A parish is a territorial entity in many Christian denominations, constituting a division within a diocese. A parish is under the pastoral care and clerical jurisdiction of a priest, often termed a parish priest, who might be assisted by one or more curates, and who operates from a parish church. Historically, a parish often covered the same geographical area as a manor. Its association with the parish church remains paramount.
The Scottish Episcopal Church is a Christian denomination in Scotland. Scotland's third largest church, the Scottish Episcopal Church has 303 local congregations. It is also an ecclesiastical province of the Anglican Communion.
St Giles' Cathedral, or the High Kirk of Edinburgh, is a parish church of the Church of Scotland in the Old Town of Edinburgh. The current building was begun in the 14th century and extended until the early 16th century; significant alterations were undertaken in the 19th and 20th centuries, including the addition of the Thistle Chapel. St Giles' is closely associated with many events and figures in Scottish history, including John Knox, who served as the church's minister after the Scottish Reformation.
Manchester Cathedral, formally the Cathedral and Collegiate Church of St Mary, St Denys and St George, in Manchester, England, is the mother church of the Anglican Diocese of Manchester, seat of the Bishop of Manchester and the city's parish church. It is on Victoria Street in Manchester city centre and is a grade I listed building.
In Christianity, a collegiate church is a church where the daily office of worship is maintained by a college of canons, a non-monastic or "secular" community of clergy, organised as a self-governing corporate body, headed by a dignitary bearing a title which may vary, such as dean or provost.
Elgin Cathedral, a historic ruin in Elgin, Moray, northeast Scotland, was dedicated to the Holy Trinity. It was established in 1224 on land granted by King Alexander II and stood outside the burgh of Elgin, close to the River Lossie. It replaced the cathedral at Spynie located 3 kilometres (2 mi) to the north, which was served by a small chapter of eight clerics. By 1226, the new and developing cathedral was staffed with 18 canons, a number that increased to 23 by 1242. A damaging fire in 1270 led to significant enlargement. It remained unscathed during the Wars of Scottish Independence but suffered extensive fire damage in 1390 when attacked by Robert III's brother Alexander Stewart, Earl of Buchan, also known as the Wolf of Badenoch. In 1402, the cathedral precinct faced another incendiary attack by the Lord of the Isles followers.
Fearn Abbey – known as "The Lamp of the North" – has its origins in one of Scotland's oldest pre-Reformation church buildings. Part of the Church of Scotland and located to the southeast of Tain, Ross-shire, the historic building ceased to be used for church services in 2023, with remaining local church services and meetings to be held in the adjacent modern church hall. In 2024 the parish, was united with the former parishes of Tarbat (Portmahomack) and Tain to form Easter Ross Peninsula Church of Scotland.
The Anglican ministry is both the leadership and agency of Christian service in the Anglican Communion. Ministry commonly refers to the office of ordained clergy: the threefold order of bishops, priests and deacons. More accurately, Anglican ministry includes many laypeople who devote themselves to the ministry of the church, either individually or in lower/assisting offices such as lector, acolyte, sub-deacon, Eucharistic minister, cantor, musicians, parish secretary or assistant, warden, vestry member, etc. Ultimately, all baptized members of the church are considered to partake in the ministry of the Body of Christ.
St Andrews Cathedral Priory was a priory of Augustinian canons in St Andrews, Fife, Scotland. It was one of the great religious houses in Scotland, and instrumental in the founding of the University of St Andrews.
Church of the Holy Cross, Crediton, formally the Collegiate Church of the Holy Cross and the Mother of Him Who Hung Thereon, is the parish church of the town of Crediton in Devon, England. The church is built on the site of what was the cathedral of the Bishop of Crediton in the former diocese until 1050 when the see was transferred to Exeter. A college of canons remained at Crediton, administering the buildings and life of the "collegiate" church.
Thomas Hay was a 15th-century Scottish prelate. A canon of the diocese and cathedral of Aberdeen, on the translation of William Elphinstone from Bishop of Ross to Bishop of Aberdeen, Hay was provided as Elphinstone's successor in Ross, this occurring on 16 May 1483. He was probably the Thomas Hay who held the Aberdeen prebend of Turriff.
The Church of St Mary on the Rock or St Mary's Collegiate Church, was a secular college of priests based on the seaward side of St Andrews Cathedral, St Andrews, just beyond the precinct walls. It is known by a variety of other names, such as St Mary of the Culdees, Kirkheugh and Church of St Mary of Kilrymont.
Fortrose Cathedral was the episcopal seat (cathedra) of the medieval Scottish diocese of Ross in the Highland region of Scotland near the city of Inverness. It is probable that the original site of the diocese was at Rosemarkie, but by the 13th century the canons had relocated a short distance to the south-west, to the site known as Fortrose or Chanonry. According to Gervase of Canterbury, in the early 13th century the cathedral of Ross was manned by Céli Dé (culdees).
St Mary's Kirk at Auchindoir, between Rhynie and Lumsden, in Aberdeenshire, Scotland, is one of the country's finest surviving medieval parish kirks. The main doorway is early Romanesque, and there is a well-preserved early 16th-century sacrament house, similar to those at Deskford and Kinkell.
Music in Medieval Scotland includes all forms of musical production in what is now Scotland between the fifth century and the adoption of the Renaissance in the early sixteenth century. The sources for Scottish Medieval music are extremely limited. There are no major musical manuscripts for Scotland from before the twelfth century. There are occasional indications that there was a flourishing musical culture. Instruments included the cithara, tympanum, and chorus. Visual representations and written sources demonstrate the existence of harps in the Early Middle Ages and bagpipes and pipe organs in the Late Middle Ages. As in Ireland, there were probably filidh in Scotland, who acted as poets, musicians and historians. After this "de-gallicisation" of the Scottish court in the twelfth century, a less highly regarded order of bards took over the functions of the filidh and they would continue to act in a similar role in the Scottish Highlands and Islands into the eighteenth century.
Church music in Scotland includes all musical composition and performance of music in the context of Christian worship in Scotland, from the beginnings of Christianisation in the fifth century, to the present day. The sources for Scottish Medieval music are extremely limited due to factors including a turbulent political history, the destructive practices of the Scottish Reformation, the climate and the relatively late arrival of music printing. In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant, which led to the development of a distinct form of liturgical Celtic chant. It was superseded from the eleventh century by more complex Gregorian chant. In the High Middle Ages, the need for large numbers of singing priests to fulfill the obligations of church services led to the foundation of a system of song schools, to train boys as choristers and priests. From the thirteenth century, Scottish church music was increasingly influenced by continental developments. Monophony was replaced from the fourteenth century by the Ars Nova consisting of complex polyphony. Survivals of works from the first half of the sixteenth century indicate the quality and scope of music that was undertaken at the end of the Medieval period. The outstanding Scottish composer of the first half of the sixteenth century was Robert Carver, who produced complex polyphonic music.
Evensong is a church service traditionally held near sunset focused on singing psalms and other biblical canticles. It is loosely based on the canonical hours of vespers and compline. Old English speakers translated the Latin word vesperas as æfensang, which became 'evensong' in modern English. Typically used in reference to the Anglican daily office's evening liturgy, it can also refer to the pre-Reformation form of vespers or services of evening prayer from other denominations, particularly within the Anglican Use of the Catholic Church.
