She has been recognised for her significant contribution to the development of choral music for young people in Australia.