Martha Elenor Maguire is an American musician who is a founding member of the country band the Chicks and the country bluegrass duo Court Yard Hounds. She won awards in national fiddle championships while still a teenager. Maguire is accomplished on several other instruments, including the mandolin, viola, double bass and guitar. She has written and co-written a number of the band's songs, some of which have become chart-topping hits. She also contributes her skills in vocal harmony and backing vocals, as well as orchestrating string arrangements for the band.
Emily Burns Strayer is an American songwriter, singer, multi-instrumentalist, and a founding member of the country band the Chicks, formerly known as the Dixie Chicks. Strayer plays banjo, dobro, guitar, lap steel, bass, mandolin, accordion, fiddle, piano, and sitar. Initially in her career with the Chicks, she limited her singing to harmony with backing vocals, but within her role in the Court Yard Hounds, she took on the role of lead vocalist.
Natalie Louise Maines is an American singer. She is the lead vocalist for the country band the Chicks.
Maria Luisa McKee is an American singer-songwriter. She is best known for her work with Lone Justice, her 1990 song "Show Me Heaven", and her song "If Love Is a Red Dress " from the film Pulp Fiction.
Shouldn't a Told You That is the third studio album by American country band Dixie Chicks, under the name the Dixie Chicks Cowgirl Band, released in 1993. It was their third and final album for the Crystal Clear Sound label, and last to feature singer-bassist Laura Lynch. Four years later, Natalie Maines joined, and the group released their 1998 breakthrough album Wide Open Spaces.
Fly is the fifth studio album by American country music band the Dixie Chicks, released on August 31, 1999 through Monument Records. Compared to their previous album and breakthrough Wide Open Spaces (1998), the group had a stronger hand in writing, co-writing five of the fourteen tracks. The album was produced by Blake Chancey and Paul Worley, both of whom had already produced Wide Open Spaces.
Cowgirl's Prayer is the seventeenth studio album by American country artist Emmylou Harris, released on September 28, 1993, by Warner Bros. Records. Coming immediately after 1992's live acoustic At the Ryman album, Cowgirl's Prayer is a collection of similarly subdued material. Released at a time when older artists were being dropped from country radio playlists, the album received little airplay, despite positive reviews, and its relative commercial failure is said to have served as a catalyst for Harris's decision to change course with the harder edged sound of her subsequent work, beginning with 1995's rockish Wrecking Ball, thus rendering Cowgirl's Prayer Harris's last mainstream country album.
Thank Heavens for Dale Evans is the debut studio album by American country music band the Dixie Chicks. The group's original membership of Robin Lynn Macy, Laura Lynch, Martie Erwin, and Emily Erwin, would survive intact for only this album and the following Little Ol' Cowgirl, from 1989 to 1992, before first Macy, and then Lynch departed and the current vocalist, Natalie Maines assumed the vocalist position in 1995, creating the trio that became the highly successful band which found great fame in 1998 and remain popular with a large following to this day.
Taking the Long Way is the seventh studio album by American country music group Dixie Chicks. Released on May 23, 2006, through Columbia Nashville, it was also the group's last album released under the “Dixie Chicks” name. The album debuted at number one on the Billboard 200 and sold over 2.5 million copies in the U.S., being certified 2× platinum by the Recording Industry Association of America on July 11, 2007. It won five Grammy Awards, including Album of the Year, Record of the Year, and Song of the Year in February 2007.
The Chicks are an American country music band composed of Natalie Maines, along with Emily Strayer and Martie Maguire, who are sisters. Their discography comprises eight studio albums, two live albums and 28 singles.
The Accidents & Accusations World Tour was a concert tour by the Dixie Chicks. It was their first tour where tickets were sold after the scandal which ensued in 2003 when lead singer Natalie Maines publicly criticized President George W. Bush at Shepherd's Bush Empire in London during the Top of the World Tour, leading to intense criticism of the group. The tour was named after the lyrics in the song "Easy Silence" from the album Taking the Long Way, released in May 2006.
The Chicks are an American country band from Dallas, Texas. Since 1995, the band has consisted of Natalie Maines and sisters Martie Maguire and Emily Strayer. Maguire and Strayer, both née Erwin, founded the band in 1989 in Dallas, Texas, with bassist Laura Lynch and vocalist and guitarist Robin Lynn Macy. They performed bluegrass and country music, busking and touring the bluegrass festival circuits and small venues for six years without attracting a major label. In 1992, Macy left and Lynch became the lead vocalist.
Sharon Gilchrist is an American musician, singer, composer, mandolin instructor and the sister of Troy Gilchrist, also a bluegrass musician.
Danger in the Air was a regional bluegrass band based in the Dallas-Fort Worth area. It is best known as the band in which Robin Lynn Macy performed while simultaneously founding the all-female group the Dixie Chicks in 1989.
Past the Point of Rescue is the second studio album by American country music artist Hal Ketchum. His first major-label album, it was released in 1991 on Curb Records and has been certified gold by the RIAA. The album produced four singles for him on the Billboard Hot Country Singles & Tracks charts between 1991 and 1992. In chronological order, these were "Small Town Saturday Night", "I Know Where Love Lives", "Past the Point of Rescue", and a cover of The Vogues' "Five O'Clock World"; respectively, these songs reached #2, #13, #2, and #16 on the country charts. "Past the Point of Rescue" has been recorded by several other artists, most notably the Dixie Chicks on their 1992 album Little Ol' Cowgirl.
"You Were Mine" is a song recorded by American country music group Dixie Chicks. Released in December 1998 as the fourth single from the album Wide Open Spaces, the song spent two weeks atop the U.S. Country singles chart in March 1999; that same month, it reached #34 on the Billboard Hot 100 and topped Canada's country music chart for a week.
Court Yard Hounds were an American country music and folk duo, founded by sisters Martie Maguire and Emily Robison. They, along with Natalie Maines, make up The Chicks, formerly the Dixie Chicks. The sisters decided to record a side project under a different name. Court Yard Hounds, featuring Robison for the first time as lead vocalist, released a debut album for Columbia Records, the same label for which the Dixie Chicks has recorded, on May 4, 2010. The album debuted at No. 7 on the Billboard 200 chart, initially selling 61,000 copies. It has sold approximately 825,000 copies in the United States.
"Past the Point of Rescue" is a song written by Mick Hanly, and covered by American country music artist Hal Ketchum. It was released in February 1992 as the third single and title track from Ketchum's album Past the Point of Rescue. It was written by Mick Hanly and had originally been recorded by Mary Black who had a hit with it in Ireland in 1988 and included it on her album No Frontiers. Ketchum's version of the song reached number 2 on the Billboard Hot Country Singles & Tracks chart in May 1992 and number 1 on the RPM Country Tracks chart in Canada.
Back Roads and Abandoned Motels is the tenth studio album by the alt country band the Jayhawks, released on July 13, 2018.
"Soon You'll Get Better" is a song by the American singer-songwriter Taylor Swift from her seventh studio album, Lover (2019). Swift and Jack Antonoff wrote and produced the song, which features background vocals and instruments from the American band the Dixie Chicks. "Soon You'll Get Better" is a country ballad featuring slide guitar, banjo, and fiddle alongside vocal harmonies. The lyrics were inspired by Swift's parents' cancer diagnoses.
