Linda Schele (October 30, 1942 – April 18, 1998) was an American Mesoamerican archaeologist who was an expert in the field of Maya epigraphy and iconography. She played a central role in the decoding of much of the Maya script. She produced a massive volume of drawings of stelae and inscriptions, which, following her wishes, are free for use to scholars[ which? ]. In 1978, she founded the annual Maya Meetings at The University of Texas at Austin.
She was from Hendersonville, TN, a northern suburb of Nashville. Her mother Ruby Richmond was active in historic preservation at Historic Rock Castle in the 1980s.
Born in Nashville, Tennessee, Linda Schele began taking commercial art courses at the University of Cincinnati in 1960 and graduated in Education and Art in 1964. With an increasing interest in literature, she spent another four years in Cincinnati's graduate program and obtained her master's degree in Art in 1968. She married the architect David Schele in 1968, and started teaching Studio Art at the University of South Alabama, remaining there till 1980, by which time she was Professor. [1]
In 1970 she traveled with her husband, David Schele, to photograph Mesoamerican monuments in Yucatán on behalf of the University. An obligatory visit to Palenque the next summer turned into a 12-day stay spent drawing and studying Maya architecture. Fascinated by the art, Schele decided to investigate the culture and history of the ancient people who had created the city. [2]
Mentored by Merle Greene Robertson, Schele worked with Peter Mathews and Floyd Loundsbury [3] to decipher a major section of the list of Palenque kings, presenting her work in the 1973 conference Mesa Redonda de Palenque, organized by Robertson. This meeting established the previously unknown Linda as a major figure in the Maya studies, not only of art and history, but also of dirt archaeology and epigraphy, [4] and her work stimulated several later discoveries, by herself and others. In 1975, Schele was invited to the Second International Archaeoastronomy Conference at Colgate to present an exploratory paper on Palenque hierophanies and their link to emblem and skull variant glyphs, which she later published in 1977. [5]
A strong supporter of collaborative scholarship, Schele became a Fellow in pre-Columbian Studies at Dumbarton Oaks in Washington, D.C., in 1975. Alongside Peter Mathews; David Kelley; and one of her longtime mentors, Floyd Lounsbury, she participated in a series of miniconferences at Dumbarton Oaks which pushed further developing and refining of the Palenque series and also opened new epigraphic frontiers. [6] She focused on the study of word ordering in Maya inscriptions for the next two years there.
Still attending graduate school, Schele founded the Maya Hieroglyphic Workshop in Texas in 1977 which consisted of 21 consecutive seminars concerning Maya hieroglyphic writing and introduced more people intrigued by the Maya field than many other books from that time that were considered "popular". [7] Twenty years later, the workshop expanded into what is known as the Maya Meetings at Texas, and includes a symposium of research papers by major scholars and the Forum on Hieroglyphic Writing.
By this time in her life, Schele realized her destiny as a Mayanist; she enrolled as a graduate student in Latin American Studies at the University of Texas shortly before resigning from her position at South Alabama. [8] She was awarded a Doctorate in Latin American studies by the University of Texas in 1980. She continued her teaching career there, in the department of Art/Art History. At the time of her death, she was the John D. Murchison Regents Professor of Art in the department.
Schele joined the Copán Mosaics Project in the mid 1980s, working with David Stuart, Barbara Fash, and Nikolai Grube on the texts of that site. In 1986, Schele and Stuart identified Copan's dynastic founder, K’inich Yax K’uk’ Mo’. [9] Shortly after, she began a related series called the Copán Notes, reports on epigraphy and iconography, which were aimed at rapid dissemination of information amongst Maya scholars.
In 1986, Schele co-curated a ground breaking exhibition and catalog of Maya art, "The Blood of Kings: A New Interpretation of Maya Art", with Mary Miller, a project initiated by InterCultura and the Kimbell Art Museum, where it opened in 1986, and the two co-authored the catalog to the exhibition, which was published under the title "The Blood of Kings: Dynasty and Ritual in Maya Art". The exhibition spoke of an obsession with royal descent, of incessant warfare, and of bloody sacrifice and self-mutilation which was inconsistent with the models proposed by previous generations of Mayanists. According to Michael D. Coe, the catalog presented by Schele and Miller "might as well stand as the most influential book on the Maya published in the past half-century." [10]
She also began taking an interest in the culture of the contemporary Maya. For a decade beginning 1988, she organized 13 workshops, along with Nikolai Grube and Frederico Fahsen, on hieroglyphic writing for them in Guatemala and Mexico.
Michael D. Coe claims that "Linda's most important contribution to Maya scholarship" is represented in her book Maya Cosmos: Three Thousand Years on the Shaman's Path published in 1993 with David Freidel and Joy Parker. [11]
On April 18, 1998, she died of pancreatic cancer, aged fifty-five. [12] Upon being diagnosed with this disease, Schele planned ahead knowing she would not have long to live and resumed her lectures until a few days before her passing. [13] Just before her death, she established the Linda Schele Precolumbian Endowment, which provides financial support for the Linda and David Schele Chair in Mesoamerican Art and Writing at UT Austin.
Her doctoral dissertation, "Maya Glyphs: the Verbs" was published in 1982 and won "The Most Creative and Innovative Project in Professional and Scholarly Publication" an award given by the Professional and Scholarly Publishing Division of the Association of American Publishers. The Blood of Kings was awarded the Alfred H. Barr Jr. Award of the College Art Association for the best exhibition catalogue of 1986. She was awarded diplomas of recognition of the Museo Popol Vuh and the Universidad Francisco Marroquin by the government of Guatemala in March 1998.
The Texas Notes were informal reports produced by Linda Schele and others between 1990 and 1997 to allow for the quick dissemination of results in the rapidly evolving field of Maya epigraphy.
Palenque, also anciently known in the Itza Language as Lakamhaʼ, was a Maya city state in southern Mexico that perished in the 8th century. The Palenque ruins date from ca. 226 BC to ca. 799 AD. After its decline, it was overgrown by the jungle of cedar, mahogany, and sapodilla trees, but has since been excavated and restored. It is located near the Usumacinta River in the Mexican state of Chiapas, about 130 km (81 mi) south of Ciudad del Carmen, 150 meters (490 ft) above sea level. It is adjacent to the modern town of Palenque, Chiapas. It averages a humid 26 °C (79 °F) with roughly 2,160 millimeters (85 in) of rain a year.
Dos Pilas is a Pre-Columbian site of the Maya civilization located in what is now the department of Petén, Guatemala. It dates to the Late Classic Period, and was founded by an offshoot of the dynasty of the great city of Tikal in AD 629 in order to control trade routes in the Petexbatún region, particularly the Pasión River. In AD 648 Dos Pilas broke away from Tikal and became a vassal state of Calakmul, although the first two kings of Dos Pilas continued to use the same emblem glyph that Tikal did. It was a predator state from the beginning, conquering Itzan, Arroyo de Piedra and Tamarindito. Dos Pilas and a nearby city, Aguateca, eventually became the twin capitals of a single ruling dynasty. The kingdom as a whole has been named as the Petexbatun Kingdom, after Lake Petexbatún, a body of water draining into the Pasión River.
The Maya calendar is a system of calendars used in pre-Columbian Mesoamerica and in many modern communities in the Guatemalan highlands, Veracruz, Oaxaca and Chiapas, Mexico.
Tikal is the ruin of an ancient city, which was likely to have been called Yax Mutal, found in a rainforest in Guatemala. It is one of the largest archeological sites and urban centers of the pre-Columbian Maya civilization. It is located in the archeological region of the Petén Basin in what is now northern Guatemala. Situated in the department of El Petén, the site is part of Guatemala's Tikal National Park and in 1979 it was declared a UNESCO World Heritage Site.
Kʼinich Janaab Pakal I, also known as Pacal or Pacal the Great, was ajaw of the Maya city-state of Palenque in the Late Classic period of pre-Columbian Mesoamerican chronology. He acceded to the throne in July 615 and ruled until his death. Pakal reigned 68 years—the fifth-longest verified regnal period of any sovereign monarch in history, the longest in world history for more than a millennium, and still the longest of reign of any monarch in the history of the Americas. During his long rule, Pakal was responsible for the construction or extension of some of Palenque's most notable surviving inscriptions and monumental architecture. He is perhaps best known in popular culture for his depiction on the carved lid of his sarcophagus, which has become the subject of pseudoarchaeological speculations.
"Spearthrower Owl" was a Mesoamerican person from the Early Classic period, who is identified in Maya inscriptions and iconography. Mayanist David Stuart has suggested that Spearthrower Owl was a ruler of Teotihuacan at the start of the height of its influence across Mesoamerica in the 4th and 5th century, and that he was responsible for an intense period of Teotihuacan presence in the Maya area, including the conquest of Tikal in 378 CE.
Maya script, also known as Maya glyphs, is historically the native writing system of the Maya civilization of Mesoamerica and is the only Mesoamerican writing system that has been substantially deciphered. The earliest inscriptions found which are identifiably Maya date to the 3rd century BCE in San Bartolo, Guatemala. Maya writing was in continuous use throughout Mesoamerica until the Spanish conquest of the Maya in the 16th and 17th centuries. Though modern Mayan languages are almost entirely written using the Latin alphabet rather than Maya script, there have been recent developments encouraging a revival of the Maya glyph system.
Calakmul is a Maya archaeological site in the Mexican state of Campeche, deep in the jungles of the greater Petén Basin region. It is 35 kilometres (22 mi) from the Guatemalan border. Calakmul was one of the largest and most powerful ancient cities ever uncovered in the Maya lowlands.
Uaxaclajuun Ubʼaah Kʼawiil, was the 13th ajaw or ruler of the powerful Maya polity associated with the site of Copán in modern Honduras. He ruled from January 2, 695, to May 3, 738.
Ancient Maya art comprises the visual arts of the Maya civilization, an eastern and south-eastern Mesoamerican culture made up of a great number of small kingdoms in present-day Mexico, Guatemala, Belize and Honduras. Many regional artistic traditions existed side by side, usually coinciding with the changing boundaries of Maya polities. This civilization took shape in the course of the later Preclassic Period, when the first cities and monumental architecture started to develop and the hieroglyphic script came into being. Its greatest artistic flowering occurred during the seven centuries of the Classic Period.
David Humiston Kelley was an American archaeologist and epigrapher. He was associated with the University of Nebraska-Lincoln, and later with the University of Calgary. He is most noted for his work on the phonetic analysis and major contributions toward the decipherment of the writing system used by the Maya civilization of pre-Columbian Mesoamerica, the Maya script.
Tortuguero is an archaeological site in southernmost Tabasco, Mexico which supported a Maya city during the Classic period. The site is noteworthy for its use of the B'aakal emblem glyph also found as the primary title at Palenque. The site has been heavily damaged by looting and modern development; in the 1960s, a cement factory was built directly on top of the site.
A kʼatun is a unit of time in the Maya calendar equal to 20 tuns or 7200 days, equivalent to 19.713 tropical years. It is the second digit on the normal Maya long count date. For example, in the Maya Long Count date 12.19.13.15.12, the number 19 is the kʼatun. There are 20 k'atuns in a baktun.
Floyd Glenn Lounsbury was an American linguist, anthropologist and Mayanist scholar and epigrapher, best known for his work on linguistic and cultural systems of a variety of North and South American languages. Equally important were his contributions to understanding the hieroglyphs, culture and history of the Maya civilization of pre-Columbian Mesoamerica.
The Mesoamerican Long Count calendar is a non-repeating base-20 and base-18 calendar used by several pre-Columbian Mesoamerican cultures, most notably the Maya. For this reason, it is often known as the MayaLong Count calendar. Using a modified vigesimal tally, the Long Count calendar identifies a day by counting the number of days passed since a mythical creation date that corresponds to August 11, 3114 BCE in the proleptic Gregorian calendar. The Long Count calendar was widely used on monuments.
Maya monarchs, also known as Maya kings and queens, were the centers of power for the Maya civilization. Each Maya city-state was controlled by a dynasty of kings. The position of king was usually inherited by the oldest son.
During the 6th and 7th centuries in Mesoamerica, there was an evident shift in the roles women played in ancient Maya society as compared with the previous two centuries. It was during this time that there was a great deal of political complexity seen both in Maya royal houses as well as in the Maya area. Warfare was a significant factor in political competition and marriage was one of the ways that alliances were made between the different polities. This was accompanied by a shift in women's roles from wife and mother to playing integral parts in courtly life, such as participating in rituals involving the supernatural world and at times ruling individual polities.
Maya stelae are monuments that were fashioned by the Maya civilization of ancient Mesoamerica. They consist of tall, sculpted stone shafts and are often associated with low circular stones referred to as altars, although their actual function is uncertain. Many stelae were sculpted in low relief, although plain monuments are found throughout the Maya region. The sculpting of these monuments spread throughout the Maya area during the Classic Period, and these pairings of sculpted stelae and circular altars are considered a hallmark of Classic Maya civilization. The earliest dated stela to have been found in situ in the Maya lowlands was recovered from the great city of Tikal in Guatemala. During the Classic Period almost every Maya kingdom in the southern lowlands raised stelae in its ceremonial centre.
Nikolai Grube is a German epigrapher. He was born in Bonn in 1962. Grube entered the University of Hamburg in 1982 and graduated in 1985. His doctoral thesis was published at the same university in 1990. After he received his doctorate, Grube moved to the University of Bonn. Nikolai Grube has been heavily involved in the decipherment of the Maya hieroglyphic script.
Tikal Temple III, also known as the Temple of the Jaguar Priest, was one of the principal temple pyramids at the ancient Maya city of Tikal, in the Petén Department of modern Guatemala. The temple stands approximately 55 metres (180 ft) tall. The summit shrine of Temple III differs from those of the other major temples at Tikal in that it only possesses two rooms instead of the usual three. The pyramid was built in the Late Classic Period, and has been dated to 810 AD using the hieroglyphic text on Stela 24, which was raised at the base of its access stairway. Stela 24 is paired with the damaged Altar 6, in a typical stela-altar pair.