Related Research Articles
"Unchained Melody" is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of "Unchained Melody" have been made by more than 670 artists, in multiple languages.
"Turkey in the Straw" is an American folk song that first gained popularity in the 19th century. Early versions of the song were titled "Zip Coon", which were first published around 1834 and performed in minstrel shows, with different people claiming authorship of the song. The melody of "Zip Coon" later became known as "Turkey in the Straw"; a song titled "Turkey in de Straw" with different music and lyrics was published in 1861 together with the wordless music of "Zip Coon" added at the end, and the title "Turkey in the Straw" then became linked to the tune of "Zip Coon".
"Music Box Dancer" is an instrumental piece by Canadian musician Frank Mills that was an international hit in the late 1970s. It features an arpeggiated piano theme in C-sharp major designed to resemble a music box, accompanied by other instruments playing a counterpoint melody as well as a wordless chorus. Most modern piano music sheets have the song in the key of C major.
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé.
"Aura Lea" is an American Civil War song about a maiden. It was written by W. W. Fosdick (lyrics) and George R. Poulton (music). The melody was used in Elvis Presley's 1956 hit song "Love Me Tender".
Long-Haired Hare is a 1949 American animated short film directed by Chuck Jones and written by Michael Maltese. It was produced by Warner Bros. Cartoons and distributed by Warner Bros. Pictures as part of the Looney Tunes series, and was the 60th short to feature Bugs Bunny. In addition to including the homophones "hair" and "hare", the title is also a pun on "longhairs", a characterization of classical music lovers. Nicolai Shutorov provides the singing voice of Giovanni Jones.
"Funiculì, Funiculà" is a Neapolitan song composed in 1880 by Luigi Denza to lyrics by Peppino Turco. It was written to commemorate the opening of the first funicular railway on Mount Vesuvius. It was presented by Turco and Denza at the Piedigrotta festival the same year. The sheet music was published by Ricordi and sold over a million copies within a year. Since its publication, it has been widely adapted and recorded.
"Tangerine" is a popular song. The music was written by Victor Schertzinger, the lyrics by Johnny Mercer. The song was published in 1941 and soon became a jazz standard.
“Mairzy Doats” is a novelty song written and composed in 1943 by Milton Drake, Al Hoffman, and Jerry Livingston. It contains lyrics that make no sense as written, but are near homophones of meaningful phrases. The song's title, for example, is a homophone of "Mares eat oats".
"Play a Simple Melody" is a song from the 1914 musical, Watch Your Step, with words and music by Irving Berlin. The show was the first stage musical that Berlin wrote. It ran for 175 performances at the New Amsterdam Theater in New York City. The one song from the show that is well-remembered today is "Play a Simple Melody," one of the few true examples of counterpoint in American popular music — a melody running against a second melody, each with independent lyrics. In the printed music, first the "simple melody" plays alone. Then comes the contrasting melody. Finally, the two play together. The lyrics of "Play a Simple Melody" also track the counterpoint duet in that one singer yearns for the music which mother sang, but the other singer disdains such classic fare as lacking interest and rhythm. When "Play a Simple Melody" was published, ragtime was in its heyday, led by its most consummate composer, Scott Joplin. In a famous 1916 recording of the song, while Elsie Baker wants what she considers simplicity, Billy Murray explicitly asks for "rag". The song was also recorded by Walter Van Brunt and Mary Carson in 1915.
"Zip-a-Dee-Doo-Dah" is a song composed by Allie Wrubel with lyrics by Ray Gilbert for the Disney 1946 live action and animated movie Song of the South, sung by James Baskett. For "Zip-a-Dee-Doo-Dah", the film won the Academy Award for Best Original Song and was the second Disney song to win this award, after "When You Wish upon a Star" from Pinocchio (1940). In 2004, it finished at number 47 in AFI's 100 Years...100 Songs, a survey of top tunes in American cinema.
"By The Light of the Silvery Moon" or "By the Light of the Silv'ry Moon" is a popular love song. The music was written by Gus Edwards, and the lyrics by Edward Madden. The song was published in 1909 and first performed on stage by Lillian Lorraine in the Ziegfeld Follies of 1909. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was also used in the short-lived Broadway show Miss Innocence when it was sung by Frances Farr.
"Hearts and Flowers" is a song composed by Theodore Moses-Tobani and published in 1893 by Carl Fischer Music.
"Let Me Call You Sweetheart" is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910 and was a huge hit for the Peerless Quartet in 1911. A recording by Arthur Clough was very popular the same year too. A 1924 recording identifies a Spanish title, "Déjame llamarte mía".
"The Gold Diggers' Song " is a song from the 1933 Warner Bros. film Gold Diggers of 1933, sung in the opening sequence by Ginger Rogers and chorus. The entire song is never performed in the 1933 movie, though it introduces the film in the opening scene. Later in the movie, the tune is heard off stage in rehearsal as the director continues a discussion on camera about other matters.
"Alabamy Bound" is a Tin Pan Alley tune written in 1924, with music by Ray Henderson and words by Buddy DeSylva and Bud Green. It was popularized by Al Jolson and included in the musical Kid Boots, where it was sung by Eddie Cantor. Successful recordings of the song were released in 1925 by Paul Whiteman, Isham Jones and Fletcher Henderson (instrumentals), as well as Blossom Seeley, whose vocal version reached number 2 on the charts. The song has sold over a million copies of sheet music and has been included in several films over the years.
"Down in the Valley", also known as "Birmingham Jail", is a traditional American folk song. It has been recorded by many artists and is included in the Songs of Expanding America recordings in Burl Ives' six-album set Historical America in Song.
"After the Ball" is a popular song written in 1891 by Charles K. Harris. The song is a classic waltz in 3/4 time. In the song, an uncle tells his niece why he has never married. He saw his sweetheart kissing another man at a ball, and he refused to listen to her explanation. Many years later, after the woman had died, he discovered that the man was her brother.
Richard Milburn, known as Whistling Dick, was an African-American musician in Philadelphia. He was a great guitarist and whistler and composed bird song themes including the tune Listen to the Mocking Bird which, when arranged with lyrics by Septimus Winner, became one of the most successful ballads of the 19th century, selling over twenty million copies of sheet music. Milburn made $5 for this while the finished work went on to make over $100,000.
Let's All Be Americans Now is a World War I song written and composed by Irving Berlin, Edgar Leslie, and George W. Meyer. The song was first published in 1917 by Waterson, Berlin & Snyder Co., in New York, NY.The sheet music cover depicts a soldier with his rifle and silhouetted marching soldiers in the background. A popular recording in 1917 was made by the American Quartet.
References
- ↑ Widmer, Ted (November 5, 2013). "Listen to the Mockingbird". New York Times. Opinion Pages. Retrieved August 16, 2015.
- ↑ "Listen to the mocking bird". Digital Media Repository. Ball State University. Retrieved August 16, 2015.
- ↑ Southern, Eileen (1971). The Music of Black Americans: A History . W. W. Norton & Company. ISBN 0-393-03843-2. Cited at American Music Before 1865 in Print and on Records: A Biblio-discography. I.S.A.M. monographs; number 6. Institute for Studies in American Music, Department of Music, School of Performing Arts, Brooklyn College of the City University of New York. 1979. p. 65. ISBN 978-0914678052 . Retrieved August 16, 2015.
- ↑ Ewen, David (1977), All the years of American popular music, Prentice-Hall, p. 54, ISBN 978-0-13-022442-2
- ↑ Cornelius, Steven (August 2004), Music of the Civil War era, Bloomsbury Academic, p. 89, ISBN 978-0-313-32081-1
- ↑ Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954 . Wisconsin, USA: Record Research Inc. p. 540. ISBN 0-89820-083-0.
- ↑ "Archived copy". Archived from the original on 2010-10-11. Retrieved 2009-12-30.
{{cite web}}: CS1 maint: archived copy as title (link)
