Live at Newport II | ||||
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Live album by Toshiko Akiyoshi – Lew Tabackin Big Band | ||||
Released | 1977 | |||
Recorded | Newport Jazz Festival, New York, 1977 June 29 | |||
Genre | Jazz | |||
Length | 40:13 | |||
Label | Baystate | |||
Producer | Hiroshi Isaka | |||
Toshiko Akiyoshi – Lew Tabackin Big Band chronology | ||||
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Live at Newport II was the third live recording released by the Toshiko Akiyoshi – Lew Tabackin Big Band and the second release of music from the band's performance at the 1977 Newport Jazz Festival (following Live at Newport '77 ).
The Toshiko Akiyoshi – Lew Tabackin Big Band was a 16 piece jazz big band created by pianist Toshiko Akiyoshi and tenor saxophone/flutist Lew Tabackin in Los Angeles in 1973. In 1982 the principals moved from Los Angeles to New York City and re-formed the group with new members under the name, The Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. Akiyoshi arranged all of the music for the band and composed nearly all of the music recorded by the two groups over a 30-year period. Tabackin served as the bands' featured soloist on tenor saxophone and flute. The groups recorded 13 albums, toured in North America, Japan and Europe and, after the move to New York, had regular performances at the jazz club Birdland before disbanding in 2003. The bands' recordings received several Grammy nominations and regularly scored high in Down Beat magazine's critics' and readers' polls.
The Newport Jazz Festival is a music festival held every summer in Newport, Rhode Island. Elaine Lorillard established the festival in 1954, and she and husband Louis Lorillard financed it for many years. They hired George Wein to organize the first festival and bring jazz to Rhode Island.
Live at Newport '77 was the second live recording of the Toshiko Akiyoshi – Lew Tabackin Big Band and was followed by another release, Live at Newport II recorded on the same day. Both albums were recorded at the 1977 Newport Jazz Festival.
It was reissued in 2006 on BMG Records. [1]
LP side A
LP side B
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Lewis Barry Tabackin is an American jazz flautist and tenor saxophonist. He is married to pianist Toshiko Akiyoshi with whom he has co-led large ensembles since the 1970s.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Kogun is the first album recorded by the Los Angeles-based Toshiko Akiyoshi – Lew Tabackin Big Band. It was released in Japan by Victor in 1974 and received the Swing Journal Silver Disk prize for that year. It was later released on RCA Victor in the USA and elsewhere and received a 1979 Grammy nomination for Best Jazz Instrumental Performance by a Big Band.
Long Yellow Road is the second album by the Toshiko Akiyoshi – Lew Tabackin Big Band. It was named Best Jazz Album of the year by Stereo Review magazine. In 1976, the album received a Grammy Award nomination for Best Jazz Performance by a Big Band.
Tales of a Courtesan (Oirantan) is the third recording of the Toshiko Akiyoshi – Lew Tabackin Big Band. It is also sometimes referred to by the title HANA KAI TAN in rōmaji listings of the Japanese album title.
From Toshiko With Love is the twelfth recording released by the Toshiko Akiyoshi – Lew Tabackin Big Band. It was released in Japan by Victor Records and in the U.S. by Jazz America Marketing – not to be confused with the 2002 Lew Tabackin Trio recording of the same name (Tanuki's Night Out). The album received two Grammy award nominations in 1981 for "Best Jazz Instrumental Performance - Big Band" and "Best Arrangement of an Instrumental Recording".
Road Time was the first live concert recording of the Toshiko Akiyoshi – Lew Tabackin Big Band. The recording was made at three concerts in Tōkyō and Ōsaka, during a 1976 Japan tour and the double album received a 1977 Grammy nomination in the "Best Jazz Performance - Big Band" category.
Insights is the fourth studio recording of the Toshiko Akiyoshi – Lew Tabackin Big Band and was voted "Jazz Album of the Year" in the 1978 Down Beat magazine critic's poll. It received the Swing Journal magazine 1976 Gold Disk prize in Japan and was nominated for a 1978 Grammy award in the USA for Best Jazz Instrumental Performance by a Big Band.
March of the Tadpoles was the fifth studio recording of the Toshiko Akiyoshi – Lew Tabackin Big Band. The album was released in Japan in 1977 by Baystate. The album received two 1985 Grammy award nominations – for "Best Jazz Instrumental Performance - Big Band" and for "Best Arrangement on an Instrumental".
Salted Gingko Nuts [sic] is the sixth studio album released by the Toshiko Akiyoshi – Lew Tabackin Big Band. It is also known by the Japanese title, SHIO GIN NAN. The album received the 1979 Silver Disk award from Japan's Swing Journal magazine.
Sumi-e was the seventh studio recording released by the Toshiko Akiyoshi – Lew Tabackin Big Band. Not to be confused with the 1971 Toshiko Akiyoshi Quartet release, Sumie / The Personal Aspect in Jazz. Sumi-e refers to an East Asian style of brush painting.
Farewell is the eighth studio recording released by the Toshiko Akiyoshi – Lew Tabackin Big Band. The album received a 1980 Grammy award nomination for "Best Jazz Instrumental Performance - Big Band."
European Memoirs is the tenth studio recording of the Toshiko Akiyoshi – Lew Tabackin Big Band. Akiyoshi was nominated for a 1983 Grammy award in the Best Instrumental Arrangement category for the arrangement of "Remembering Bud" on this album. This would be the final recording of the Los Angeles-based Toshiko Akiyoshi – Lew Tabackin Big Band before the principals moved to New York City in 1982 and formed a new big band, the "Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin" that released nine more albums and two live performance videos before disbanding in 2003.
Ten Gallon Shuffle is the first recording released by the New York-based Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. The composition Ten Gallon Shuffle was originally commissioned by Phi Mu Alpha Sinfonia Music Fraternity for the University of Texas Jazz Orchestra.
Wishing Peace is the second recording released by the New York-based Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin after 13 previous releases with their Los Angeles-based Toshiko Akiyoshi – Lew Tabackin Big Band. "Lady Liberty", "Wishing Peace" and "Uptown Stroll" form the three part "Liberty Suite" written on the occasion of the 100th anniversary of the Statue of Liberty.
Tribute to Duke Ellington is a big band jazz album recorded in New York in 1999 and is the seventh recording released by the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. The first three tracks make up the "Tribute To Duke Ellington Suite" which was composed by Akiyoshi and commissioned by the Monterey Jazz Festival.
The jazz big band album Hiroshima - Rising From The Abyss is the eighth audio recording released by the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. It was released in 2001 by Video Arts Music in Japan and True Life in the USA. Tracks 2-7 form the "Hiroshima - Rising From The Abyss" Suite.
Last Live in Blue Note Tokyo is the ninth recording released by the New York-based Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. Not to be confused with the 1997 Toshiko Akiyoshi Trio release, Live at Blue Note Tokyo '97.
My Elegy is a concert video recording of the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. It was released in Japan in 1984 by LaserDisc Corp. as a LaserVision video disk.
The Toshiko Akiyoshi Jazz Orchestra: Strive for Jive is a live video recording of the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin in a jazz club setting. The video was apparently recorded in the mid 1980s in Chicago and first released on VHS video tape around 1993 and on DVD in 2009.
The Toshiko Akiyoshi – Lew Tabackin Big Band, Novus Series '70 is a compilation album of songs taken from the band's early RCA releases of 1974~1976.