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Liz Duffy Adams is an American playwright who has written many plays including Born With Teeth; Or,; Dog Act; The Salonnieres; A Discourse on the Wonders of the Invisible World; The Broken Machine, and others.
Her play Born With Teeth won a 2021 Edgerton Foundation New Play Award. [1] She was rewarded the 2012 "Women of Achievement Award" from the Women's Project Theater [2] as well as a 2010 Lily Award and a 2008 Weston Playhouse Music-Theatre Award, among other honors.
Adams is an American playwright originally from Ipswich, Massachusetts, who holds dual Irish and American citizenship. [3] She has a BFA from NYU's Experimental Theater Wing, and an MFA in Playwriting from Yale School of Drama. [4]
She was the 2012–13 Briggs-Copeland Visiting Lecturer in Playwriting at Harvard University. [5] She is an alumna of New Dramatists (2001-2008). [6]
Charles Isherwood wrote in his New York Times review of her historical play Or, "Ms. Adams fares remarkably well. Her language has a natural period flavor and a formidable wit; her characters possess the spark of fully animated spirits; and she weaves into her story both biographical detail and cultural context with grace." [7]
In the Houston Chronicle , Robert Donahoo wrote of Born with Teeth that it "can’t decide if it is about literature, history, political intrigue, religious persecution, or the wide varieties of love, and that’s a good — no, make that glorious — thing. The play grabs them all and squeezes them into a trim, tight, electric production…. [a] jewel of a script." [8]
The DC Theatre Scene review of her Discourse on the Wonders of the Invisible World, by Debbie Minter Jackson, says, "Adams has a way of transforming ominous situations into thought provoking entertaining experiences, and she handles the premise of the Salem witch trials with care that ends up being thoughtful, mysterious, and if I dare say – startlingly funny." [9]
Robert Hurwitt wrote in his SF Gate review of her Dog Act, "It's a bright dystopian blend of pop and high culture –– Brecht's Mother Courage as a vaudeville troupe leader wandering a Waiting for Godot world as transmuted through generations of Mad Max–Road Warrior movies with some lingering influences from Peter Pan –– peppered with astonishing and exhilarating eruptions of storytelling and wondrous plays within the play." [10]
Awards include a 2021 Edgerton Foundation New Play Award. [1] 2012 Women of Achievement award from the Women's Project Theater, [19] a 2010 Lily Award for Playwrighting, [20] a 2008 Weston Playhouse Music-Theatre award, [21] a 2006 NYFA award, a 2017 Fellowship from the Massachusetts Cultural Council, [22] and the Will Glickman award for Best New Play in 2004 (for Dog Act). [23] She has held residencies at the MacDowell Colony, Millay Colony for the arts, and the Djerassi Resident Artists program. She was profiled in American Theatre Magazine in December 2004.[ citation needed ]
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