Long Sound | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1993 | |||
Studio | Acme Recording | |||
Genre | Lounge rock, jazz | |||
Label | Hi-Ball/Carrot Top [1] | |||
The Coctails chronology | ||||
|
Long Sound is an album by the American band the Coctails. [2] [3] It was released in 1993, one of the many notable albums to come out of Chicago that year. [4] [5] [6]
The band moved away from its earlier lounge sound by inviting reedman Ken Vandermark and saxophonist Hal Russell to help bring out more jazz elements. [7] [8] Dave Crawford, of Poi Dog Pondering, contributed on trumpet and flugelhorn. [9] [10] Many of the more guitar-centered tracks recorded during the sessions ended up on the band's next album, Peel. [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | ![]() |
Trouser Press wrote: "While hardly virtuosos, the Coctails play with low-key humor and create a series of soundscapes—by turns muted and buoyant, lush and fractured—that evoke heroes from Billy Strayhorn to Sun Ra." [10] The Chicago Tribune called the album "a beautifully programmed series of jazzy soundscapes, with ringers like Ken Vandermark, Dave Crawford and Hal Russell—in the last recorded performance before his death—adding their distinctive voices." [14]
The Pittsburgh Post-Gazette praised the "brooding, melancholic, jazzy feel," writing that the band "proved they were more than Blue Note wannabes by constructing a record any jazz aficionado would cite as a Top 10 pick." [15] The Atlanta Journal-Constitution concluded: "Snaky and hypnotic, the tunes amble like a laid-back flip side to Eric Dolphy's classic, Out to Lunch." [16] The Wisconsin State Journal noted that "the band made what it felt was a necessary foray into free-form jazz noodling, with longer songs and mixed results." [17]
AllMusic wrote that "the quartet's sound moved more to jazz and away from the band's poppier efforts on albums like Early Hi-Ball Years." [12] Pitchfork deemed it "a superb album of alternately weird and elegiac jazz." [18]
No. | Title | Length |
---|---|---|
1. | "Steam" | |
2. | "China Song" | |
3. | "Monkeys and Seals" | |
4. | "Stray Horn" | |
5. | "Tenement" | |
6. | "Twilight for Henry" | |
7. | "Waterlogged" | |
8. | "Clown's Coffee" | |
9. | "Far East" | |
10. | "Gripper Bite" |
Gish is the debut studio album by the American alternative rock band the Smashing Pumpkins, released on May 28, 1991 through Caroline Records. The album was produced by Butch Vig and frontman Billy Corgan, with the latter describing Gish as a "very spiritual album" and "an album about spiritual ascension".
Ken Vandermark is an American composer, saxophonist, and clarinetist.
The Coctails were a musical group from Chicago, who formed while its members were attending the Kansas City Art Institute.
Eleventh Dream Day (EDD) is an American alternative rock band from Chicago.
Ask the Ages is the final album recorded by jazz guitarist Sonny Sharrock during his lifetime. It was recorded with producer Bill Laswell and released in 1991; It featured Sharrock alongside saxophonist Pharoah Sanders, bassist Charnett Moffett and drummer Elvin Jones. Sharrock died on May 25, 1994.
Weeville is an album by New Zealand band Tall Dwarfs, released in 1990. It was the band's first album, after almost a decade of EP-only releases.
Fromohio is the third album by the American alternative rock band Firehose, released in 1989. The album maintained the acoustic and folky sound of If'n.
Marc Charles "Mars" Williams was an American jazz and rock saxophonist. He was a member of the American new wave band The Waitresses from 1980 to 1983, and a member of the British post-punk band The Psychedelic Furs from 1983 to 1989 and again from 2005 until his death in 2023. Williams also was a founding member of the acid jazz group Liquid Soul, and a member of the free jazz-oriented NRG Ensemble.
Archer Prewitt is an American musician and cartoonist associated with the independent music scene in Chicago, Illinois.
Kent Kessler is an American jazz double-bassist.
Melting in the Dark is an album by the American musician Steve Wynn, released in 1996. It was recorded with a band consisting of all the members of Come. Wynn supported the album by touring with a backing band that included members of Gutterball, Zuzu's Petals, and Love Tractor.
American Grafishy is the third studio album by the San Francisco-based punk rock band Flipper. It was released in 1992 by Def American; label president Rick Rubin had once been in a Flipper tribute band. The album title is a pun on the coming-of-age film American Graffiti. The band promoted the album with a North American tour.
Constructive Destruction is an album by the Flying Luttenbachers. It was released in 1994 by ugEXPLODE.
That's What Love Songs Often Do is an album by the American band Fig Dish, released in 1995. "Seeds" and "Bury Me" were released as singles. That's What Love Songs Often Do was a commercial disappointment. The band supported it with a North American tour.
Cleopatra Grip is the debut album by the English band the Heart Throbs, released in 1990. The Heart Throbs supported the album with a UK tour and by opening for the Railway Children on a North American tour.
Answer the Phone, Dummy is an album by the American band Fastbacks, released in 1994. The band supported the album with a North American tour.
Be Bop or Be Dead is the debut solo album by the American musician and Last Poet Umar Bin Hassan, released in 1993. Hassan had spent many of the preceding years isolated from his group and his music while dealing with drug and personal issues. The album was a commercial disappointment.
Funny Farm is an album by the American band King Kong, released in 1993. The band supported the album with a North American tour.
Ursa Major is an album by the American band Eleventh Dream Day. Released in 1994, it was the band's first album for Atavistic Records. The band supported the album with shows in the Chicago area. "Orange Moon" was released as a single.
Pomegranate is an album by the American band Poi Dog Pondering, released in 1995. It was first released in a limited edition by the band's label, with a national release by Bar/None Records. The band supported the album with a North American tour. Pomegranate sold more than 40,000 copies in its first six months of release. "Catacombs" was released as a single. An EP, Electrique Plummagram, contained dance remixes of some Pomegranate tracks.