Forever My Lady is the debut studio album by American R&B quartet Jodeci, released May 28, 1991, by Uptown Records and MCA Records.
"Truth Is" is the first single released by Fantasia from her debut album, Free Yourself. The song peaked at number twenty-one on the Billboard Hot 100 and had great success on the US R&B 100 chart, peaking at number two and setting a record for the longest stay at number one for a female artist on the Billboard Adult R&B Airplay chart, with fourteen consecutive weeks. In 2006, Truth Is, along with "Free Yourself", won an ASCAP R&B/Hip-Hop award.
"I'll Be There for You/You're All I Need to Get By" is a duet song by American rapper Method Man, featuring American singer-songwriter Mary J. Blige. The song is a remix of Method Man's "All I Need" which appears on his debut studio album, Tical (1994). The song, a hip hop soul record, was released as a single by Def Jam Recordings and PolyGram Records on April 25, 1995.
"Cry for You" is a song by American R&B group Jodeci recorded for their second album, Diary of a Mad Band (1993). The song was released as the album's lead single in November 1993 by Uptown/MCA. It peaked at number fifteen on the US Billboard Hot 100 chart and also spent four weeks at number one on the R&B/Hip-Hop songs chart, and number one Mainstream R&B/Hip-Hop airplay chart. The song was certified Gold by the Recording Industry Association of America for sales in excess of 500,000 units.
"Come and Talk to Me" is a song by American R&B group Jodeci from their debut album Forever My Lady (1991). The song was the fourth single released in promotion for the album in March 1992. As the third number one R&B hit for Jodeci, "Come and Talk to Me" spent number 1 on the R&B chart for two weeks and peaked at 11 on the Hot 100. The song also topped the R&B year-end chart for 1992.
Mark Anthony Morales, better known by the stage name Prince Markie Dee, was an American rapper. He was a member of the Fat Boys, a pioneering hip hop group that gained fame during the 1980s. Morales was the vice-president of Uncle Louie Music Group.
"Feenin'" is a song by American R&B group Jodeci, recorded for their second album, Diary of a Mad Band (1993). It was released as the second single from the album in March 1994.
The Who's the Man? Soundtrack is the soundtrack to the 1993 film Who's the Man?. The album was released in 1993 on Uptown/MCA Records. The soundtrack peaked at 32 on the Billboard 200 chart in 1993.
"Gotta Love" is the debut single by American R&B group Jodeci. It is from their debut album Forever My Lady. The song was released on February 24, 1991. The music video uses the "New R&B Edit" version of the song instead of the album version.
"I'm Still Waiting" is a song by American R&B group Jodeci from their debut album Forever My Lady (1991). The song was the fifth and last single released in promotion for the album in August 1992. The "Swing Hip Hop Mix" version is the version of the song used in the music video instead of the album version.
"Let's Go Through the Motions" is a song by American R&B group Jodeci. The song was released as a promotional single for the soundtrack to the 1993 film Who's the Man?
"What About Us" is a song by American R&B group Jodeci recorded for their second album Diary of a Mad Band (1993). The song was released as the third and final single for the album in August 1994.
"Get on Up" is a song by American R&B group Jodeci recorded for their third album, The Show, the After Party, the Hotel (1995). The song was released as the third and final single for the album in 1996. "Get on Up" contains the sample of the 1981 song from Quincy Jones featuring Toots Thielemans' "Velas". Produced by Mr. Dalvin and written by Mr. Dalvin and K-Ci & JoJo, it is the only Jodeci single to date that was not produced or written by group leader DeVante Swing. It was also the last Jodeci single released in 18 years before the group returned in 2014 with the single "Nobody Wins". The group performed the song when they guest starred in a season one episode of the UPN sitcom Moesha.
Father's Day is the debut studio album from American hip hop artist Father MC, released in 1990 on Uptown Records and distributed through MCA Records.
"Treat Them Like They Want to Be Treated" is a song by American hip hop artist Father MC, and features backing vocals by K-Ci and Jo-Jo, Devante Swing, and Mr. Dalvin, members of then-up-and-coming R&B group Jodeci. It was recorded for Father MC's debut album Father's Day, and released as its debut single in July, 1990.
"I'll Do 4 U" is a song by American hip hop artist Father MC, with background vocals by R&B artist Mary J. Blige. The song was recorded for Father MC's debut album Father's Day and released as the second single for the album in October 1990. It samples "Got To Be Real" by Cheryl Lynn.
"I've Been Watching You" is a song by American hip hop artist Father MC which features Lady Kazan. The song was recorded for Father MC's debut album Father's Day and released as the fourth and final single for the album in August 1991.
"Somebody Else's Guy" is a 1984 song written and popularized by Jocelyn Brown. On the US soul chart, the single peaked at number two and stalled at number 75 on the Hot 100, but in the UK it made the pop top 20. On the disco chart, "Somebody Else's Guy" peaked at number 13. It was the title track of Brown's debut solo album, released the same year.
"Before I Lay (You Drive Me Crazy)" is a 1996 song by American musician CeCe Peniston, released as a duet with JoJo Hailey of Jodeci. The single was released as the second single from the singer's third and final studio album, I'm Movin' On (1996). It peaked at number fifty-two on the US Billboard R&B chart, while reaching number twenty-one on the Billboard Bubbling Under Hot 100 Singles chart (a virtual equivalent to number 121 on the Billboard Hot 100).
"Movin' On" is a song by American musician CeCe Peniston, released on July 23, 1996, as the lead single from her third studio album, I'm Movin' On (1996). The track is produced by Dave Hall and charted at number twenty-nine on the US Billboard R&B chart. It also reached number 83 on the Billboard Hot 100. A remixed version of the song peaked at number ten on the Billboard Hot Dance Music/Maxi-Singles Sales chart and entered the top 30 in Japan.
