Live | ||||
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Live album by | ||||
Released | 1988 | |||
Genre | ||||
Label | SST Records [1] | |||
Producer | Phil Burnett | |||
Bad Brains chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [3] |
MusicHound Rock: The Essential Album Guide | [4] |
The Rolling Stone Album Guide | [5] |
The New Rolling Stone Album Guide | [6] |
Spin Alternative Record Guide | 8/10 [7] |
Live is a live album by hardcore punk and reggae pioneers Bad Brains. [3] [8] It was recorded during a 1987 tour. [7] "Day Tripper", a Beatles cover, appears on some editions. [9] After the tour finished, the band commenced a series of departures, breakups, and reunions. [10]
The album was produced by Phil Burnett. [4] Two subsequent live albums were drawn from the same 1987 tour. [11]
AllMusic wrote: "Live is such a stunner because the basic inimitable qualities are still here: the unbelievable overload attack, the crashing power riffs, the stop-start precision marveled at by every casual listener who ever came across them, the explosive surges, the awesome musicians, the breathtaking exhilaration rush, and most of all, the irreplaceable singer H.R." [2] Trouser Press called the album "impressive," writing that the band play "punk, thrashy rock and reggae with equal command and conviction (Earl Hudson’s deft drumming is crucial to the band’s gear-shifting ability)." [9] The New Rolling Stone Album Guide deemed the album inferior to The Youth Are Getting Restless . [6]
Bad Brains are an American band formed in Washington, D.C., in 1976. They are widely regarded as pioneers of hardcore punk, though the band's members have objected to the use of this term to describe their music. They are also an adept reggae band, while later recordings featured elements of other genres like funk, heavy metal, hip hop, and soul. Rolling Stone magazine called them "the mother of all black hard-rock bands", and they have been cited as a seminal influence to numerous other subgenres in addition to hardcore punk, including various subgenres of heavy metal, such as thrash/speed metal, alternative metal, and funk metal. Bad Brains are followers of the Rastafari movement.
I Against I is the third studio album by the American rock band Bad Brains. It was released on November 21, 1986 through SST Records with the catalog number SST 065. The best-selling album in the band's catalog, I Against I finds the band branching out from their early hardcore punk style to touch on funk, soul, reggae and heavy metal. It is also included in the book 1001 Albums You Must Hear Before You Die. The title track was a Paul Rachman-directed video.
Frank is a studio album by new wave group Squeeze, released in 1989. The album sold poorly, and Squeeze was dropped by A&M Records while on tour. Forced to take offers from different major labels for the first time in their career, the band soon signed with Reprise Records and began working on their next studio album, Play.
Paul D. Hudson, known professionally as H.R., is an American musician who leads the hardcore punk band Bad Brains, and is an instrumental figure in the development of the genre. His vocal delivery has been described as diverse, ranging from a rapid-fire nasal whine, to feral growling and screeches, to smooth near-crooning or staccato reggae rhymes. He has departed the band periodically to pursue solo efforts that are more reggae than Bad Brains' punk sound. He is the older brother of Earl Hudson, Bad Brains' drummer.
Bad Brains is the first album released by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on the cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging.
Rock for Light is the second full-length album by hardcore punk pioneers Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. The 1991 re-issue was remixed by Ocasek and bass player Darryl Jenifer. The re-issued version has some extra tracks, an altered track order, significantly different mixes and, on most tracks, a speed increase of the master which results in a raising of the pitch by one-half step.
The Youth Are Getting Restless is a live album from hardcore punk and reggae pioneers Bad Brains. It was recorded at the Paradiso Theater in Amsterdam, the Netherlands, in 1987 by the VPRO. The show was part of the band's I Against I tour. It remains one of the group's best selling albums.
Quickness, also known as With the Quickness, is the fourth full-length studio album by hardcore punk pioneers Bad Brains. At the time of its release, it was the best selling Bad Brains album and also featured an MTV video for the lead-off track "Soul Craft" directed by Paul Rachman who later went on to produce and direct the feature documentary American Hardcore. Drummer Earl Hudson, though pictured on the cover, does not play on the record, as drum parts were instead performed by Mackie Jayson of the Cro-Mags. In an interview with MTV, guitarist Dr. Know said that the album's title comes from urgency and swiftness.
Rise is the fifth studio album by hardcore punk pioneers Bad Brains. It is the first Bad Brains album to be released on a major label and is notable for the absence of two original members: here, Israel Joseph I replaces vocalist H.R. and Cro-Mags drummer Mackie Jayson, who was a session musician on the band's previous album Quickness, replaces drummer Earl Hudson.
God of Love is the sixth studio album by the American musical group Bad Brains. It is the band's first album since I Against I, released in 1986, with its original lineup. It was released in 1995 on Maverick Records.
A Bad Brains Reunion Live at Maritime Hall is the third live album from hardcore punk and reggae pioneers Bad Brains. It marks the reunion of the band after a four-year breakup. At the time, the band were unable to use the name "Bad Brains" as they were embattled in legal turmoil with their prior management company. For over three years, the band had to tour under the name "Soul Brains" even though the original lineup of Bad Brains was intact.
I & I Survived is the seventh full-length studio album by hardcore punk band Bad Brains.
Spirit Electricity is an EP by hardcore punk and reggae pioneers Bad Brains, released by SST in 1991. It was recorded live in concert in 1987 during the same tour that spawned the live albums The Youth Are Getting Restless and Live. The EP includes several live classics as well as the only officially available live version of the rare "Return to Heaven."
Gone Fishin' is the second studio album by San Francisco-based punk rock band Flipper, released in 1984 by Subterranean Records. The album's artwork featured a depiction of Flipper's tour van as a ready-to-cut-out-and-assemble centerpiece, with similar cutouts of the four band members on the back cover. At the time of the album's release, Subterranean offered extra empty covers of the album by mail order for $2 for those Flipper fans that wanted to have a cover to cut up and assemble. The album was reissued by Water Records on December 9, 2008, for the first time on CD, with liner notes provided by Buzz Osborne of the Melvins.
Ragin', Full-On is the first album by American alternative rock band fIREHOSE. It was released after the breakup of the influential punk rock band Minutemen due to the death of the guitarist D. Boon. Like all fIREHOSE albums, Ragin', Full-On is dedicated to Boon.
Banned In D.C. is a compilation of hardcore punk and reggae songs by Bad Brains.
Smash Your Head on the Punk Rock is a compilation album by the American indie rock band Sebadoh. It was released in 1992, and marked the band's debut on Sub Pop.
Silver Sail is the seventh studio album by punk rock band Wipers, released in 1993. After disbanding Wipers in 1989 and releasing a 1991 solo album, Sacrifice , Sage decided to release a new album under the Wipers name.
Take a Look Inside is the debut studio album by the Folk Implosion. It was released on Communion in 1994. The album experienced an uptick in sales after the release of "Natural One", selling around 10,000 copies.
Retreat from Memphis is an album by English band the Mekons, released in 1994. It followed a few years of label troubles that saw the band considering a breakup.