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Postmodernism is an intellectual stance or mode of discourse characterized by skepticism towards elements of the Enlightenment worldview. It questions the "grand narratives" of modernity, rejects the certainty of knowledge and stable meaning, and acknowledges the influence of ideology in maintaining political power. The idea of objective claims is dismissed as naïve realism, emphasizing the conditional nature of knowledge. Postmodernism embraces self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism. It opposes the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization.
The French Lieutenant's Woman is a 1969 postmodern historical fiction novel by John Fowles. The plot explores the fraught relationship of gentleman and amateur naturalist Charles Smithson and Sarah Woodruff, the former governess and independent woman with whom he falls in love. The novel builds on Fowles' authority in Victorian literature, both following and critiquing many of the conventions of period novels.
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.
A metanarrative is a narrative about narratives of historical meaning, experience, or knowledge, which offers a society legitimation through the anticipated completion of a master idea.
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
Historiographic metafiction is a term coined by Canadian literary theorist Linda Hutcheon in the late 1980s. It incorporates three domains: fiction, history, and theory.
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism.
Metahistorical romance is a term describing postmodern historical fiction, defined by Amy J. Elias in Sublime Desire: History and Post-1960s Fiction. Elias defines metahistorical romance as a form of historical fiction continuing the legacy of historical romance inaugurated by Sir Walter Scott but also having ties to contemporary postmodern historiography. A metahistorical romance does not merely use history for the setting and events of the novel, but forces the reader to reexamine history, and their own view of it. It accomplishes this by reinterpreting historical events, writing about ordinary people, crossing between various time periods, or bending history in other ways. In Elias's usage, romance does not signify novels focused on marriage and love, but instead a style in which past events are "romanticized" and reinterpreted.
Grimus is a 1975 fantasy and science fiction novel by Salman Rushdie. It was his literary debut.
Dominick LaCapra is an American-born historian of European intellectual history, best known for his work in intellectual history and trauma studies. He served as the Bryce and Edith M. Bowmar Professor of Humanistic Studies at Cornell University, where he is now a professor emeritus.
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation. Often its subject is an original work or some aspect of it, but a parody can also be about a real-life person, event, or movement. Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater.
Irony, in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected. It typically figures as a rhetorical device and literary technique. In some philosophical contexts, however, it takes on a larger significance as an entire way of life.
The Bush Garden: Essays on the Canadian Imagination is a collection of essays by Canadian literary critic Northrop Frye (1912–1991). The collection was originally published in 1971; it was republished, with an introduction by Canadian postmodern theorist Linda Hutcheon, in 1995. The Bush Garden features analyses of Canadian poetry, prose fiction and painting. According to Frye's introduction, the essays were selected to provide a composite view of the Canadian imagination, an understanding of the human imagination's reaction to and development in response to the Canadian environment.
Irony's Edge: The Theory and Politics of Irony is a non-fiction book written by Linda Hutcheon on the subject of irony. Hutcheon rejects the traditional definition of irony as antiphrasis, or saying the opposite of what one means. Instead, she suggests that irony is a “...semantically complex process of relating, differentiating, and combining said and unsaid meanings - and doing so with an evaluative edge” (p. 89). She argues this process of differentiation and relation involves a rapid oscillation between two different meanings; denotation and connotation cannot be seen simultaneously but are also inextricable from each other. She likens this to the famous ambiguous image involving the rabbit/duck.
Professor Patricia Waugh is a literary critic, intellectual historian and Professor of English Literature at Durham University. She is a leading specialist in modernist and post-modernist literature, feminist theory, intellectual history, and postwar fiction and its political contexts. Along with Linda Hutcheon, Waugh is notable as one of the first critics to work on metafiction and, in particular, for her influential 1984 study, Metafiction: the Theory and Practice of Self-Conscious Fiction.
Metamodernism refers to a number of related discourses about cultural developments that move beyond postmodernism by means of postmodernism. Many metamodern theorists characterize it in terms of both/and mediations between aspects of modernism and postmodernism; for others, the term suggests an integration of those sensibilities with premodern cultural codes as well. Metamodernism is one of a number of attempts to describe post-postmodernism.
Doctor Copernicus is a novel by John Banville, first published in 1976. "A richly textured tale" about Nicolaus Copernicus, it won that year's James Tait Black Memorial Prize.
An adaptation is a transfer of a work of art from one style, culture or medium to another.
Postmodern Metanarratives: Blade Runner and Literature in the Age of Image is a non-fiction book by Décio Torres Cruz published in 2014 by Palgrave Macmillan.
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