Lisa Anne Loeb is an American singer-songwriter, producer, touring artist, actress, author, and philanthropist who started her career with the platinum-selling number 1 hit song, "Stay " from the film Reality Bites, the first number 1 single for an artist without a recording contract. Her studio albums include two back-to-back albums that were certified Gold; these were Tails and the Grammy-nominated Firecracker.
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema.
Judson Dance Theater was a collective of dancers, composers, and visual artists who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964. The artists involved were avant garde experimentalists who rejected the confines of Modern dance practice and theory, inventing as they did the precepts of Postmodern dance.
Carolee Schneemann was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. from Bard College and a Master of Fine Arts from the University of Illinois. Her work is primarily characterized by research into visual traditions, taboos, and the body of the individual in relation to social bodies. Her works have been shown at the Los Angeles Museum of Contemporary Art, the Museum of Modern Art in New York, the London National Film Theatre, and many other venues.
Yvonne Rainer is an American dancer, choreographer, and filmmaker, whose work in these disciplines is regarded as challenging and experimental. Her work is sometimes classified as minimalist art. Rainer currently lives and works in New York.
Trisha Brown was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement.
Simone Forti, is an American Italian Postmodern artist, dancer, choreographer, and writer. Since the 1950's, Forti has exhibited, performed, and taught workshops all over the world. Her innovations in Postmodern dance, including her seminal 1961 body of work, Dance Constructions, along with her contribution to the early Fluxus movement, have influenced many notable dancers and artists. Forti first apprenticed with Anna Halprin in the 1950s and has since worked alongside artists and composers Nam June Paik, Steve Paxton, La Monte Young, Trisha Brown, Charlemagne Palestine, Peter Van Riper, Dan Graham, Yoshi Wada, Robert Morris and others. Forti's published books include Handbook in Motion, Angel, and Oh Tongue. She is currently represented by The Box L.A. in Los Angeles, CA, and has works in the permanent collections of the Museum of Modern Art (MOMA) in New York, the Stedelijk Museum in Amsterdam, the Generali Foundation in Vienna, the Whitney Museum of American Art in New York, and the Moderna Museet in Stockholm.
Robert Ellis Dunn was an American musician and choreographer who led classes in dance composition, contributing to the birth of the postmodern dance period in the early 1960s in New York City.
Pierre Droulers is a French and Belgian choreographer and dancer.
Cheryl Pallant is a poet, author, dancer, performance artist, and professor who lives in Richmond, Virginia. She has published several books of innovative poetry, nonfiction, and has been featured in several anthologies. Her background as a writer and dancer has led to frequently merging these disciplines.
Patrice M. Regnier is an American choreographer, director, producer and inventor. She is the developer of the TERP system, a patented and trademarked technology to facilitate choreographed movement without rehearsal.
Françoise Sullivan, is a Canadian painter, sculptor, dancer and choreographer.
Barbara Dilley (Lloyd) is an American dancer, performance artist, improvisor, choreographer and educator, best known for her work as a prominent member of the Merce Cunningham Dance Company (1963-1968), and then with the groundbreaking dance and performance ensemble The Grand Union, from 1969 to 1976. She has taught movement and dance at Naropa University in Boulder, Colorado, since 1974, developing a pedagogy that emphasizes what she calls “embodied awareness,” an approach that combines dance and movement studies with meditation, “mind training” and improvisational composition. She served as the president of Naropa University from 1985 to 1993.
Sarah Michelson is a British choreographer and dancer who lives and works in New York City, New York. Her work is characterized by demanding physicality and repetition, rigorous formal structures, and inventive lighting and sound design. She was one of two choreographers whose work was included in the 2012 Whitney Biennial, the first time dance was presented as part of the bi-annual exhibition. Her work has also been staged at The Walker Art Center, Jacob’s Pillow Dance Festival, The Kitchen, and the White Oak Dance Project. She received New York Dance and Performance awards for Group Experience (2002), Shadowmann Parts One and Two (2003), and Dogs (2008). She has served as associate director of The Center for Movement Research and associate curator of dance at The Kitchen. Currently choreographer in residence at Bard's Fisher Center, she is the recipient of their four-year fellowship to develop a commissioned work with Bard students and professional dancers.
Mary Overlie is an American choreographer, dancer, theater artist, professor, author, and the originator of the Six Viewpoints technique for theater and dance. The Six Viewpoints technique is both a philosophical articulation of postmodern performance and a teaching system addressing directing, choreographing, dancing, acting, improvisation, and performance analysis. The Six Viewpoints has been taught in the core curriculum of the Experimental Theater Wing within Tisch School of the Arts at New York University since its inception (1978).
Contredanse is a documentation center for contemporary dance funded by the French Community of Belgium and is located in Brussels. It provides choreographers and dancers with tools and resources to connect their studio practice with academic inquiry by providing documentation about the philosophy of movement, body, composition and a history of the discipline. Their services include providing information about the sector, trainings, publishing and documentation.
The Trinity/La MaMa Performing Arts Program is a fall semester study away program of Trinity College based at the La MaMa Experimental Theatre Club in New York City. The program is part of the Trinity College Office of Study Away, with students from various other liberal arts colleges enrolled in the program every year. Undergraduate students take classes and workshops that vary across all topics of interdisciplinary art, including acting, dance, performance art, puppetry, site-specific theatre, playwriting, directing, and media-based performance. Each student works at an internship/field study in an arts organization twice a week. Students also attend 3-4 shows a week in all disciplines of performance. Throughout the semester, students create and showcase original pieces, with a final performance presented at La MaMa Experimental Theatre Club and at Trinity College in Hartford, CT.
