Subconscious-Lee | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1955 | |||
Recorded | January 11, 1949 – April 7, 1950 | |||
Genre | Jazz | |||
Length | 56:05 | |||
Label | Prestige / OJC | |||
Lee Konitz chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz Recordings | [2] |
Subconscious-Lee is a jazz album by Lee Konitz although a few tracks were issued on 78rpm under Lennie Tristano's name. It was recorded in 1949 and 1950, and released on the Prestige label (originally as PRLP 7004 in 12" LP format in 1955 [3] as follows in the OJC reissue).
Leon Konitz was an American composer and alto saxophonist.
Warne Marion Marsh was an American tenor saxophonist. Born in Los Angeles, his playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earned attention in the 1970s as a member of Supersax.
Sal Mosca was an American jazz pianist who was a student of Lennie Tristano. Born in Mount Vernon, New York, Mosca worked in cool jazz and post-bop. After playing in the United States Army Band during World War II, he studied at the New York College of Music using funds provided by the G.I. Bill. He began working with Lee Konitz in 1949 and also worked with Warne Marsh. He spent much of his career teaching and was relatively inactive since 1992, but new CDs were released in 2004, 2005, and 2008. See SalMosca.com for a full discography.
Ronald Ball was a jazz pianist, composer and arranger, born in Birmingham, England.
Lennie Tristano, also known as Tristano, is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. The final five songs are concert recordings. Originally released as Tristano's Atlantic Records debut, the album was released on CD in 1994 by Rhino Records in combined form with Tristano's 1960 follow-up, The New Tristano, and as part of a collection, The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh, in 1997. It was subsequently re-issued in original form and track-list order by Warner Jazz (2002), Rhino (2003) and Collectables (2004).
Crosscurrents is an album by jazz pianist Lennie Tristano. The sides were recorded in 1949 and the album released by Capitol in 1972. The album was inducted into the Grammy Hall of Fame in 2013.
Lee Konitz with Warne Marsh is a 1955 studio album by jazz saxophonists Lee Konitz and Warne Marsh. The Atlantic catalogue number was SD 1217. It was recorded on June 14, 1955, at Coastal Studios in New York City.
Live at the Half Note is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at the Half Note in 1959 accompanied by Bill Evans, Jimmy Garrison, and Paul Motian and first released on the Verve label in 1994 as a double CD set.
Spirits is an album by American jazz saxophonist Lee Konitz recorded in 1971 and released on the Milestone label.
Lee Konitz Meets Warne Marsh Again is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at Ronnie Scott's Jazz Club in 1976 and released on the Pausa label.
Figure & Spirit is an album by American jazz saxophonist Lee Konitz recorded in 1976 and released on the Progressive label.
Live at Laren is a live album by American jazz saxophonist Lee Konitz's Nonet recorded in 1979 by Dutch Broadcasting, NOS -Hilversum and released on the Italian Soul Note label in 1984.
Lunasea is an album by saxophonist Lee Konitz and pianist Peggy Stern which was recorded in 1992 and released on the Italian Soul Note label.
Ne Plus Ultra, is an album by saxophonist Warne Marsh recorded in 1969 and originally released on the Revelation label in 1970 before being rereleased on CD the Swiss HatOLOGY label in 2006 with a bonus track.
All Music, is an album by saxophonist Warne Marsh recorded in 1976 and released on the Nessa label.
Warne Marsh Quintet: Jazz Exchange Vol. 1, is a live album by saxophonist Warne Marsh's Quintet featuring Lee Konitz and Niels-Henning Ørsted Pedersen which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label.
Warne Marsh Quintet: Jazz Exchange Vol. 2, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label.
Warne Marsh Lee Konitz: Jazz Exchange Vol. 3, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label in 1985.
The Art of Improvising, is a live album by saxophonist Warne Marsh recorded in 1959 and released on the Revelation label in 1974. Each track on The album only features part of the performance containing Marsh's solo although an album featuring twelve complete performances from these shows was released in 1994 under Kontz's name as Live at the Half Note.
Dig-It is an album by saxophonists Lee Konitz and Ted Brown recorded in 1999 and released on the Danish SteepleChase label.