Linda Nguyen Lopez | |
---|---|
Born | 1981 Visalia, California |
Known for | ceramist |
Website | lindalopez |
Linda Nguyen Lopez (b. 1981, Visalia, California) [1] is an American artist known for ceramic art. [2] Lopez attended California State University, Chico and the University of Colorado Boulder. [3] She is located in Fayetteville, Arkansas [4] where she teaches at the University of Arkansas. [5]
Lopez has exhibited nationally at various venues including the Springfield Art Museum [6] and the Crystal Bridges Museum of American Art. [7] She has had residencies at the Clay Studio, [8] the Archie Bray Foundation for the Ceramic Arts, [5] the C.R.E.T.A. Rome Residency Program, [9] and Greenwich House Pottery. [10]
Her work, Blue/Purple Ombré with Rocks, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign. [11] [12]
Paul Edmund Soldner was an American ceramic artist and educator, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku. He was the founder of the Anderson Ranch Arts Center in 1966.
D. Wayne Higby is an American artist working in ceramics. The American Craft Museum considers him a "visionary of the American Crafts Movement" and recognized him as one of seven artists who are "genuine living legends representing the best of American artists in their chosen medium."
Ruth Duckworth was a modernist sculptor who specialized in ceramics, she worked in stoneware, porcelain, and bronze. Her sculptures are mostly untitled. She is best known for Clouds over Lake Michigan, a wall sculpture.
Arnold Zimmerman (1954-2021), also known as Arnie Zimmerman, was an American sculptor and ceramic artist. His work ranged from monumental to miniature, and abstract to figurative, encompassing totemic vessel forms, tabletop sculpture and figures, murals, and room-size installations. He was part of a multi-decade, 20th-century shift in American ceramics during which artists challenged clay's identification with function and craft, engaging fine-art domains such as emotional expression, social commentary, figuration and narrative. Zimmerman first gained recognition in the 1980s for deeply carved, architectonic sculptures characterized by rough physicality, rhythmic surfaces, gestural presence and Italian Romanesque influences. In the mid-1990s, he shifted to figurative work that critic Donald Kuspit wrote, examined the interaction of finite man and infinite matter, artist and creative work: "There is a sense of futility and folly as well as seemingly senseless idealism and innocence built into Zimmerman's parables of the all-too-human."
Annabeth Rosen is an American sculptor best known for abstract ceramic works, as well as drawings. She is considered part of a second generation of Bay Area ceramic artists after the California Clay Movement, who have challenged ceramic traditions involving expression, form and function and helped spur the medium's acceptance in mainstream contemporary sculpture. Rosen's sculptures range from monumental to tabletop-sized, and emerge out of an accumulative bricolage process combining dozens or hundreds of fabricated parts and clay fragments and discards. Reviewers characterize her art as deliberately raw, both muscular and unapologetic feminine, and highly abstract yet widely referential in its suggestions of humanoid, botanical, aquatic, artificial, even science-fictional qualities. Critic Kay Whitney wrote that her work is "visceral in its impact, violent even, but also sensual and evocative" and "floats between the poles of the comic and the mordant."
Viola Frey was an American artist working in sculpture, painting and drawing, and professor emerita at California College of the Arts. She lived and worked in the San Francisco Bay Area and was renowned for her larger-than-life, colorfully glazed clay sculptures of men and women, which expanded the traditional boundaries of ceramic sculpture.
Cristina Córdova is an American-born, Puerto Rican sculptor who works and lives in Penland, North Carolina.
Patti Warashina is an American artist known for her imaginative ceramic sculptures. Often constructing her sculptures using porcelain, Warashina creates narrative and figurative art. Her works are in the collection of the Museum of Arts and Design, New York, National Museum of Modern Art, Kyoto, and the Smithsonian American Art Museum.
Marilyn Levine was a Canadian ceramics artist known for her trompe-l'œil art. She built a reputation making ceramic works of art that looked like leather handbags, garments, and briefcases. She was associated with the funk art movement.
Ayumi Horie is a Portland, Maine-based studio potter. She is recognized for her unique aesthetic as well as for her pioneering use of digital marketing and social media within contemporary ceramics. She is curator of the popular Instagram feed Pots in Action and is a 2015 United States Artist Distinguished Fellow in Craft.
Jack Earl is an American ceramic artist and former teacher, known for drawing inspiration from his home state of Ohio to create rural pieces “with meticulous craftsmanship and astute details… to where you could smell the air, hear the silence and swat the flies.” Although his works hint at highly personal, intellectual, and narrative themes in an almost unsettling manner, Earl is “a self-described anti-intellectual who shuns the art world." He is known particularly for using his trademark format, the dos-a-dos : “This art form is like a book with two stories… the two seemingly incongruent images prompt the viewer to fill in the conceptual gap through poetic speculation.” His work often involves dogs or the character “Bill”, who is said to be a combination of Earl’s father-in-law, himself, and others. The titles to his pieces are typically lengthy, stream-of-consciousness narratives that suggest the folk or rural lifestyle. These are intended to add another dimension to the artwork. His work has received a notable response over his decades-long career, especially since he is regarded as “a master at reminding us that within the events we take for granted are moments of never-ending mystery and wonder.” Earl continues to live in Lakeview, Ohio with his wife, Fairlie.
Susan Thayer is an American ceramicist known for her intricately painted porcelain teapots. Inspired by her grandmother's china as well as by historical European ceramics, she often combines traditional elements with other more contemporary designs in her work. In order to maintain a high level of detail, Thayer must often fire each individual piece between ten and twenty times. She currently lives and works in Portland, Oregon.
Donald Lester Reitz was an American ceramic artist, recognized for inspiring a reemergence of salt glaze pottery in United States. He was a teacher of ceramic art at the University of Wisconsin–Madison from 1962 until 1988. During this period, he adapted the pottery firing technique developed in the Middle Ages, which involved pouring salt into the pottery kiln during the firing stage. The method was taught in European ceramic art schools, but largely unknown in United States studio pottery.
Chris Gustin is an American ceramicist. Gustin models his work on the human form, which is shown through the shape, color, and size of the pieces.
Sharif Bey is an African American artist, ceramicist and professor. He produces both functional pottery and ceramic and mixed- media sculpture, using a variety of forms and textures. His body of work reflects his interest in the visual heritage of Africa and Oceania, as well as contemporary African American culture. With his colorful large-scale bead sculptures, Bey explores the cultural and political significance of ornamentation and adornment.
Nan Bangs McKinnell (1913–2012) was an American ceramicist and educator. Nan was a founding member of the National Council on Education for the Ceramic Arts, a member of the American Craft Council College of Fellows, along with receiving several awards for her work. James "Jim" McKinnell (1919–2005), her spouse, was also a ceramicist and they made some collaborative work.
Nancy Selvin is an American sculptor, recognized for ceramic works and tableaux that explore the vessel form and balance an interplay of materials, minimal forms, and expressive processes. She emerged in the late 1960s among a "second generation" of Bay Area ceramic artists who followed the California Clay Movement and continued to challenge ceramic traditions involving expression, form and function, and an art-world that placed the medium outside its established hierarchy. Her work has been exhibited at the Los Angeles County Museum of Art (LACMA), Denver Art Museum, Daum Museum of Contemporary Art and Kohler Arts Center, and belongs to the public art collections of LACMA, the Smithsonian Institution, Oakland Museum of California, and Crocker Art Museum, among others. Critic David Roth has written, "Selvin's position in the top rank of ceramic artists has come through a process of rigorous self-examination … what differentiates [her] is that she eschews realism and functionality, indicating a level of intellectual engagement not always found among ceramicists." Writer and curator Jo Lauria described Selvin's tableaux as "elegiac and stylistically unified" works that serve as "forceful essays on the relationship between realism and abstraction, object and subject, decoration and use." Selvin lives and works in the Berkeley, California area.
Cynthia Bringle was born in Memphis, Tennessee, and has lived and worked in Penland, North Carolina since 1970. She is a potter and teaches at the Penland School of Crafts, Anderson Ranch Arts Center, and John C. Campbell Folk School.
Paula Colton Winokur (1936–2018) was an American artist. She was one of the leading ceramic artists in the United States from the 1970s until her death in 2018.
Lauren Mabry is an American artist known for ceramic art. Mabry was born in Cincinnati and grew up in Madison, Wisconsin She attended the Kansas City Art Institute and the University of Nebraska–Lincoln. She is the recipient of a grant from the Pew Center for Arts & Heritage. She was awarded the National Council on Education for the Ceramic Arts (NCECA) Emerging Artist award in 2014.