| Annette | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1993 | |||
| Recorded | April 12–14, 1992 Radio Bremen, Bremen, Germany | |||
| Genre | Jazz | |||
| Length | 64:50 | |||
| Label | hat ART 6118 | |||
| Producer | Peter Schulze & Volker Steppat | |||
| Paul Bley chronology | ||||
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| Franz Koglmann chronology | ||||
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Annette is an album by Paul Bley with Franz Koglmann and Gary Peacock recorded in Germany in 1992 and released on the hat ART label in 1993. [1] The album features compositions by Annette Peacock.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Guardian |  [3] |
| The Penguin Guide to Jazz Recordings | [4] |
The Independent review by Richard Williams noted "Bley has been exploring the likes of 'Blood', 'Touching' and 'Mister Joy' for most of his long career, but still manages to find something new within their strange, elliptical, allusive contours". [5] Thom Jurek of AllMusic states, "With this album, the trio of Bley, Peacock, and Koglmann has created more than just a tribute to a great if nearly completely unknown artist -- it has offered a look deep inside the musical psyche of a true original". [2] The Guardian review by John Fordham awarded the album 3 stars observing "Bley's unplugged trio – with Austrian trumpeter Franz Koglmann and Annette Peacock's first husband Gary Peacock on bass – doesn't mimic or cover its subject's work. Instead, it takes up the free-improv invitation of her melancholy, minor-key miniatures... Peacock's avant-pop connections, however, shouldn't fool anyone into thinking this is anything other than a mostly low-key, acoustic free-jazz conversation". [3]
All compositions by Annette Peacock except as indicated
Gary George Peacock was an American jazz double bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as avant garde saxophonist Albert Ayler, pianists Bill Evans, Paul Bley and Marilyn Crispell, and as a part of Keith Jarrett’s “Standards Trio” with drummer Jack DeJohnette. The trio existed for over thirty years, and recorded over twenty albums together. DeJohnette once stated that he admired Peacock's "sound, choice of notes, and, above all, the buoyancy of his playing." Marilyn Crispell called Peacock a "sensitive musician with a great harmonic sense."
Paul Bley, CM was a Canadian jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers. His music has been described by Ben Ratliff of the New York Times as "deeply original and aesthetically aggressive". Bley's prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s.
Paul Bley/NHØP is a jazz duet album by Paul Bley and Niels-Henning Ørsted Pedersen, released on SteepleChase Records in 1973. The album was recorded in Copenhagen, Denmark in June and July 1973, and primarily features Bley's compositions. Bley's performance here is more extroverted than on some of his other recordings.
Annette Peacock is an American composer, musician, songwriter, producer, and arranger. She is a pioneer in electronic music who combined her voice with one of the first Moog synthesizers in the late 1960s.
Franz Koglmann is an Austrian jazz composer. He performs on both the trumpet and flugelhorn in most often in avant-garde jazz and third stream. An award-winning composer, Koglmann has performed or recorded with Lee Konitz, Paul Bley, Bill Dixon, Georg Gräwe, Andrea Centazzo, Theo Jörgensmann, Wolfgang Reisinger, Enrico Rava, Yitzhak Yedid, Ran Blake, and John Lindberg; together with the bassist Peter Herbert he has often musically accompanied works of the Austrian artist Heidi Harsieber.
The Out-of-Towners is a live album by American jazz pianist Keith Jarrett recorded at the Bavarian State Opera in Munich on July 28, 2001 and released by ECM on August 30, 2004. Jarrett's trio—the Standards trio—features rhythm section Gary Peacock and Jack DeJohnette.
Paul Bley with Gary Peacock is an album by Canadian jazz pianist Paul Bley with American bassist Gary Peacock recorded in two sessions on 1964 and 1968 and released on ECM in December 1970. The sessions' trios feature drummers Paul Motian and Billy Elgart, respectively.
In the Evenings out There is an album by Canadian jazz pianist Paul Bley recorded in September 1991 and released on ECM two years later. The quartet features rhythm section Gary Peacock and Tony Oxley and reed player John Surman.
Nothing Ever Was, Anyway: Music of Annette Peacock is a double album by pianist Marilyn Crispell, bassist Gary Peacock, and drummer Paul Motian recorded in September 1996 and released on ECM the following year.
Amaryllis is an album by American jazz pianist Marilyn Crispell recorded in February 2000 and released on ECM March the following year. The trio features rhythm section Gary Peacock and Paul Motian.
Closer is the seventh album led by jazz pianist Paul Bley, featuring seven compositions by Carla Bley, recorded in 1965 and released on the ESP-Disk label.
Ramblin' is an album led by jazz pianist Paul Bley recorded in Italy in 1966 and released on the French BYG Actuel label.
Mr. Joy is an album led by jazz pianist Paul Bley recorded in the studio and in concert in Seattle in 1968 and released on the Limelight label.
The Paul Bley Synthesizer Show is an album by Paul Bley performing compositions by Annette Peacock which was released on the Milestone label in 1971.
Improvisie is a live album by Paul Bley with Annette Peacock and Han Bennink which was released on the French America label in 1971.
Virtuosi is an album by drummer Barry Altschul, pianist Paul Bley and bassist Gary Peacock recorded in 1967 and released on Bley's own Improvising Artists label in 1976.
Japan Suite is a live album by pianist Paul Bley, drummer Barry Altschul and bassist Gary Peacock recorded in Japan in 1976 and released on Bley's own Improvising Artists label in 1977.
Partners is an album by pianist Paul Bley and bassist Gary Peacock recorded in New York in 1989 and released on the French label Owl in 1991.
12 (+6) In a Row is an album by Paul Bley with Hans Koch and Franz Koglmann recorded in Switzerland in 1990 and released on the hat ART label the following year.
L'Heure Bleue is an album by trumpeter/flugelhornist Franz Koglmann which was recorded in Austria and Switzerland in 1991 and released on the Swiss HatART label.