Live at the Half Note | ||||
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Live album by Lee Konitz | ||||
Released | 1994 | |||
Recorded | February 24 and possibly March 3, 1959 | |||
Venue | Half Note, New York City | |||
Genre | Jazz | |||
Length | 96:02 | |||
Label | Verve Discoveries 314 521 659-2 | |||
Producer | Lee Konitz | |||
Lee Konitz chronology | ||||
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Live at the Half Note is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at the Half Note in 1959 accompanied by Bill Evans, Jimmy Garrison, and Paul Motian and first released on the Verve label in 1994 as a double CD set. [1] [2] [3]
Lee Konitz is an American composer and alto saxophonist.
Warne Marion Marsh was an American tenor saxophonist. Born in Los Angeles, his playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earned attention in the 1970s as a member of Supersax.
The Half Note was a jazz club located at 289 Hudson Street in New York City. It opened in 1957.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Scott Yanow of Allmusic states "They perform a dozen extended standards (or "originals" based on the chord changes of familiar tunes) with creativity and inspiration. In fact, of all the Konitz-Marsh recordings, this set ranks near the top". [4]
Disc one
Disc two
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
William John Evans was an American jazz pianist and composer who mostly played in jazz trios. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Subconscious-Lee is a jazz album by Lee Konitz although a few tracks were issued on 78rpm under Lennie Tristano's name. It was recorded in 1949 and 1950, and released on the Prestige label.
Theodore (Ted) G. Brown, born December 1, 1927 in Rochester, New York, is a cool jazz tenor saxophonist.
Lee Konitz Meets Jimmy Giuffre is an album by American jazz saxophonist Lee Konitz and saxophonist, composer and arranger Jimmy Giuffre which was released on the Verve label in 1959.
Tranquility is an album by American jazz saxophonist Lee Konitz's Quartet recorded in 1957 and released on the Verve label.
Spirits is an album by American jazz saxophonist Lee Konitz recorded in 1971 and released on the Milestone label.
Lee Konitz Meets Warne Marsh Again is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at Ronnie Scott's Jazz Club in 1976 and released on the Pausa label.
Figure & Spirit is an album by American jazz saxophonist Lee Konitz recorded in 1976 and released on the Progressive label.
The Lee Konitz Quintet is an album by American jazz saxophonist Lee Konitz recorded in 1977 and released on the Chiaroscuro label.
Lee Konitz Nonet is an album by American jazz saxophonist Lee Konitz recorded in 1977 and released on the Chiaroscuro label.
Live at Laren is a live album by American jazz saxophonist Lee Konitz's Nonet recorded in 1979 by Dutch Broadcasting, NOS -Hilversum and released on the Italian Soul Note label in 1984.
Heroes is a live album by pianist Gil Evans and saxophonist Lee Konitz recorded in New York in 1980 and released on the French Verve label.
Ne Plus Ultra, is a live album by saxophonist Warne Marsh recorded in 1969 and originally released on the Revelation label in 1970 before being rereleased on CD the Swiss HatOLOGY label in 2006 with a bonus track.
Warne Marsh Quintet: Jazz Exchange Vol. 1, is a live album by saxophonist Warne Marsh's Quintet featuring Lee Konitz and Niels-Henning Ørsted Pedersen which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label.
Warne Marsh Quintet: Jazz Exchange Vol. 2, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label.
Warne Marsh Lee Konitz: Jazz Exchange Vol. 3, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label in 1985.
The Art of Improvising, is a live album by saxophonist Warne Marsh recorded in 1959 and released on the Revelation label in 1974. Each track on The album only features part of the performance containing Marsh's solo although an album featuring twelve complete performances from these shows was released in 1994 under Kontz's name as Live at the Half Note.
Dig-It is an album by saxophonists Lee Konitz and Ted Brown recorded in 1999 and released on the Danish SteepleChase label.
Konitz is an album by saxophonist and bandleader Lee Konitz featuring performances recorded in 1954 which was originally released as a 10-inch LP on George Wein's Storyville label. The album was rereleased with additional alternate takes on CD in 1989 on the Black Lion label.
This is the discography for American jazz musician Lee Konitz.