#LookAtMe | |
---|---|
Directed by | Ken Kwek |
Release dates |
|
Running time | 108 |
Country | Singapore |
Language | English |
#LookAtMe is a 2022 Singaporean film directed by Ken Kwek. It was premiered at 2022 New York Asian Film Festival. [1] The film was inspired by Amos Yee's 2015 vlogs that criticised Lee Kuan Yew and Christianity, and other real life events. [2]
Sean and Ricky Mazuki are twins who live with their mother, Nancy. Ricky is gay, while Sean has a girlfriend, Mia. Mia invites the twins to the evangelical megachurch she attends where the pastor, Josiah Long, gives a homophobic sermon. The brothers become enraged and disgusted by the sermon, leading Sean to create a vlog by casting himself to criticize Josiah in a bad light. The vlog goes viral, which earns Sean a defamation lawsuit and a jail sentence for violating Singapore's laws on "hurting religious feelings" and "spreading fake news" for mocking Christianity.
Martin Lukanov of Asian Movie Pulse akins the scenes of Josiah Long giving his sermon to "a real video by a real church leader". [3] Anthony Kao of Cinema Escapist writes that the film's choice to switch between genres was effective: family drama to build sympathy for the Mazuki family with the audience and tragedy and prison exploitation illustrating how the family's lives are spinning out of control. [2] Niina Doherty of Eastern Kicks writes that "Kwek's criticism of [the societal issues of Singapore or its legal system] is subtle and effective". [4] Akash Deshpande of High on Films writes that although the film had a chance of making a larger statement, it became "a reactionary work, which dulls its overall impact". [5]
At the 2022 New York Asian Film Festival, the film won a Special Jury Mention for Best Performer for its lead actor, yao. [6]
On 17 October 2022, the film was refused classification by Infocomm Media Development Authority, which effectively barred the film from being screened in Singapore for "its potential to cause enmity and social division". [7] IMDA, Ministry of Culture, Community and Youth, and Ministry of Home Affairs also stated that the pastor in the film engages "in an act prohibited by his professed religious faiths"; that the depictions of the pastor in the film are "suggestive of a real pastor in Singapore", and the allegations may be "perceived to be offensive, defamatory and contrary to the Maintenance of Religious Harmony Act". [8] The film was scheduled to be screened at 2022 Singapore International Film Festival. However, even with the ban, the festival decided to include the film in its advertised line-up, though the film was marked as unavailable for screening. [9] [10] The director, Ken Kwek and producers decided not to appeal IMDA's decision, as after assessing the authorities' decision, they concluded that the possibility of the appeal being be successful would be "exceedingly slim". [11]
The New York Asian Film Festival (NYAFF) is a film festival held in New York City dedicated to the display of Asian film and culture. The New York Asian Film Festival generally features contemporary premieres and classic titles from Eastern Asia and Southeast Asia, though South Asian cinema has also been represented via films from India and Pakistan.
The Infocomm Media Development Authority (IMDA) is a statutory board under the Singapore Ministry of Digital Development and Information (MDDI).
The Singapore International Film Festival (SGIFF) is the longest-running film festival in Singapore, founded in 1987.
The Blue Mansion is a 2009 film directed by Glen Goei. The film had its world premiere at the 14th Pusan International Film Festival and was released in Singaporean theatres in an edited NC16 version at the request of the distributor on 22 October 2009. The uncut version was classified M18 by the Media Development Authority. The film was the opening film of the Berlin Asian Hot Shots Film Festival 2010 and was in competition at the Tokyo International Film Festival 2009 and the Shanghai International Film Festival 2010. It debuted in Kuala Lumpur on 18 March 2010 and was shown in Penang during the George Town Festival 2010.
Abbas Akbar is a Singaporean filmmaker, screenwriter, and executive producer. He has written, directed, and overseen over 100 hours of award-winning television and film since 2009.
Ken Kwek is a Singaporean screenwriter, director, playwright and author. His short film compendium, Sex.Violence.FamilyValues, was banned by the Singapore and Malaysian governments in 2012. His first feature film Unlucky Plaza premiered at the Toronto International Film Festival in 2014. His second feature #LookAtMe premiered at the New York Asian Film Festival in 2022, to critical acclaim. He has written several full-length plays, including the #MeToo drama, This Is What Happens To Pretty Girls, which premiered in Singapore in 2019. He is also the author of several best-selling children’s books including Kelly and the Krumps, which won the Hedwig Anuar Book Award in 2020.
Viddsee is a video entertainment platform that drives distribution and marketing of short premium content, founded by engineer-filmmaking duo Ho Jia Jian and Derek Tan.
Media regulation in the Republic of Singapore is carried out by the Info-communications Media Development Authority (IMDA) and effected by various laws.
Unlucky Plaza is a 2014 Singaporean black comedy thriller film written and directed by Ken Kwek. It stars Epy Quizon as a Filipino immigrant to Singapore who takes hostages after falling for a scam. It premiered at the Toronto International Film Festival and was released in Singapore on 16 April 2015. The story is told in a series of flashbacks from the point of view of a talk show that has reunited the captor and his former hostages.
The Wild Dreams Tour or The Hits Tour, originally known as the Stadiums in the Summer Tour, is a concert tour by Irish pop vocal group, Westlife. It was first scheduled to begin on 17 June 2020 in Scarborough, England at the Scarborough Open Air Theatre.
The Diam Diam Era is a 2020 Singaporean comedy film directed by Jack Neo. Set in 1980s, it tells the story of the Lim family moving from kampong to HDB flats. Through major policy changes and political climate in the era, they experience great changes in their lives and environment. It is the sequel to Long Long Time Ago and Long Long Time Ago 2.
Tiong Bahru Social Club is a 2020 Singaporean satirical black comedy art film. The film tells the story of a simple everyman who accidentally becomes a happiness agent in Tiong Bahru Social Club, an idyllic artificial intelligence cult-like community dedicated to bringing joy and happiness by using big data which aims to become the happiest neighborhood in town.
The 21st New York Asian Film Festival began in New York from 15 July with the opening film of the festival Fast and Feel Love, a Thai film by Nawapol Thamrongrattanarit. The 21st edition was celebrated as 20th anniversary of the festival and seventy titles were screened in person. The lineup included six world premieres, eight international premieres, 19 North American premieres, four U.S. premieres, and 17 East Coast premieres. The festival closed with Korean sci-fi 2022 film Alienoid by Choi Dong-hoon on 31 July. Mongolian film The Sales Girl by Janchivdorj Sengedorj won the Uncaged Award for Best Feature Film.
Fast and Feel Love is a 2022 Thai parody action comedy film written, directed and produced by Nawapol Thamrongrattanarit, starring Urassaya Sperbund and Nat Kitcharit distributed by GDH. And this film is an imitation of Fast and Furious franchise
Chasing Dream is a 2019 Hong Kong–Chinese romantic comedy drama film directed by Johnnie To and co-produced with Wai Ka-fai, who also co-wrote the screenplay. The film stars Jacky Heung and Wang Keru, and tells the story of a boxing champion and a dream-chasing singer who met and became friends together by chance while chasing their dreams.
The 22nd New York Asian Film Festival was held in New York on 14 July with North American premiere of South Korean film Killing Romance by Lee Won-suk, who attended the screening in person. In the 22nd edition seventy eight titles were screened in person. The lineup included eight world premieres, nine international premieres, thirty-two North American premieres, three U.S. premieres, and sixteen East Coast/New York premieres. Films from various genres from Hong Kong, Japan, China, South Korea, the Philippines, Malaysia, Indonesia, Taiwan, Thailand, Kazakhstan, Kyrgyzstan, Singapore, Vietnam, the United Kingdom, and the United States were screened.
The 23rd New York Asian Film Festival was held in New York on 12 July with World Premiere of South Korean film Victory by Park Beom-su, who attended the screening in person. In the 23rd edition 94 titles were screened in person. The film selection featured both contemporary and timeless titles from various Asian countries, as well as beyond, showcasing nine world premieres, 12 international premieres, and 38 North American premieres. Films from various genres from China, South Korea, Japan, Hong Kong, Taiwan, Thailand, Indonesia, Mongolia, Malaysia, the Philippines, Vietnam, and beyond were screened.