| Solemn Meditation | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Paul Bley Quartet | ||||
| Released | 1958 | |||
| Recorded | August 21, 1957 | |||
| Studio | Audio Arts Studio, Hollywood, California | |||
| Genre | Jazz | |||
| Length | 33:36 | |||
| Label | GNP Crescendo GNPS 31 | |||
| Producer | Gene Norman | |||
| Paul Bley chronology | ||||
| ||||
Solemn Meditation is the third album led by jazz pianist Paul Bley featuring tracks recorded in 1957 and released on the GNP Crescendo label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Rolling Stone Jazz Record Guide | [3] |
Allmusic awarded the album 3 stars stating "This early quartet date from pianist Paul Bley is somewhat historic because it was the recording debut of both bassist Charlie Haden and vibraphonist Dave Pike... Bley explores a lot of unlikely material in an early postbop manner". [2]
All compositions by Paul Bley except as indicated
Time/Life (subtitled (Song for the Whales and Other Beings)) is an album by Charlie Haden's Liberation Music Orchestra arranged by composer and pianist Carla Bley and released on the Impulse! label in 2016. It features two tracks from Haden's final live performance with the Orchestra along with additional studio recordings completed after his death.
Paul Bley, CM was a Canadian jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers. His music has been described by Ben Ratliff of the New York Times as "deeply original and aesthetically aggressive". Bley's prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s.
Escalator over the Hill is mostly referred to as a jazz opera, but it was released as a "chronotransduction", with "words by Paul Haines, adaptation and music by Carla Bley, production and coordination by Michael Mantler", performed by the Jazz Composer's Orchestra.
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, recorded in November 1982 and released on ECM October the following year.
David Samuel Pike was an American jazz vibraphone and marimba player. He appeared on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Death and the Flower is an album recorded by Keith Jarrett in October 1974 during two sessions that also produced Back Hand. Released in 1975, the disc features the pianist's "American Quartet" with percussionist Guilherme Franco.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Somewhere Before is a live album by pianist Keith Jarrett recorded on August 30 and 31, 1968, at Shelly's Manne-Hole in Hollywood, California with his first trio, composed of Charlie Haden (bass) and Paul Motian (drums).
Jazz in the Space Age is an album by George Russell originally released on Decca in 1960. The album contains tracks conducted and arranged by Russell performed by Ernie Royal, Bob Brookmeyer, Frank Rehak, Al Kiger, Marky Markowitz, David Baker, Jimmy Buffington, Hal McKusick, Dave Young, Sol Schlinger, Bill Evans, Paul Bley, Barry Galbraith, Howard Collins, Milt Hinton, Don Lamond and Charlie Persip.
Memoirs is an album by pianist Paul Bley, bassist Charlie Haden and drummer Paul Motian recorded in 1990 and released on the Italian Soul Note label.
Closeness is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label. Haden’s duet partners are pianist Keith Jarrett, alto saxophonist Ornette Coleman, harpist Alice Coltrane and drummer Paul Motian.
The Montreal Tapes: with Paul Bley and Paul Motian is a live album by the American jazz bassist Charlie Haden with pianist Paul Bley and drummer Paul Motian recorded in 1989 and released on the Verve label.
Closer is the seventh album led by jazz pianist Paul Bley, featuring seven compositions by Carla Bley, recorded in 1965 and released on the ESP-Disk label.
Quiet Song is an album by pianist Paul Bley, clarinetist Jimmy Giuffre and guitarist Bill Connors recorded in 1974 and released on Bley's own Improvising Artists label in 1975.
Japan Suite is a live album by pianist Paul Bley, drummer Barry Altschul and bassist Gary Peacock recorded in Japan in 1976 and released on Bley's own Improvising Artists label in 1977.
Axis is a live solo album by pianist Paul Bley recorded in New York in 1977 and released on Bley's own Improvising Artists label the following year.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
Coleman Classics Volume 1 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released Bley's on the Improvising Artists label in 1977. The album is an early live recording of Ornette Coleman, made shortly after his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).