Lindsey White | |
---|---|
Born | Tulsa, Oklahoma, U.S. | August 11, 1980
Alma mater | California College of the Arts |
Known for | Photography, video, sculpture, and book making |
Website | www |
Lindsey White (1980) is a visual artist working across many disciplines including photography, video, sculpture, and book making. Her work has been described as "reveling in lighthearted gags and simple gestures to create an experience that is all the more satisfying for the puzzles it contains." [1]
White was born in 1980 in Tulsa, Oklahoma. [2] [3] She received her Bachelor of Fine Arts from Pacific Northwest College of Art in Portland, Oregon and her Master of Fine Arts from the California College of Art in San Francisco, California. [4]
Her solo exhibitions include 2017 SFMOMA SECA Award Exhibition at the San Francisco Museum of Modern Art, [5] In That Case: Havruta in Contemporary Art at the Contemporary Jewish Museum, San Francisco, CA. [6] [7] "Through video, photography, and sculpture, White models a type of site gag index, working with the language of magic and comedy to challenge ordinary perceptions by presenting the unexpected and impossible. Like a good joke, her work pits cartoonish occurrence against the mundane physicality of everyday life." [8] [9] White's work is fictionalizing an awkward stage moment, forming a joke in its own right. [10] She has exhibited at places such as Museum Bärengasse, [11] Switzerland; Bolinas Art Museum, Bolinas, California; Marylhurst Art Gym, [12] Portland, Oregon; San Francisco International Airport Museum, [13] San Francisco, California; diRosa, Napa Valley, California; ACME., Los Angeles, California; San Francisco Arts Commission, [14] San Francisco, California; and Aurora Picture Show, Houston, Texas.
Additionally, she is a part of a collaborative project, Will Brown [15] [16] (with David Kasprzak and Jordan Stein) who reimagines the roles of artist and curator through an inventive upending of traditional exhibition formats. The collective often mines unexpected or forgotten histories that exist within artistic and cultural spheres. [16] [17] The practice has been described as meta-curating. [18] "This trio of artist-curators is making exhibitions and events out of a San Francisco storefront that are smart, weird and historical, with a great sense of humor. Their latest installation — inspired by a true story involving the fate of painter Kazimir Malevich's burial site in Moscow — transformed the space into a luxury Russian condominium." [19] [ failed verification ] Will Brown has realized projects with Wattis Institute, [20] [ failed verification ] Kadist Foundation, [21] Ulrich Museum of Art, [22] [ failed verification ] di Rosa, [23] Headlands Center of the Arts, [24] and in 2015 had a solo MATRIX exhibition at the Berkeley Museum of Art/Pacific Film Archive. [16] [25] Will Brown was awarded a Creative Fund Grant in collaboration with the San Francisco Art Institute in 2015. [26] [27]
White is currently an Assistant Professor of Photography at the San Francisco Art Institute. [28]
The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum and nonprofit organization located in San Francisco, California. SFMOMA was the first museum on the West Coast devoted solely to 20th-century art, and has built an internationally recognized collection with over 33,000 works of painting, sculpture, photography, architecture, design, and media arts. The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.
Harrell Fletcher is an American social practice and relational aesthetics artist and professor, living in Portland, Oregon.
Lawrence R. Rinder is a contemporary art curator and museum director. He directed the Berkeley Art Museum and Pacific Film Archive (BAMPFA) from 2008 to 2020. Since 2014, Rinder has been a board member and advisor of Kadist.
The San Francisco Arts Commission (SFAC) is the City agency that champions the arts as essential to daily life by investing in a vibrant arts community, enlivening the urban environment and shaping innovative cultural policy in San Francisco, California. The commission oversees Civic Design Review, Community Investments, Public Art, SFAC Galleries, The Civic Art Collection, and the Art Vendor Program.
Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Taraneh Hemami is an Iranian-born American visual artist, curator, and arts educator based in San Francisco. Her works explore the complex cultural politics of exile through personal and collective, multidisciplinary projects often through site specific installation art or participatory engagement projects.
Todd Hido is an American photographer. He has produced 17 books, had his work exhibited widely and included in various public collections. Hido is currently an adjunct professor at the California College of the Arts in San Francisco.
Charlie Castaneda and Brody Reiman are two contemporary artists who work together to form castaneda/reiman.
Mona Kuhn is a German-Brazilian contemporary photographer best known for her large-scale photographs of the human form and essence. An underlying current in Kuhn's work is her reflection on our longing for spiritual connection and solidarity. As a result, her approach is unusual in that she develops close relationships with her subjects, resulting in images of remarkable intimacy. Kuhn's work shows the human body in its natural state while simultaneously re-interpreting the nude as a contemporary canon of art. Her work often references classical themes, has been exhibited internationally, and is held in several collections including the J. Paul Getty Museum, The Los Angeles County Museum of Art, the Hammer Museum and the Pérez Art Museum Miami.
J. John Priola is a San Francisco-based contemporary visual artist and educator. He is known for photographic series capturing humble, generally inanimate subjects that explore human presence, absence and loss through visual metaphor. Priola's mature work can be broadly divided into earlier black-and-white, gelatin-silver series—formal elegant, painterly works largely focused on everyday objects and architectural details elevated to portraits—and later color series, which gradually shifted from architectural settings to detailed, varied explorations of the often-conflicted human relationship to nature. San Francisco Chronicle critic Kenneth Baker situated Priola's images "on the border between documentary and conceptual art," where they function as surveys of under-noticed details that "remind us how many potential questions, how much intimate domestic history, may lie embedded on the margins of our attention."
KADIST is an interdisciplinary contemporary arts organization with an international contemporary art collection. KADIST hosts artist residencies and produces exhibitions, publications, and public events. Founded by Vincent Worms and Sandra Terdjman, the first location was opened in Paris in 2006. A San Francisco, California location was opened in the Mission District in 2011.
Sanaz Mazinani is an Iranian–born Canadian multidisciplinary visual artist, curator, and educator, known for her photography and installation art. She is currently based in Toronto, Canada.
Blake Andrews is an American street photographer and blogger based in Eugene, Oregon. Andrews was a member of the In-Public street photography collective.
Travis Collinson is a visual artist whose paintings take elements from photographs and sketches and reinterpret them at larger scale.
Pier 24 Photography is a non-profit art museum located on the Port of San Francisco directly under the San Francisco–Oakland Bay Bridge. The organization houses the permanent collection of the Pilara Foundation, which collects, preserves and exhibits photography. It produces exhibitions, publications, and public programs. Pier 24 Photography is the largest exhibition space in the world dedicated solely to photography.
Léonie Guyer is a contemporary artist based in San Francisco. She makes paintings, drawings, site-based work, prints, and artist books. Her post-minimalist abstract work is characterized by idiosyncratic shapes that are deployed in a variety of spaces.
John Chiara is an American contemporary artist and photographer.
Xiaoyu Weng (翁笑雨) is a Chinese curator, writer, editor and educator in the area of contemporary art.
Angela Hennessy is an American artist and educator. She is an Associate Professor at the California College of the Arts, and co-founder of SeeBlackWomxn. Hennessy teaches courses on visual and cultural narratives of death in contemporary art. She primarily works with textiles. She uses synthetic and human hair to create large-scale sculptures addressing cultural narratives of the body and mortality. Through writing, studio work, and performance, her practice addresses death and the dead themselves. Hennessy constructs “ephemeral and celestial forms” with every day gestures of domestic labor—washing, wrapping, stitching, weaving, brushing, and braiding.