Lo frate 'nnamorato

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Lo frate 'nnamorato
Commedia musicale by G. B. Pergolesi
Giovanni Battista Pergolesi - Lo frate nnamorato - titlepage of the libretto - Naples 1734.png
Titlepage of the 1734 libretto
TranslationThe Brother in Love
Librettist Gennaro Antonio Federico
Language Neapolitan and Italian
Premiere
27 September 1732 (1732-09-27)

Lo frate 'nnamorato (Neapolitan: The Brother in Love) is a three-act commedia per musica (a form of opera buffa ) by Giovanni Battista Pergolesi, to a Neapolitan libretto by Gennaro Antonio Federico, first performed in 1732.

Contents

Composition history

The opera, written when the composer was only 22, is his first attempt at comic opera. (It was followed in 1733 by his better-known short opera, La serva padrona ). The first performance was on 27 September 1732, at the Teatro dei Fiorentini, Naples. A successful run was halted by a severe earthquake, which closed the theatres in Naples until the autumn of 1733. It was re-presented during the 1734 carnival season, in a version revised by the author.

Roles

RoleVoice type [1] Premiere cast [2]
27 September 1732
ComicVannella, Carlo's maidservant soprano Margherita Pozzi
Cardella, Marcaniello's maidservantsopranoMaria Morante [3]
Marcaniello, an elderly Neapolitan bass Giacomo D'Ambrosio
MixtureDon Pietro, Marcaniello´s sonbassGirolamo Piani
Carlo, a Roman tenor Giovanni Battista Ciriaci
Nina, Carlo's niece contralto Teresa De Palma [4]
Nena, Carlo'sniecesopranoMarianna Ferrante
SeriousAscanio, Marcaniello'sadopted sonsoprano (en travesti)Teresa Passaglioni
Luggrezia, Marcaniello'sdaughtercontraltoRosa Gherardini

At this time in history, when comic opera was in its infancy, librettists wrote works with both comic and serious characters.

Synopsis

Setting: House of Marcaniello; Capodimonte region of Naples

Ascanio, the brother of Nina and Nena, was stolen by brigands in childhood and presumed lost; he was, however, found and adopted by Marcaniello.

Now, Nina and Nena are the wards of their uncle, the Roman Don Carlo. Don Carlo wishes to marry Luggrezia, the daughter of Marcaniello, who himself wishes to marry Nina and to take Nena as a wife for his son, the foppish Don Pietro. Nina and Nena meanwhile have fallen in love with Ascanio, not realizing their relationship. The two maids Vanella (servant of Carlo) and Cardella (servant of Marcaniello) comment on and take part in the various intrigues which ensue.

Finally, in a duel with Carlo, the latter recognizes Ascanio as his lost nephew by a birthmark on his arm. Ascanio and Luggrezia are now free to marry.

Orchestration

Recordings

key: conductor/Nena/Nina/Luggrezia/Ascanio/Carlo/Marcaniello/Pietro/Cardella/Vannella

Notes

  1. According to Mellace
  2. "CORAGO" (in Italian). University of Bologna. Retrieved 24 November 2016.
  3. In the 1734 revival this role was taken by Virginia Gasparrini
  4. In the 1734 revival this role was taken by a Maria Negri not to be confused with the more well-known Maria Caterina Negri who was working at the time with Handel in London (Sechi, Giovanni Andrea (2013) "Negri, Maria Caterina". Dizionario Biografico degli Italiani . Retrieved 19 February 2018).

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References