Look up new wave in Wiktionary, the free dictionary.
New Wave may refer to various artistic movements in film, music and literature. These include:
New Wave may refer to various artistic movements in film, music and literature. These include:
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedies, science fiction films, and horror films.
New Wave may refer to:
Film style refers to recognizable cinematic techniques used by filmmakers to create specific value in their work. These techniques can include all aspects of film language, including: sound design, mise-en-scène, dialogue, cinematography, editing, or direction.
New German Cinema is a period in West German cinema which lasted from 1962 to 1982, in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences. These filmmakers included Percy Adlon, Harun Farocki, Rainer Werner Fassbinder, Peter Fleischmann, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner Schroeter, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders. As a result of the attention they garnered, they were able to create better-financed productions which were backed by the big US studios. However, most of these larger films were commercial failures and the movement was heavily dependent on subsidies. By 1977, 80% of a budget for a typical West German film was ensured by a subsidy.
Malayalam cinema is the segment of Indian cinema dedicated to the production of motion pictures in the Malayalam language, which is widely spoken in the state of Kerala and Lakshadweep islands of India. Malayalam cinema includes the commercial film industry, sometimes known as Mollywood, as well as independent cinema made in Malayalam. According to recent trends and critical acclaim, the Malayalam film industry (Mollywood) is often considered the "best" film industry in India, known for its high quality storytelling, strong performances, and focus on social issues, even though the largest film industry in terms of viewership remains Bollywood
The cinema of Hong Kong is one of the three major threads in the history of Chinese-language cinema, alongside the cinema of China and the cinema of Taiwan. As a former Crown colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world.
The New Wave, also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema.
Chopsocky is a colloquial term for martial arts films and kung fu films made primarily by Hong Kong action cinema between the late 1960s and early 1980s. The term was coined by the American motion picture trade magazine Variety following the explosion of films in the genre released in 1973 in the U.S. after the success of Five Fingers of Death. The word is a play on chop suey, combining "chop" and "sock".
The Hong Kong New Wave is a film movement in Chinese-language Hong Kong cinema that emerged in the late 1970s and lasted through the early 2000s until the present time.
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards.
Nouvelle Vague is a French cover band led by musicians Olivier Libaux and Marc Collin. Their name means "new wave" in French, and refers simultaneously to the French New Wave cinema movement of the 1960s, to the new wave music movement of the 1970s and 1980s, which provides many of the songs that the band covers, and to bossa nova, a musical style that the band frequently uses in its arrangements.
New wave in Yugoslavia was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave.
Asian cinema refers to the film industries and films produced in the continent of Asia. However, in countries like the United States, it is often used to refer only to the cinema of East Asia, Southeast Asia and South Asia. West Asian cinema is sometimes classified as part of Middle Eastern cinema, along with the cinema of Egypt. The cinema of Central Asia is often grouped with the Middle East or, in the past, the cinema of the Soviet Union during the Soviet Central Asia era. North Asia is dominated by Siberian Russian cinema, and is thus considered part of European cinema.
The Japanese New Wave is a term for a group of loosely-connected Japanese films and filmmakers between the late 1950s and part of the 1970s. The most prominent representatives include directors Nagisa Ōshima, Yoshishige Yoshida, Masahiro Shinoda and Shōhei Imamura.
Punk rock in Yugoslavia was the punk subculture of the former Socialist Federal Republic of Yugoslavia. The most developed scenes across the federation existed in the Socialist Republic of Slovenia, the Adriatic coast of the Socialist Republic of Croatia, the Socialist Autonomous Province of Vojvodina and Belgrade, the capital of both Yugoslavia and the Socialist Republic of Serbia. Some notable acts included: Pankrti, Paraf, Pekinška patka, KUD Idijoti, Niet, Patareni and KBO!.
Popular music in Yugoslavia includes the pop and rock music of the former SFR Yugoslavia, including all their genres and subgenres. The scene included the constituent republics: SR Slovenia, SR Croatia, SR Bosnia and Herzegovina, SR Montenegro, SR Macedonia and SR Serbia and its subunits: SAP Vojvodina and SAP Kosovo. The pop and rock scene was a part of the general Music of Yugoslavia, which also included folk, classical music, jazz etc. Within Yugoslavia and internationally, the phrases ex-YU or ex-Yugoslav Pop and Rock both formally and informally generally to the SFRY period, though in some cases also to its successor the FR Yugoslavia including Serbia and Montenegro which existed until 2006.
This article includes an overview of the major events and trends in popular music in the 1970s.
Yugoslav Black Wave is a blanket term for a Yugoslav film and broader cultural movement starting from the early 1960s and ending in the early 1970s. Notable directors include Dušan Makavejev, Žika Pavlović, Aleksandar Petrović, Želimir Žilnik, Mika Antić, Lordan Zafranović, Mića Popović, Đorđe Kadijević and Marko Babac. Black Wave films are known for their non-traditional approach to filmmaking, dark humor and their critical examination of socialist Yugoslav society.
A revolutionary wave is a series of revolutions occurring in various locations within a particular timespan. In many cases, past revolutions and revolutionary waves have inspired current ones, or an initial revolution has inspired other concurrent "affiliate revolutions" with similar aims. The causes of revolutionary waves have become the subjects of study by historians and political philosophers, including Robert Roswell Palmer, Crane Brinton, Hannah Arendt, Eric Hoffer, and Jacques Godechot.