Live at Montreux 2001 | ||||
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Live album by | ||||
Released | April 3, 2007 | |||
Recorded | July 21, 2001 | |||
Genre | Hip-hop [1] | |||
Label | Eagle Records | |||
Producer | Run-D.M.C. | |||
Run-D.M.C. chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Live at Montreux 2001 is the first live album by American hip-hop group Run-D.M.C. Officially released on April 3, 2007 through Eagle Records, it was produced and mixed by Jam Master Jay. The concert was performed on July 21, 2001 in Montreux, Switzerland.
Musically, the album features aggressive takes on the group's catalog of greatest hits, with the performances filled with banter with the crowd and various call-and-response antics. [1]
Music critic David Jeffries praised the album for the publication AllMusic. He wrote, "Live at Montreux 2001 is an exciting and generally satisfying release, filled with life, energy, and inspiration." Remarking that "[g]olden-age material is the name of the game", he stated that the group's antics make it ideal for "hardcore fans", particularly with "the drama-building intro" going "past the four-minute mark without trying the patience". [1]
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C. and LL Cool J. Predominantly from New York City, it was characterized by drum machine-led minimalism, often tinged with elements of rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street b-boy attitude. These elements contrasted sharply with funk and disco, novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
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