| Mayor of the City of Brussels | |
|---|---|
| French: Bourgmestre de Bruxelles Dutch: Burgemeester van Brussel | |
 | |
 | |
| Residence | Brussels Town Hall |
| Term length | Six years |
| Website | Website in English |
This is a list of mayors or burgomasters of the City of Brussels .
| Mayor of the City of Brussels | |
|---|---|
| French: Bourgmestre de Bruxelles Dutch: Burgemeester van Brussel | |
| | |
| | |
| Residence | Brussels Town Hall |
| Term length | Six years |
| Website | Website in English |
This is a list of mayors or burgomasters of the City of Brussels .
| No. | Portrait | Name (Birth–Death) | Term (Election) | Term of office | Political Party | ||
|---|---|---|---|---|---|---|---|
| 1 |  | Nicolas-Jean Rouppe (1769–1838) | • (Appointed by Monarch) | 22 October 1830 | 3 August 1838 (Died in office) | Independent | |
| 2 |  | Guillaume-Hippolyte van Volxem (1791–1868) | • (Appointed by Monarch) | 13 September 1838 | 13 April 1841 | Independent | |
| 3 |  | François-Jean Wyns de Raucour (1779–1857) | • (Appointed by Monarch) | 14 April 1841 | 4 October 1848 | Independent | |
| 4 |  | Charles de Brouckère (1796–1860) | • (Appointed by Monarch) | 5 October 1848 | 20 April 1860 (Died in office) | Liberal Party | |
| 5 |  | André-Napoléon Fontainas (1807–1863) | • (Appointed by Monarch) | 21 April 1860 | 19 July 1863 (Died in office) | Liberal Party | |
| 6 |  | Jules Anspach (1829–1879) | • (Appointed by Monarch) | 15 October 1863 | 19 May 1879 (Died in office) | Liberal Party | |
| 7 |  | Felix Vanderstraeten (1823–1884) | • (Appointed by Monarch) | 20 May 1879 | 21 January 1881 | Liberal Party | |
| 8 |  | Charles Buls (1837–1914) | • (Appointed by Monarch) | 17 December 1881 | 16 December 1899 | Liberal Party | |
| 9 |  | Emile De Mot (1835–1909) | • (Appointed by Monarch) | 16 December 1899 | 6 December 1909 | Liberal Party | |
| 10 |  | Adolphe Max (1869–1939) | • (Appointed by Monarch) | 6 December 1909 | 6 November 1939 (Died in office) | Liberal Party | |
| 11 |  | Joseph Van De Meulebroeck (1876–1958) | • (Appointed by Monarch) | 28 November 1939 | 13 February 1956 | Liberal Party | |
| 12 |  | Lucien Cooremans (1889–1985) | • (Appointed by Monarch) | 14 February 1956 | 29 August 1975 | Party for Freedom and Progress | |
| 13 |  | Pierre Van Halteren (1911–2009) | • (1976) | 30 August 1975 | 4 March 1983 | Party for Freedom and Progress | |
| 14 | | Hervé Brouhon (1924–1993) | • (1982) | 4 March 1983 | 10 April 1993 (Died in office) | Socialist Party | |
| 15 | | Michel Demaret (1940–2000) | • (Appointed by City Council) | 20 July 1993 | 24 March 1994 | Humanist Democratic Centre | |
| 16 |  | Freddy Thielemans (1944–2022) | 1st (1994) | 28 April 1994 | 9 January 1995 | Socialist Party | |
| 17 |  | François-Xavier de Donnea (born in 1941) | • (Appointed by City Council) | 21 May 1995 | 18 October 2000 | Reformist Movement | |
| 18 | | Freddy Thielemans (1944–2022) | 2nd (2000) | 16 January 2001 | 13 December 2013 | Socialist Party | |
| 3rd (2006) | |||||||
| 19 |  | Yvan Mayeur (born in 1960) | • (2012) | 13 December 2013 | 8 June 2017 | Socialist Party | |
| 20 | | Philippe Close (born in 1971) | • (2018) | 9 June 2017 | Incumbent | Socialist Party | |
The Volksraad of the South African Republic was the parliament of the former South African Republic (ZAR), it existed from 1840 to 1877, and from 1881 to 1902 in part of what is now South Africa. The body ceased to exist after the British Empire's victory in the Second Anglo-Boer War. The Volksraad sat in session in Ou Raadsaal in Church Square, Pretoria.
Tuyll is the name of a noble Dutch family, with familial and historical links to England, whose full name is Van Tuyll van Serooskerken. Several knights, members of various courts, literary figures, generals, ambassadors, statesmen and explorers carried the family name.
The Slachter's Nek Rebellion was an uprising by Boers in 1815 on the eastern border of the Cape Colony.
Kunst zij ons doel, or KZOD, is the name of an artists club in the Waag, Haarlem.
The Eerste Schilderijenzaal, or Painting Gallery I, is one of two art gallery rooms in Teylers Museum and is the oldest art gallery for contemporary Dutch art in the Netherlands. It was built onto the back of Teylers Oval Room in 1838. It was the young museum's first exhibition space for paintings and could be entered through the Oval Room, which was itself located behind the Fundatiehuis, the former home of Pieter Teyler van der Hulst.
The Tweede Schilderijenzaal, or Painting Gallery II, is one of two art gallery rooms in Teylers Museum. The Tweede Schilderijenzaal was built in 1893 as an extension of the first gallery.
The Great Theatre of Dutch Painters and Paintresses, or De groote schouburgh der Nederlantsche konstschilders en schilderessen, as it was originally known in Dutch, is a series of artist biographies with engraved portraits written by the 18th-century painter Arnold Houbraken. It was published in three volumes as a sequel to Karel van Mander's own list of biographies known as the Schilder-boeck. The first volume appeared in 1718, and was followed by the second volume in 1719, the year Houbraken died. The third and last volume was published posthumously by Houbraken's wife and children in 1721. This work is considered to be a very important source of information on 17th-century artists of the Netherlands. The Schouburg is listed as one of the 1000 most important works in the Canon of Dutch Literature from the Middle Ages to today.
The Dutch Prix de Rome is based on the originally French Prix de Rome and is awarded annually to architects and artists younger than 35. The award was initiated in 1807 by Louis Bonaparte, then ruler of the Kingdom of Holland, and confirmed after independence by William I of the Netherlands. It was canceled in 1851 by the statesman Johan Rudolph Thorbecke and reinstated in 1870 by William III of the Netherlands. Since then the winners are selected by the Rijksakademie in Amsterdam.
Oud Eik en Duinen is a cemetery in The Hague, the Netherlands, formerly called Eik en Duinen and also nicknamed "the Dutch Père-Lachaise". The cemetery is built around a chapel constructed around 1247 by William II of Holland in honor of his father, Floris IV, Count of Holland. This chapel was partially demolished in 1581, and in the 17th century the area was again used as a cemetery. When Eik en Duinen was full, a new cemetery, Nieuw Eykenduynen, was constructed in 1891 across the road, and since then the old cemetery is known as "Old" Eik en Duinen.
Ten Duinen Abbey or the Abbey of the Dunes was a Cistercian monastery at Koksijde in what is now Belgium. It was one of the richest and most influential religious institutions in the medieval County of Flanders. It later relocated to the city of Bruges.
The Privy Council or Secret Council was one of the three "collateral councils" that together formed the highest government institutions of the Habsburg Netherlands. Based in Brussels, it was particularly charged with legal and administrative questions.
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
Philips III van Wassenaer was an oldest son of the main branch of the Dutch noble family Van Wassenaer.