Linda Jansma

Last updated

Linda Jansma
Born1962 (age 6162)
EducationHonours BA in art history from Queen's University, Kingston (1985); MA in art history from University of East Anglia, Norwich, Norfolk (1986)
OccupationArt curator
Known forcurating shows of Canadian modern and contemporary art
SpouseMark Baron

Linda Jansma (born 1962) was the Interim Director of the Robert McLaughlin Gallery in Oshawa (2019-2020) and Senior Curator (1994-2012). [1] She is a Canadian art historian who places collaborative partnerships with institutions across Canada at the centre of her practice.

Contents

Career

Linda Jansma was born in Bowmanville and grew up in Hampton, Ontario. She received her Honours BA in Art History from Queen's University, Kingston (1985) and her MA in Art History from the University of East Anglia, Norwich, Norfolk (1986). She served as Registrar/Assistant Curator (1989-1994), Curator (1994-2012), Senior Curator (2012-2018) and Interim Director (2019-2020) of the Robert McLaughlin Gallery in Oshawa, having retired from full-time curatorial practice in 2018. [1]

She focused on Canadian modern art in exhibitions with her show of Canadian artist Michael Forster titled Order out of Chaos: Michael Forster, Sixty Years of a Canadian Artist (1993) and oversaw travel and production of a Kazuo Nakamura show titled Kazuo Nakamura: The Method of Nature (Confederation Centre Art Gallery, Agnes Etherington Art Centre, Art Gallery of Hamilton, Mendel Art Gallery, 2001-2003). She co-curated the exhibition and publication of Jock Macdonald: Evolving Form (Vancouver Art Gallery, Art Gallery of Greater Victoria, 2013-2014) in which she published Macdonald works she discovered done in Vancouver which show his first foray into automatism, held in the Pailthorpe and Mednikoff archives in the Scottish National Gallery of Modern Art Archives. [2] [1] This show was the first major retrospective exhibition of the artist’s work in more than thirty years. [3]

She also curated or co-curated many contemporary Canadian art exhibitions of such Canadian artists as Mary Anne Barkhouse in Mary Anne Barkhouse: Boreal Baroque (Galley Stratford, Art Gallery of Sudbury, Canadian Clay & Glass Gallery, Agnes Jamieson Gallery, Thames Gallery (2007-2008), Holly King in Holly King: Edging Towards the Mysterious (Thames Art Gallery, Musée des beaux-arts de Sherbrooke; Musée du Bas-Saint-Laurent, 2016-2017), Ed Pien, Nell Tenhaaf, and organized a mid-career survey show of artists Jennifer Marman and Daniel Borins, [2] as well writing entries for publications and mentoring emerging curators and writers in Canada. [1]

Besides curating shows, she was involved in commissioning public sculpture by Mary Anne Barkhouse, Douglas Coupland and other sculptors as well as purchases of work by Sarindar Dhaliwal and Tazeen Qayyum. [2] She also has advised the City of Oshawa with its Culture and Art Policy plans. [1]

Awards

Related Research Articles

<span class="mw-page-title-main">Painters Eleven</span>

Painters Eleven was a group of abstract artists active in Canada between 1953 and 1960. They are associated with the Abstract Expressionist movement.

<span class="mw-page-title-main">York Wilson</span>

Ronald York Wilson, also known as R. York Wilson, was a Canadian painter and muralist.

Kazuo Nakamura was a Japanese-Canadian painter and sculptor and a founding member of the Toronto-based Painters Eleven group in the 1950s. Among the first major Japanese Canadian artists to emerge in the twentieth century, Nakamura created innovative landscape paintings and abstract compositions inspired by nature, mathematics, and science. His painting is orderly and restrained in contrast to other members of Painters Eleven. His idealism about science echoed the beliefs of Lawren Harris and Jock Macdonald.

James Williamson Galloway Macdonald, commonly known in his professional life as Jock Macdonald, was a member of Painters Eleven, whose goal was to promote abstract art in Canada. Macdonald was a trailblazer in Canadian art from the 1930s to 1960. He was the first painter to exhibit abstract art in Vancouver, and throughout his life he championed Canadian avant-garde artists at home and abroad. His career path reflected the times: despite his commitment to his artistic practice, he earned his living as a teacher, becoming a mentor to several generations of artists.

Arnaud Maggs was a Canadian artist and photographer. Born in Montreal, Maggs is best known for stark portraits arranged in grid-like arrangements, which illustrate his interest in systems of identification and classification.

<span class="mw-page-title-main">Isabel McLaughlin</span> Canadian artist (1903-2002)

Isabel McLaughlin, was a Modernist Canadian painter, patron and philanthropist. She specialized in landscapes and still life and had a strong interest in design.

Michael Forster (1907–2002) was an Anglo-Canadian abstract artist. Born in Kolkata, India, Forster spent most of his childhood in Meerut. He studied first at Lancing College in Sussex and then later at the Central School of Arts and Crafts, as well as the Académie Colarossi in Paris. In 1927–1928, he moved to Toronto, Ontario, Canada in hopes of avoiding The Great Depression.

<span class="mw-page-title-main">Lois Betteridge</span> Canadian silversmith and goldsmith (1928–2020)

Lois Etherington Betteridge was a Canadian silversmith, goldsmith, designer and educator, and a major figure in the Canadian studio craft movement. Betteridge entered Canadian silversmithing in the 1950s, at a time when the field was dominated by male artists and designers, many of them emigrés from the United States, the United Kingdom, and Europe. In fact, Betteridge was the first Canadian silversmith to attain international stature in the post-war studio craft movement.

Mary Anne Barkhouse is a jeweller and sculptor residing in Haliburton, Ontario, Canada. She belongs to the Nimpkish band of the Kwakiutl First Nation.

<span class="mw-page-title-main">Rita Letendre</span> Canadian artist (1928–2021)

Rita Letendre, LL. D. was a Canadian painter, muralist, and printmaker associated with Les Automatistes and the Plasticiens. She was an Officer of the Order of Canada and a recipient of the Governor General's Award.

<span class="mw-page-title-main">Rody Kenny Courtice</span> Canadian artist

Rody Kenny Courtice was a modernist Canadian painter. She was associated with the Group of Seven early in her career, but later developed a more individual style. She was active in associations of artists and worked for the professionalization of their occupation. She also was an educator.

Grace Winifred Pailthorpe was a British surrealist painter, surgeon, and psychology researcher.

Francine Savard is a Canadian artist whose paintings and installations are grounded in the Plasticien tradition. Her practice explores relationships between language and visual art. Besides painting, Savard has a career as a graphic designer.

Michelle Jacques is a Canadian curator and educator known for her expertise in combining historical and contemporary art, and for her championship of regional artists. Originally from Ontario, born in Toronto to parents of Caribbean origin, who immigrated to Canada in the 1960s, she is now based in Saskatoon, Saskatchewan.

Holly King is a Canadian artist based in Montreal, known for her photographs of constructed landscapes. She views landscape as a product of the imagination.

Dennis Burton was a Canadian modernist painter.

Richard Gorman was a Canadian painter and printmaker. He was known for his magnetic prints which he created using ink covered ball-bearings manipulated with a magnet held behind the drawing board and for his large paintings in which he broadly handled paint.

Gordon Webber was a multimedia pioneer of modernism in Canada. He was also an educator.

Olivia Whetung is a contemporary artist, printmaker, writer, and member of the Curve Lake First Nation and citizen of the Nishnaabeg Nation.

Alicia Boutilier has been the Curator of Canadian Historical Art at the Agnes Etherington Art Centre since 2008 and in addition, was appointed Chief Curator in 2017. In 2020, she served as the Interim Director at the gallery and received a special recognition award from Queen's University at Kingston for her work as a team leader, adapting to the new realities caused by Covid. She is a Canadian art historian with wide-ranging concerns, among them women artists, the building of collections, and the combination of art with craft.

References

  1. 1 2 3 4 5 Linda Jansma file, National Gallery of Canada Library and Archives, Canada
  2. 1 2 3 "Linda Jansma: Curator Extraordinaire". rmg.on.ca. Robert McLaughlin Gallery, Oshawa. 5 June 2018. Retrieved 3 March 2022.
  3. "Jock Macdonald: Scholars panel". vimeo.com. Vancouver Art Gallery. 4 December 2014. Retrieved 3 March 2022.
  4. Jansma, Linda. ""Jock Macdonald, Dr. Grace Pailthorpe and Reuben Mednikoff: A Lesson in Automatics". Jock Macdonald: Evolving Form (London: Black Dog Press, 2014)". www.gallery.ca. National Gallery of Canada. Retrieved 3 March 2022.