List of Red Digital Cinema cameras

Last updated

The following provides a full list of cameras and notable accessories manufactured under the Red Digital Cinema Company brand.

Contents

Cameras

Some models have different body variants: Aluminum Alloy, Forged or Woven Carbon Fiber and Magnesium and some have a custom-colored limited editions.

Red One

The Red One in a simple setup Redonecamera.JPG
The Red One in a simple setup

The Red One was Red Digital Cinema’s first production camera. [1] Using a S35mm image plane, the Red One displays a natural depth of field from 2K to over 4K resolutions. [2]

The first Red Ones were outfitted with the 12 megapixel Mysterium sensor, capable of capturing up to 120 frames per second at 2K resolution and 30 frames per second at 4K resolution. [3] The only possible acquisition format is Redcode Raw. The cameras were initially sold with a CF card slot that later could be replaced with a RedMag module. The second generation, Red One Mysterium-X has a 14 megapixel Mysterium-X sensor. It captures up to 120 frames per second at 2K resolution and up to 30 frames per second at 4K resolution. With the upgraded sensor, the Red One Mysterium-X offers more dynamic range, higher sensitivity and enhanced color management tools than the Red One Mysterium. [4]

ModelIntroduction YearSensorActive Pixel AreaMax res at 24fpsAcquisition formatMax Apple ProRes/Avid DNx resolutionActive Imaging Area (mm)Active Imaging Area (diagonal, mm)MediaDimensions (WxHxD, mm)Weight (g) including Media Bay
Red One 4K2007Mysterium 4K4480 x 23044K.r3dN/A24.2 mm x 12.5 mm27.3 mmCF148 x 97 x 574540 g;
Red One M-X 4K2009Mysterium-X 4K4480 x 23044K.r3dN/A24.2 mm x 12.5 mm27.3 mmCF + RedMag148 x 97 x 574540 g;

DSMC

DSMC cameras are modular and can be customized in various configurations. Several lens mounts can be attached to the camera. The only possible acquisition format is Redcode Raw. Introduction of RedMag SSDs, later Red Mini-Mags. Touchscreen introduction.

Scarlet M-X [5] shoots regular speeds of up to 30fps at 4K and up to 120 fps at 2k. At 5K, it can't exceed 18fps.

ModelIntroduction YearSensorActive Pixel AreaMax res at 24fpsAcquisition formatMax Apple ProRes/Avid DNx resolutionActive Imaging Area (mm)Active Imaging Area (diagonal, mm)MediaDimensions (WxHxD, mm)Weight (g) including Media Bay
Scarlet M-X 5K2011Mysterium-X 5K5120 x 27004K.r3dN/A27.7 mm x 14.6 mm31.4 mmRedMag/Red Mini-Mag148 x 97 x 572195 g;
Scarlet Dragon 6K2013Dragon 6K6144 x 31605K.r3dN/A30.7 mm x 15.8 mm34.5 mmRedMag/Red Mini-Mag148 x 97 x 572195 g;
Epic M-X 5K2011Mysterium-X 5K5120 x 27005K.r3dN/A27.7 mm x 14.6 mm31.4 mmRedMag/Red Mini-Mag148 x 97 x 572195 g;
Epic M-X 5K Monochrome2011Mysterium-X 5K Monochrome5120 x 27005K.r3dN/A27.7 mm x 14.6 mm31.4 mmRedMag/Red Mini-Mag148 x 97 x 572195 g;
Epic Dragon 6K2012Dragon 6K6144 x 31606K.r3dN/A30.7 mm x 15.8 mm34.5 mmRedMag/Red Mini-Mag148 x 97 x 572195 g;
Epic Dragon 6K Monochrome2012Dragon 6K Monochrome6144 x 31606K.r3dN/A30.7 mm x 15.8 mm34.5 mmRedMag/Red Mini-Mag148 x 97 x 572195 g;
Epic Dragon 6K CF2013Dragon 6K6144 x 31606K.r3dN/A30.7 mm x 15.8 mm34.5 mmRedMag/Red Mini-Mag148 x 97 x 571750 g;

DSMC2

DSMC2 cameras are modular and can be customised in various configurations. Several lens mounts can be attached to the camera. Differences to the former DSMC line are reduced size and weight, cable-less connections, as well as the addition of Apple ProRes and Avid DNx.

ModelIntroduction YearSensorActive Pixel AreaMax res at 24fpsAcquisition formatMax Apple ProRes/Avid DNx resolutionActive Imaging Area (mm)Active Imaging Area (diagonal, mm)MediaDimensions (WxHxD, mm)Weight (g) including Media Bay
Red Raven 4.5K2015Dragon 4.5K4608 × 21604.6K.r3d + ProRes/Avid DNx2K23.04 mm x 10.80 mm25.5 mmRed Mini-Mag125.5 x 143.85 x 103.21588 g;
Scarlet-W Dragon 5K2015Dragon 5K5120 × 27005K.r3d + ProRes/Avid DNx4K25.60 mm x 13.50 mm28.9 mmRed Mini-Mag125.5 x 143.85 x 1021588 g;
Scarlet-W Dragon 5K Monochrome2015Dragon 5K Monochrome5120 × 27005K.r3d + ProRes/Avid DNx4K28.9 mm x 13.5 mm28.9 mmRed Mini-Mag125.5 x 143.85 x 1021588 g;
Red Epic-W Gemini 5K S352018Gemini 5K S355120 × 30005K.r3d + ProRes/Avid DNx4K30.72 mm x 18 mm35.61 mmRed Mini-Mag125.5 x 143.85 x 1021520 g;
Red Epic-W Helium 8K S352016Helium 8K S358192 × 43208K.r3d + ProRes/Avid DNx4K29.90 mm x 15.77 mm33.80 mmRed Mini-Mag125.5 x 143.85 x 1021520 g;
DSMC2 Dragon-X 6K S35, formerly DSMC2 Dragon-X 5K S35 [6] 2018Dragon-X 6K S356144 × 31606K.r3d + ProRes/Avid DNx4K30.7 mm x 15.8 mm34.5 mmRed Mini-Mag125.5 x 143.85 x 1021520 g;
DSMC2 Gemini 5K S352018Gemini 5K S355120 × 30005K.r3d + ProRes/Avid DNx4K30.72 mm x 18 mm35.61 mmRed Mini-Mag125.5 x 143.85 x 1021520 g;
DSMC2 Dragon 6K S35 (CF, Mg), formerly Weapon 6K (Carbon Fiber, Magnesium) [7] 2015Dragon 6K6144 × 31606K.r3d + ProRes/Avid DNx4K30.72 mm x 15.30 mm34.5 mmRed Mini-Mag125.5 x 143.85 x 1021497 g;
DSMC2 Helium 8K S35, formerly Weapon 8K S35, [7] (Aluminum, CF, White Limited Edition)2016Helium 8K S358192 × 43208K.r3d + ProRes/Avid DNx4K29.90 mm x 15.77 mm33.80 mmRed Mini-Mag125.5 x 143.85 x 1021520 g;
DSMC2 Helium 8K S35 Monochrome, formerly Weapon 8k S35 Monochrome [7] 2016Helium 8K S35 Monochrome8192 × 43208K.r3d + ProRes/Avid DNx4K29.90 mm x 15.77 mm33.80 mmRed Mini-Mag125.5 x 143.85 x 1021520 g;
DSMC2 Dragon 8K VV, formerly Weapon Red Dragon 8K VV [7] [8] 2015Dragon 8K VV8192 × 43208K.r3d + ProRes/Avid DNx4K40.96 mm x 21.60 mm46.31 mmRed Mini-Mag125.5 x 143.85 x 1021497 g;
DSMC2 Dragon 8K VV Anamorphic, formerly Weapon 8K VV Anamorphic [7] [8] 2015Dragon 8K VV6720× 43208K.r3d + ProRes/Avid DNx4K33.60 mm x 21.60 mm39.94 mmRed Mini-Mag125.5 x 143.85 x 1021497 g;
DSMC2 Monstro 8K VV, formerly Weapon Monstro 8K VV, [7] (Aluminum, CF, White Limited Edition)2017Monstro 8K VV8192 × 43208K.r3d + ProRes/Avid DNx4K40.96 mm x 21.60 mm46.31 mmRed Mini-Mag125.5 x 143.85 x 1021520 g;
DSMC2 Monstro 8K VV Monochrome2018Monstro 8K VV Monochrome8192 × 43208K.r3d + ProRes/Avid DNx4K40.96 mm x 21.60 mm46.31 mmRed Mini-Mag125.5 x 143.85 x 1021520 g;

Ranger

Ranger cameras are non-modular and come complete with a comprehensive I/O and power array. They are designed for demanding, higher budget studio work. The Ranger Monstro 8K VV was introduced as available for rental only, a first for Red. [9]

ModelIntroduction YearSensorActive Pixel AreaMax res at 24fpsAcquisition formatMax Apple ProRes/Avid DNx resolutionActive Imaging Area (mm)Active Imaging Area (diagonal, mm)MediaDimensions (WxHxD, mm)Weight (g) including Media Bay
Ranger Monstro 8K VV2019Monstro 8K VV8192 × 43208K.r3d + ProRes/Avid DNx4K40.96 mm x 21.60 mm46.31 mmRed Mini-Mag152.35 x 160.6 x 206.363311 g;
Ranger Helium 8K S352019Helium 8K S358192 × 43208K.r3d + ProRes/Avid DNx4K29.90 mm x 15.77 mm33.80 mmRed Mini-Mag152.35 x 160.6 x 206.363311 g;
Ranger Gemini 5K S352019Gemini 5K S355120 × 30005K.r3d + ProRes/Avid DNx4K30.72 mm x 18 mm35.61 mmRed Mini-Mag152.35 x 160.6 x 206.363311 g;

DSMC3

RED V-Raptor XL 8K S35 RED V-Raptor XL 8K S35.jpg
RED V-Raptor XL 8K S35

DSMC3 cameras are modular and can be customised in various configurations. Several lens mounts can be attached to the camera, adapted from the RF mount. Differences to the former DSMC2 line are simplified compression options (LQ, MQ and HQ instead of ratios), more competitive pricing for Netflix shooters, and including more I/O on the body.

ModelIntroduction YearSensorActive Pixel AreaMax res at 24fpsAcquisition formatMax Apple ProRes/Avid DNx resolutionActive Imaging Area (mm)Active Imaging Area (diagonal, mm)MediaDimensions (WxHxD, mm)Weight (g) including Media Bay
Komodo (Black, ST, Custom Color)2020Komodo S35 Global Shutter6144 x 32406K.r3d, ProRes4K / –27.03 mm x 14.26 mm30.56 mmCFast 2.0111.38 x 95.26 x 105.23952 g;
V-Raptor 8K VV (Black, ST)2021V-Raptor 8K VV8192 x 43208K.r3d, ProRes4K / –40.96 mm x 21.60 mm46.31 mmCFexpress115.5 x 108 x 155.51828 g;
V-Raptor XL 8K VV2021V-Raptor 8K VV8192 x 43208K.r3d, ProRes4K / –40.96 mm x 21.60 mm46.31 mmCFexpress159.81 x 165.9 x 200.813624 g;
V-Raptor 8K S35 (Black, Rhino)2023V-Raptor 8K S358192 x 43208K.r3d, ProRes4K / –26.21 mm x 13.82 mm29.63 mmCFexpress115.5 x 108 x 155.51814 g;
V-Raptor XL 8K S352023V-Raptor 8K S358192 x 43208K.r3d, ProRes4K / –26.21 mm x 13.82 mm29.63 mmCFexpress159.81 x 183.4 x 200.813624 g;
Komodo-X (Black, ST)2023Komodo-X S35 Global Shutter6144 x 32406K.r3d, ProRes4K / –27.03 mm x 14.26 mm30.56 mmCFexpress129.37 x 101.26 x 95.26907 g;

Panavision

Since 2016, Panavision has produced cameras based on Red's sensors.

ModelIntroduction YearSensorActive Pixel AreaMax res at 24fpsAcquisition formatMax Apple ProRes/Avid DNx resolutionActive Imaging Area (mm)Active Imaging Area (diagonal, mm)MediaDimensions (WxHxD, mm)Weight (g) including Media Bay
Millennium DXL [10] 2016Dragon 8K8192 x 43208K.r3d + ProRes/Avid DNx4K40.96 mm x 21.60 mm46.31 mmMini RedMag SSD334.47 x 165.27 x 178.334530 g;
Millennium DXL2 [11] 2018Monstro 8K8192 x 43208K.r3d + ProRes/Avid DNx4K40.96 mm x 21.60 mm46.31 mmMini RedMag SSD334.47 x 165.27 x 178.334530 g;

Red has also made custom cameras for a few filmmakers, including Michael Bay's "Bayhem" Helium 8K and David Fincher’s Red Xenomorph. [12]

Sensors

Up to this point, Red deployed a tick tock strategy. Red stated sensors are their most important asset.[ citation needed ] The Dragon sensor received a score of 101 DxO Mark sensor rating. [13] This marked the first time a digital cinema camera was tested alongside leading stills cameras. [14] For economical reasons Scarlet-W and Dragon-X cameras have the same 6K Dragon sensor used in the original DSMC generation, [15] but only 5K image area of it is utilized in Scarlet-W. [16] Red Raven has a "hard" 4.5K sensor. [15]

SensorIntroduction YearResolution in pixelsResolution MegapixelsBase ISOMax speed at full resPixel pitch (μm)Native color balanceDynamic rangeS/N-ratio
Mysterium20074900 x 258012.6 MP400305.4 μm5000K11.5 stops60 dB
Mysterium-X20095120 x 270013.8 MP800965.4 μm5000K13 stops66 dB
Mysterium-X Monochrome20095120 x 270013.8 MP2000965.4 μm5000K13 stops66 dB
Dragon20126144 x 316019.4 MP800755 μm5000K16.5 stops80 dB
Dragon Monochrome20126144 x 316019.4 MP2000755 μm5000K16.5 stops80 dB
Dragon-X 6K S3520186144 x 316019.4 MP800755 μm–16.5 stops80 dB
Gemini 5K S3520185120 × 300015.4 MP800 and 3200966 μm5000K16.5 stops80 dB
Helium 8K S3520168192 x 432035.4 MP800603.65 μm5000K16.5 stops80 dB
Helium 8K S35 Monochrome20178192 x 432035.4 MP2000603.65 μm5000K16.5 stops80 dB
Dragon 8K VV20158192 x 432035.4 MP800605 μm5000K16.5 stops80 dB
Monstro 8K VV20178192 x 432035.4 MP800605 μm5000K17 stops80 dB
Monstro 8K VV Monochrome20188192 x 432035.4 MP2000605 μm–17 stops80 dB
Komodo S35 Global Shutter20216144 x 324019.9 MP800404.4 μm5000K?16+ stops ? dB
V-Raptor 8K VV20218192 × 432035.4 MP8001205 μm5000K?16.5+ stops ? dB
V-Raptor 8K S3520238192 × 432035.4 MP8001203.2 μm5000K?16.5+ stops ? dB
Komodo-X S35 Global Shutter20236144 x 324019.9 MP800804.4 μm5000K?16.5+ stops ? dB

Redcode

Redcode Raw (.r3d) is a proprietary file format that employs wavelet compression to reduce the raw data coming off the sensor. This allows reduced file sizes while still keeping all advantages of a non-destructive raw workflow. In the beginning Redcode was a JPEG2000 12bit linear file stream with PCM sound without encryption. Several third party applications were able to read and convert to other file format such as Cineform Raw. Redcode started as having two different options, named Redcode 28 and Redcode 36, later a 42 option was added. With the introduction of the DSMC line these options were replaced by compression ratios. [17]

HDRx

With the DSMC line HDRx was introduced as extension to Frame Summing asset, allowing the shooter to get up to 6 extra stops of dynamic range on a shot.[ citation needed ]

Media

Red CF

Proprietary CF cards

RedMag 1.8" SSD

Proprietary SSD

Red Mini-Mags

Proprietary interconnect to off the shelf mSATA SSD. Sold by Red in sizes of 120GB, 240GB, 480GB and 960GB.

Network

Capture over LAN

RCP Development Kit

Announced at NAB 2013 and launched in 2014, The RCP Development Kit is a SDK (software development kit) that allows programmers to create custom applications to control their camera via mobile device, computer, or micro-controller. The kit included the RCP Bridge, a wireless module that allows apps to communicate with the camera. The bridge supports a wireless communication range of approximately 50 feet. [18]

Workflow

Redcine-X Pro

Redcine-X Pro is a free-of-charge post-processing software collection developed by Red, built specifically for Red camera systems. It includes a coloring toolset, integrated timeline, and post effects software collection for both stills and motion. The post-production software allows for non-destructive manipulation of raw .R3D files. [19] Redcine-X was the first workflow software developed solely by Red. Like Redcine, Red offered it as an end-to-end workflow solution for Red customers. It preceded the current Redcine-X Pro.

With Redcine-X Pro, users can mark frames while shooting and access those specific frames within their timeline. Additionally, there are features like A.D.D. (Advanced Dragon Debayer), a new algorithm for Dragon that analyzes every pixel, plus grading and raw adjustment options. [20]

Previous Workflow Software

"Red Alert!" was the first form of workflow made available to Red owners/operators, though it was more of a diagnostic tool. It allowed Red One users to tweak debayer settings and render out to dpx/tiff/mov. [21]

Redcine was the first end-to-end workflow for Red users. A third-party company developed the software, and Red provided the SDK.

Hardware accelerators

Red Rocket

Red Rocket is an internal PCI Express card that is capable of 4K, 2K, or 1080p real-time debayering and video playback of R3D files coming from Mysterium and Mysterium-X sensors. It can be used to accelerate video editing in compatible Non-linear editing systems, outputting the image via HD-SDI to a user-supplied monitor. A component of the Red Rocket allows users to convert the HD-SDI signal to four HDMI outputs. [22]

Red Rocket-X

Red Rocket-X is an internal PCI Express card optimized for the 6K Dragon sensor and is designed to accelerate the processing of R3D workflow, regardless of resolution. Compared to Red Rocket, Red Rocket-X processes and transcodes files up to five times faster. [22]

Debayering subpar asset.[ citation needed ]

Third party workflow systems

Red offers the Red Apple Workflow Installer, which allows R3D Raw settings within Final Cut Pro X. Other applications include support for QuickTime to use .R3D files, and plugins for Adobe Photoshop, [23] Adobe Premiere Pro, Avid Media Composer, Final Cut Pro X, and Sony Vegas Pro.

Notable accessories

3-Axis lens control system

The Red 3-Axis lens control system is a turn-key wireless lens control kit for driving focus, iris and zoom. Included is the T.H.C. (Tactical Hand Controller), a wireless remote that allows the operator to adjust lens settings from a distance. [24]

Related Research Articles

Image resolution is the level of detail of an image. The term applies to digital images, film images, and other types of images. "Higher resolution" means more image detail. Image resolution can be measured in various ways. Resolution quantifies how close lines can be to each other and still be visibly resolved. Resolution units can be tied to physical sizes, to the overall size of a picture, or to angular subtense. Instead of single lines, line pairs are often used, composed of a dark line and an adjacent light line; for example, a resolution of 10 lines per millimeter means 5 dark lines alternating with 5 light lines, or 5 line pairs per millimeter. Photographic lens are most often quoted in line pairs per millimeter.

<span class="mw-page-title-main">Red Digital Cinema</span> Digital cinematography camera company

Red Digital Cinema, LLC is an American camera manufacturer specializing in digital cinematography headquartered in Foothill Ranch, California, United States. It has been owned by Nikon since April 2024.

The Dalsa Origin was the first camera designed and built by Dalsa Corporation to be used specifically for digital cinematography.

<span class="mw-page-title-main">Digital cinematography</span> Digital image capture for film

Digital cinematography is the process of capturing (recording) a motion picture using digital image sensors rather than through film stock. As digital technology has improved in recent years, this practice has become dominant. Since the mid-2010s, most movies across the world are captured as well as distributed digitally.

A camera raw image file contains unprocessed or minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are so named because they are not yet processed, and contain large amounts of potentially redundant data. Normally, the image is processed by a raw converter, in a wide-gamut internal color space where precise adjustments can be made before conversion to a viewable file format such as JPEG or PNG for storage, printing, or further manipulation. There are dozens of raw formats in use by different manufacturers of digital image capture equipment.

<span class="mw-page-title-main">Motion picture film scanner</span> Device that digitises film stock

A motion picture film scanner is a device used in digital filmmaking to scan original film for storage as high-resolution digital intermediate files.

1440p is a family of video display resolutions that have a vertical resolution of 1440 pixels. The p stands for progressive scan, i.e. non-interlaced. The 1440 pixel vertical resolution is double the vertical resolution of 720p, and one-third more than 1080p. QHD or WQHD is the designation for a commonly used display resolution of 2560 × 1440 pixels in a 16:9 aspect ratio. As a graphics display resolution between 1080p and 4K, Quad HD is regularly used in smartphone displays, and for computer and console gaming.

Panavision has been a manufacturer of cameras for the motion picture industry since the 1950s, beginning with anamorphic widescreen lenses. The lightweight Panaflex is credited with revolutionizing filmmaking. Other influential cameras include the Millennium XL and the digital video Genesis.

<span class="mw-page-title-main">Spirit DataCine</span> Motion picture film scanner

Spirit DataCine is a telecine and a motion picture film scanner. This device is able to transfer 16mm and 35mm motion picture film to NTSC or PAL television standards or one of many High-definition television standards. With the data transfer option a Spirit DataCine can output DPX data files. The image pick up device is a solid state charge-coupled device. This eliminated the need for glass vacuum tube CRTs used on older telecines. The units can transfer negative film, primetime, intermediate film and print film, stock. One option is a Super 8 gate for the transfer of Super 8 mm film. With a sound pick up option, optical 16mm and 35mm sound can be reproduced, also 16mm magnetic strip sound. The unit can operate stand alone or be controlled by a scene by scene color corrector. Ken Burns created The Civil War, a short documentary film included in the DVD release, on how he used the Spirit DataCine to transfer and remaster this film. The operator of the unit is called a Colorist or Colorist Assistant. The Spirit DataCine has become the standard for high-end real-time film transfer and scanning. Over 370 units are used in post-production facilities around the world. Most current film productions are transferred on Spirit DataCines for Television, Digital television, Cable television, Satellite television, Direct-to-video, DVD, Blu-ray Disc, pay-per-view, In-flight entertainment, Stock footage, Dailies, Film preservation, digital intermediate and digital cinema. The Spirit DataCine is made by DFT Digital Film Technology GmbH in Darmstadt, Germany.

<span class="mw-page-title-main">CinemaDNG</span>

CinemaDNG is the result of an Adobe-led initiative to define an industry-wide open file format for digital cinema files. CinemaDNG caters for sets of movie clips, each of which is a sequence of raw video images, accompanied by audio and metadata. CinemaDNG supports stereoscopic cameras and multiple audio channels. CinemaDNG specifies directory structures containing one or more video clips, and specifies requirements and constraints for the open format files,, within those directories, that contain the content of those clips.

<span class="mw-page-title-main">Arri Alexa</span> Digital motion picture camera system by Arri

The Arri Alexa is a digital motion picture camera system developed by Arri. The Arri Alexa was introduced in April 2010 and was Arri's first major transition into digital cinematography, after previous efforts including the Arriflex D-20 and D-21.

<span class="mw-page-title-main">8K resolution</span> Resolutions with approximate width of 8,000 pixels

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<span class="mw-page-title-main">Canon Cinema EOS</span>

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XAVC is a recording format that was introduced by Sony on October 30, 2012. XAVC is a format that will be licensed to companies that want to make XAVC products.

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The Blackmagic URSA is a digital movie camera developed and manufactured by Blackmagic Design, released on August 8, 2014. It is the first camera to be user-upgradeable for additional equipment manufactured by Blackmagic and other third-party makers.

<span class="mw-page-title-main">Cinema Camera</span> Line of digital movie cameras

The Cinema Camera is a line of digital movie cameras developed and manufactured by Blackmagic Design, introduced on September 4, 2012. They are a series of small form-factor cinema cameras that shoot in 6k, 4K, 2.5K, and 1080p resolution, and thus are more versatile when compared to standard-resolution digital movie cameras.

References

  1. ↑ "The RED Digital Camera Company". digital-intermediate.co.uk.
  2. ↑ "RED ONE". red.com. Archived from the original on 2015-09-29. Retrieved 2016-10-13.
  3. ↑ "RENTALS". simdigital.com. Archived from the original on 2014-08-26. Retrieved 2016-10-13.
  4. ↑ "RED ONE". red.com. Archived from the original on 2015-09-29. Retrieved 2016-10-13.
  5. ↑ "SCARLET MYSTERIUM-X". red.com. Archived from the original on 2015-02-16. Retrieved 2016-10-13.
  6. ↑ "RED DSMC2 DRAGON-X 6K FAQs". Red Support. 2019-12-04. Retrieved 2022-10-14.
  7. 1 2 3 4 5 6 "DSMC2 Cameras". Red support. 2018-05-11. Retrieved 2022-10-22.
  8. 1 2 "RED WEAPON 8K". red.com. Archived from the original on 2016-07-30.
  9. ↑ "RED's Ranger is Not Designed For Owner-Operators". No Film School. 2019-07-19. Retrieved 2022-10-13.
  10. ↑ "The Panavision Millennium DXL: Light Iron and RED create a winning new look for large format cinematography by Art Adams - ProVideo Coalition". 2016-06-13. Retrieved 2022-07-28.
  11. ↑ "Panavision's latest cinema camera has an 8K RED sensor". Engadget. 5 February 2018. Retrieved 2022-07-28.
  12. ↑ "RED - Mindhunter". red.com. Archived from the original on 2019-11-08. Retrieved 2022-10-22.
  13. ↑ "Overall score: Epic Dragon takes first place (101 points) - DxOMark". dxomark.com. Archived from the original on 2015-09-29. Retrieved 2016-10-13.
  14. ↑ "DxO Crowns RED DRAGON with Highest Sensor Score Ever | DigitalPhotoPro.com". Archived from the original on 2014-11-29. Retrieved 2016-10-13.
  15. 1 2 Mendelovich, Yossy (2019-12-18). "RED Dragon-X 6K Announced: The 5K Turned 6K With a Free Firmware Upgrade". YMCinema - News & Insights on Digital Cinema. Retrieved 2022-10-14.
  16. ↑ "RED's New SCARLET-W Camera is Here: 5K 60fps & 2K ProRes Starting at $9,950". No Film School. 2015-12-10. Retrieved 2022-10-14.
  17. ↑ "REDCODE Options". docs.red.com. Retrieved 2022-10-22.
  18. ↑ Zach Honig (7 April 2014). "Red adds wireless camera control module, software development kit". Engadget. AOL.
  19. ↑ "REDCINE-X PRO". red.com. Archived from the original on 2015-06-22. Retrieved 2016-10-13.
  20. ↑ "RED DRAGON Camera is Getting A.D.D. & General Upgrades May Start in the Next Few Months". No Film School. 20 February 2014.
  21. ↑ http://digitalfilms.wordpress.com/2009/03/28/red-post-–-the-easy-way/ [ user-generated source ]
  22. 1 2 "RED ROCKET®". red.com. Archived from the original on 2015-10-03. Retrieved 2016-10-13.
  23. ↑ "Downloads".
  24. ↑ "RED 3-AXIS LENS CONTROL SYSTEM". red.com. Archived from the original on 2015-09-29. Retrieved 2016-10-13.
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