| We Thought About Duke | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1995 | |||
| Recorded | June 6–9, 1994 | |||
| Studio | Tic-Music Studio, Achau, Austria | |||
| Genre | Jazz | |||
| Length | 56:25 | |||
| Label | HatART CD 6163 | |||
| Producer | Ulrich Kurth, Werner X. Uehlinger | |||
| Franz Koglmann chronology | ||||
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| Lee Konitz chronology | ||||
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We Thought About Duke is an album by trumpeter/flugelhornist Franz Koglmann and saxophonist Lee Konitz which was recorded in Austria in 1994 and released on the Swiss HatART label. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| The Penguin Guide to Jazz Recordings |  [4] |
The Allmusic review by Alex Henderson states: "predictability isn't a problem on We Thought About Duke, a cerebral post-bop date that trumpeter/flugelhornist Franz Koglmann co-led with alto sax master Lee Konitz. This is definitely one of the more daring Ellington tributes that came out of the '90s. Instead of inundating us with standards that we've heard time and time again ... Koglmann's arrangements have strong classical/chamber music leanings, and his admiration for Gil Evans is evident. For those seeking an Ellington tribute that is adventurous rather than conventional, We Thought About Duke is highly recommended". [3]
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
...And His Mother Called Him Bill is a studio album by Duke Ellington recorded in the wake of the 1967 death of his long-time collaborator, Billy Strayhorn. It won the Grammy Award for Best Large Jazz Ensemble Album in 1968.
Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four additional masters. An expanded version of The Blanton–Webster Band, this reissue, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York observed that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
Although it is billed as a Duke Ellington and Johnny Hodges album, Side by Side is a 1959 album mostly under the leadership of Johnny Hodges, Duke Ellington's alto saxophonist for many years. Ellington only appears on three of this album's tracks. The album places Hodges at the fore, backing him with piano by Ellington or Billy Strayhorn and providing other accompaniment by jazz figures like Ben Webster, Roy Eldridge, Harry "Sweets" Edison and Jo Jones. The album, a follow-up to Back to Back: Duke Ellington and Johnny Hodges Play the Blues, has remained perpetually in print.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
The Ellington Suites is an album by the American pianist, composer, and bandleader Duke Ellington. It collects three suites recorded in 1959, 1971, and 1972, and was released on the Pablo label in 1976. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1976. Ellington and Billy Strayhorn wrote "The Queen's Suite" for Queen Elizabeth II who was presented with a single pressing of the recording, which was not commercially issued during Ellington's lifetime.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Ellington '55 is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953 and 1954 and released in 1955. The album features the Ellington Orchestra's performances of popular big band compositions and was reissued on CD with two bonus tracks in 1999.
Ellington Showcase is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label at various sessions in 1953-55. The album has not been released on CD but the tracks have appeared on The Complete Capitol Recordings of Duke Ellington released by Mosaic Records in 1995.
The Intimacy of the Blues is a studio album by the American pianist, composer and bandleader Duke Ellington, recorded in 1967 and 1970, and released on the Fantasy label in 1986.
The Carnegie Hall Concerts: January 1943 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1943 and released on the Prestige label in 1977.
Dance Concerts, California 1958 is the second volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first publicly released on the LMR label in 1987 and later on the Saja label.
Dance Dates, California 1958 is the sixth volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first publicly released on the LMR label in 1987 and later on the Saja label.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Ellington Is Forever Volume Two is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1977 it was rereleased on CD in 1994.
Duke with a Difference is an album by American jazz trumpeter Clark Terry featuring tracks recorded in 1957 for the Riverside label.
"Isfahan" is a jazz piece credited to Billy Strayhorn and Duke Ellington and released on Ellington's 1967 album The Far East Suite; Isfahan is a city in Iran. It features long-time Ellington soloist Johnny Hodges on alto saxophone. It was originally called Elf when Strayhorn composed it, months before the 1963 Ellington orchestra world tour during which the group traveled to Iran.
L'Heure Bleue is an album by trumpeter/flugelhornist Franz Koglmann which was recorded in Austria and Switzerland in 1991 and released on the Swiss HatART label.