Nocturnal Walks is a musical composition by Franz Koglmann commissioned by the Romanian city of Sibiu to celebrate its being the European Capital of Culture in 2007. The instrumentation of the piece includes flutes, oboe, English horn, clarinet, bassoon, contrabassoon, two trumpets, flugelhorn, trombone, tuba, two violins, viola, cello, accordion, drums and vibraphone to be played live, together with a recording of Sibiu native philosopher Emil Cioran [1] (interviewed in Paris by Alfred Koch, whose voice is not used in the composition). Koglmann also quotes from a symphony by Haydn, exemplifying third stream.
The piece is divided into eight sections:
The piece was recorded in 2007, with Koglmann himself on flugelhorn and Peter Burwik conducting the 20th Century Ensemble. The next year it earned him the Ernst Krenek Prize. [2] [3]
The Second Viennese School was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna. Their music was initially characterized by late-Romantic expanded tonality and later, a totally chromatic expressionism without firm tonal centre, often referred to as atonality; and later still, Schoenberg's serial twelve-tone technique. Adorno said that the twelve-tone method, when it had evolved into maturity, was a "veritable message in a bottle", addressed to an unknown and uncertain future. Though this common development took place, it neither followed a common time-line nor a cooperative path. Likewise, it was not a direct result of Schoenberg's teaching—which, as his various published textbooks demonstrate, was highly traditional and conservative. Schoenberg's textbooks also reveal that the Second Viennese School spawned not from the development of his serial method, but rather from the influence of his creative example.
Alfred Brendel is an Austrian classical pianist, poet, author, composer, and lecturer who is noted for his performances of Mozart, Schubert and Beethoven.
Ernst Heinrich Krenek was an Austrian, later American, composer. He explored atonality and other modern styles and wrote a number of books, including Music Here and Now (1939), a study of Johannes Ockeghem (1953), and Horizons Circled: Reflections on my Music (1974). Krenek wrote two pieces using the pseudonym Thornton Winsloe.
Tom Varner is an American jazz horn player and composer.
The Vienna Chamber Orchestra is an Austrian chamber orchestra based at the Vienna Konzerthaus.
Franz Salmhofer was an Austrian composer, clarinetist and conductor. He studied the clarinet, composition and musicology in Vienna. Salmhofer served successively as Kapellmeister of the Burgtheater, Director of the Vienna State Opera and Director of the Vienna Volksoper and composed a number of works, few of which are played today.
Franz Schubert's Piano Sonata in C major, D. 840, nicknamed "Reliquie" upon its first publication in 1861 in the mistaken belief that it had been Schubert's last work, was written in April 1825, whilst the composer was also working on the A minor sonata, D. 845 in tandem. Schubert abandoned the C major sonata, and only the first two movements were fully completed, with the trio section of the third movement also written in full. The minuet section of the third movement is incomplete and contains unusual harmonic changes, which suggests it was there Schubert had become disillusioned and abandoned the movement and later the sonata. The final fourth movement is also incomplete, ending abruptly after 272 measures.
Wolfgang Holzmair is an Austrian baritone.
Dieter Kaufmann is an Austrian composer.
Franz Koglmann is an Austrian jazz composer. He performs on both the trumpet and flugelhorn in most often in avant-garde jazz and third stream. An award-winning composer, Koglmann has performed or recorded with Lee Konitz, Paul Bley, Bill Dixon, Georg Gräwe, Andrea Centazzo, Theo Jörgensmann, Wolfgang Reisinger, Enrico Rava, Yitzhak Yedid, Ran Blake, and John Lindberg; together with the bassist Peter Herbert he has often musically accompanied works of the Austrian artist Heidi Harsieber.
Thomas Larcher is an Austrian composer and pianist.
Threni: id est Lamentationes Jeremiae Prophetae, usually referred to simply as Threni, is a musical setting by Igor Stravinsky of verses from the Book of Lamentations in the Latin of the Vulgate, for solo singers, chorus and orchestra. It is important among Stravinsky's compositions as his first and longest completely dodecaphonic work, but is not often performed. It has been described as "austere" but also as a "culminating point" in his career as an artist, "important both spiritually and stylistically" and "the most ambitious and structurally the most complex" of all his religious compositions, and even "among Stravinsky's greatest works".
Pierluigi Billone is an Italian composer known for works which often "reinvent" the performance techniques of the instruments involved.
Annette is an album by Paul Bley with Franz Koglmann and Gary Peacock recorded in Germany in 1992 and released on the hat ART label in 1993. The album features compositions by Annette Peacock.
Tomasz Skweres is a Polish composer who lives and works in Vienna.
L'Heure Bleue is an album by trumpeter/flugelhornist Franz Koglmann which was recorded in Austria and Switzerland in 1991 and released on the Swiss HatART label.
Gösta Neuwirth is an Austrian musicologist, composer and academic teacher. He studied in Vienna and Berlin, where he wrote a dissertation on harmony in Franz Schreker's Der ferne Klang. He has taught at universities and music schools including the Musikhochschule Graz, University of Graz, Hochschule der Künste Berlin and University of Freiburg. His compositions include a string quartet and a chamber opera.
René Staar is an Austrian composer, violinist and conductor.
Opium is a compilation album by trumpeter Bill Dixon, trumpeter Franz Koglmann, and saxophonist Steve Lacy. It brings together recordings that were initially issued on the small, obscure Pipe label, founded by Koglmann in 1973, and having a total of three releases in its catalog. Four of the album's tracks were recorded in Vienna in 1973, and originally appeared on the 1973 LP Flaps, credited to Koglmann and Lacy. The remaining tracks, recorded in Paris and Vienna during 1975 and 1976, are from the 1977 LP Opium for Franz, credited to Koglmann and Dixon. Opium was released in 2001 by the German label Between the Lines, and was remastered from copies of the two LPs, as the original tapes had been lost.
Opium for Franz is an album by trumpeters Franz Koglmann and Bill Dixon. It was recorded during 1975 and 1976 in Vienna and Paris, and was issued on LP with hand-made cover art by the small, obscure Pipe label, founded by Koglmann in 1973, and having a total of three releases in its catalog. In 2019, the album was reissued by the Black Monk label.