Japan Suite | ||||
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Live album by | ||||
Released | 1977 | |||
Recorded | July 25, 1976 Yamaha Music Festival, Nemu No Sato, Shima, Mie, Japan | |||
Genre | Jazz | |||
Length | 31:51 | |||
Label | Improvising Artists IAI 373849 | |||
Producer | Carol Goss & Paul Bley | |||
Paul Bley chronology | ||||
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Japan Suite is a live album by pianist Paul Bley, drummer Barry Altschul and bassist Gary Peacock recorded in Japan in 1976 and released on Bley's own Improvising Artists label in 1977. [1]
Review scores | |
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Source | Rating |
Allmusic | |
The Penguin Guide to Jazz | |
The Rolling Stone Jazz Record Guide |
Allmusic awarded the album 2 stars noting the performance is "certainly more fiery than many of the other recordings by the trio and has its colorful moments". [2] The Penguin Guide to Jazz called it "a set of remarkable intensity, even by the standards of these fiery players". [3]
All compositions by Paul Bley
Barry Altschul is a free jazz and hard bop drummer who first came to notice in the late 1960s for performing with pianists Paul Bley and Chick Corea.
Annette Peacock is an American composer, singer, songwriter, producer, arranger, and musician. She is a pioneer in electronic music who combined her voice with one of the first Moog synthesizers in the late 1960s.
Open, to Love is a jazz album by Paul Bley. It features Bley performing seven solo piano pieces and is considered not only one of his best albums, but a defining album in the history of the ECM record label. Three of the tracks were composed by ex-wife Carla Bley and another two by Bley's soon-to-be-ex-wife Annette Peacock. The album is one of the first showcases of the pointillism and silence that would inform much of his later work.
Social Studies is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1980 and released on the Watt/ECM label in 1981.
Paul Bley with Gary Peacock is an album by Canadian jazz pianist Paul Bley with American bassist Gary Peacock recorded in 1963 and 1968 and released on the ECM label in 1970.
Ballads is an album by Canadian jazz pianist Paul Bley recorded in 1967 and released on the ECM label in 1971.
In the Evenings Out There is an album by pianist Paul Bley, bassist Gary Peacock, drummer Tony Oxley and saxophonist John Surman recorded in 1991 and released on the ECM label in 1993.
Drum Ode is an album by American jazz saxophonist Dave Liebman recorded in 1974 and released on the ECM label.
Essence is an album by trumpeter Don Ellis recorded in 1962 and released on the Pacific Jazz label.
Barrage is the fifth album led by jazz pianist Paul Bley, and the first by any artist devoted entirely to songs by his then-wife Carla Bley. The album was recorded by Bley's Quintet in 1964 and released on the ESP-Disk label, and features saxophonist Marshall Allen in a rare appearance outside his usual gig with pianist/composer Sun Ra.
Touching is the sixth album led by jazz pianist Paul Bley featuring tracks recorded in Copenhagen in 1965 and released on the Danish Fontana label.
Closer is the seventh album led by jazz pianist Paul Bley, featuring seven compositions by Carla Bley, recorded in 1965 and released on the ESP-Disk label.
Ramblin' is an album led by jazz pianist Paul Bley recorded in Italy in 1966 and released on the French BYG Actuel label.
The Paul Bley Synthesizer Show is an album by Paul Bley performing compositions by Annette Peacock which was released on the Milestone label in 1971.
Improvisie is a live album by Paul Bley with Annette Peacock and Han Bennink which was released on the French America label in 1971.
Virtuosi is an album by drummer Barry Altschul, pianist Paul Bley and bassist Gary Peacock recorded in 1967 and released on Bley's own Improvising Artists label in 1976.
Quiet Song is an album by pianist Paul Bley, clarinetist Jimmy Giuffre and guitarist Bill Connors recorded in 1974 and released on Bley's own Improvising Artists label in 1975.
Alone, Again is a solo piano album by Paul Bley, recorded in Norway in 1974 and released on Bley's own Improvising Artists label in 1975.
Axis is a live solo album by pianist Paul Bley recorded in New York in 1977 and released on Bley's own Improvising Artists label the following year.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album is notable as being the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the classic Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).