"Lord of the Flies" is the fifth episode of the ninth season of the science fictiontelevision seriesThe X-Files, and the show's 187th episode overall. It first premiered on the Fox network in the United States on December 16, 2001, and was subsequently aired in the United Kingdom on BBC Two. The episode was written by Thomas Schnauz, and was directed by Kim Manners. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "Lord of the Flies" earned a Nielsen household rating of 6.2, and was watched by 9.9 million viewers. The episode received mixed reviews from television critics, with many critical of the episode's reliance on humor.
The show centers on FBI special agents who work on cases linked to the paranormal, called X-Files; this season focuses on the investigations of John Doggett (Robert Patrick), Monica Reyes (Annabeth Gish), and Dana Scully (Gillian Anderson). In this episode, an amateur stunt performer is killed while performing a daring act for a local cable reality show. Scully, Doggett and Reyes discover that the culprit was apparently a swarm of killer flies hidden in the victim's brain.
"Lord of the Flies" marked a return of comedic episodes to the series. Due to this, Patrick had issues with his acting because, initially, he felt the entry was too foolish. The aggressiveness of flies in the episode was inspired by the actual habits of Australian blow flies.
Plot
A group of teenagers, led by "Sky Commander Winky" (Aaron Paul), film one of their friends, nicknamed "Cap'n Dare" (played by Branden Williams), doing stunts for a cable TV show called Dumbass. The last stunt involves a ramp-jump in a shopping cart. During the stunt, Dare veers off and falls out of the cart and is found dead after part of his skull collapses. The local coroner calls in John Doggett (Robert Patrick) and Monica Reyes (Annabeth Gish) to investigate the death. During the autopsy, flies erupt from Dare's eye sockets. Dana Scully (Gillian Anderson) examines the body and finds that the insects had fed on Dare's brain to such a degree that it simply collapsed.
At a local high school, Winky and his brother film a memorial service for Dare, much to the annoyance of his girlfriend Natalie. The teens harass Dylan Lokensgard, the son of the principal and a social outcast. Doggett and Reyes arrive at the school to talk to Winky. During their interview, body lice mysteriously attack him and bite "Dumbass" into his flesh. While watching the Dumbass recordings, Doggett notices that Dylan was at each of the stunts and decides to question him. While the two agents talk to Dylan, his mother appears and tries to stop the questioning. During the proceedings, Dylan becomes covered in flies; subsequently, Reyes starts to believe that Dylan is behind the attack. The agents take a tissue soaked with Dylan's sweat back for Scully to analyze. The results show that Dylan's body fluids contain a high number of insect pheromones.
That night, Natalie sneaks into Dylan's house. When they kiss, something apparently cuts her mouth, causing her to leave in tears. Dare's friends, who believe Dylan is responsible for his death, pull up moments later and abduct him. During the drive, an insect-like protrusion comes out of Dylan's mouth and sprays webbing everywhere, causing the car to flip and crash. Doggett and Reyes arrive at the scene, and are told that Dylan chewed his way out the back window. Meanwhile, Scully and a bug specialist search Dylan's home. Scully leaves to help Reyes find the teenager while the specialist stays behind; the specialist is subsequently attacked by Dylan's mother.
Reyes tracks down Natalie, but Reyes is attacked and cocooned by Dylan. Dylan's mother approaches him, and tells him that he is not like other kids and never will be. Doggett arrives at the girl's home and finds Reyes and Natalie alive. Dylan and his mother, however, are nowhere to be found. A subsequent search of the Lokensgard home reveals other bodies, including the bug specialist, cocooned but survived, and Dylan's father, who supposedly ran off years earlier. After leaving with his mother, Dylan sends Natalie one last message in the form of fireflies: "I love you."[2]
Production
The aggressiveness of flies in the episode was inspired by the actual habits of Australian blow flies.
The episode was written by Thomas Schnauz, and was directed by Kim Manners. It was Schnauz's first writing credit, and Manner's second directing credit for the season.[3] The episode, whose title is an English translation of the semitic demon Beelzebub's name,[4] marked a return of "the comedy episode" for the series.[5] According to Matt Hurwitz and Chris Knowles in their book The Complete X-Files, the episode "revisit[s] [the] themes of genetic grafting experiments from 'Travelers' in a humorous context."[5] Series co-star Robert Patrick had a difficult time with the episode; he later explained, "I couldn't deal with some of the material. As an actor, I found some of it to be a little silly."[5] Accordingly, Manners helped Patrick traverse the script, helping him achieve the desired delivery for his lines.[5]
The aggressiveness of flies in the episode was inspired by the actual habits of Australian blow flies.[4] A few of the flies on the dead body of "Cap'n Dare" were real, but the rest were created via CGI, according to special effects supervisors John Wash. Conversely, when filming the scene where Dylan is covered in flies, Hank Harris wore a suit that was covered with 30,000 live flies.[6] The opening for the episode was filmed at Cheviot Hills Park in Los Angeles. The site had previously been used for various shots in the sixth season episode "The Unnatural" and the eighth season episode "Three Words". Garfield High School in Sherman Oaks, California, stood in for Grant High School.[7]
The episode makes several references to British singer-songwriter Syd Barrett, with whom the character of Dylan strongly identifies. Barrett was the original lead singer for the rock band Pink Floyd before his departure in 1968. Two songs from Barrett's 1970 solo album The Madcap Laughs, "No Good Trying" and "Terrapin", are featured in the episode.[4]
Broadcast and reception
"Lord of the Flies" first premiered on the Fox network in the United States on December 16, 2001.[3] "Lord of the Flies" earned a Nielsen household rating of 6.2, meaning that it was seen by 6.2% of the nation's estimated households and was viewed by 6.54 million households,[8][nb 1] and 9.9 million viewers.[9] "Lord of the Flies" was the 51st most watched episode of television that aired during the week ending December 16.[8] The episode eventually aired on BBC Two in the United Kingdom on December 1, 2002.[3]
The episode received mixed reviews from television critics. Jessica Morgan of Television Without Pity gave the episode a "C" grade rating. She derided the show's need to place The X-Files logo in the teaser, but ultimately concluded that the episode was a "decent [one] to recap".[10]Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode one-and-a-half stars out of five. The two argued that the entry was trying to "be a 'Rain King' or a 'Terms of Endearment' and would like to recapture the sweet and charming feel of those early Season Six experiments."[11] However, they noted that because the show was in a different stage—Mulder and Scully were no longer the focus of the show's attention—that "the same style falls flat on its face".[11] Furthermore, Shearman and Pearson complained that "The X-Files is draining the trough of teenage angst again".[11] M.A. Crang, in his book Denying the Truth: Revisiting The X-Files after 9/11, felt that the teaser "intrigues for a moment", but that the competing elements of "quirky humour, body horror and teen love story quickly sink this disappointing outing."[12]
Notes
↑ At the time of airing, the estimated number of households was 105.5 million.[8] Thus, 6.2 percent of 105.5 million is 6.54 million households.
Hurwitz, Matt; Knowles, Chris (2008). The Complete X-Files. Insight Editions. ISBN978-1933784809.
Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN978-0975944691.
Monica Julieta Reyes is a fictional character in the Fox science fiction-supernatural television series The X-Files. She is portrayed by Annabeth Gish. At first a Field Agent before becoming a Special Agent with the FBI, she works with her longtime friend and partner John Doggett in the X-Files office, which is concerned with the investigation of paranormal cases, dubbed "X-Files". Introduced in the series' eighth season, Reyes would become a main character throughout the entirety of its ninth season, before returning for a single-episode guest appearance in the tenth-season finale, and later in a recurring capacity during season eleven.
"Sunshine Days" is the eighteenth and penultimate episode of the ninth season of the American science fiction television series The X-Files, and the series' 200th episode overall. It originally aired on the Fox network on May 12, 2002. The entry was written and directed by executive producer Vince Gilligan, his thirtieth and last episode as writer for the series. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "Sunshine Days" earned a Nielsen household rating of 6.2, was viewed by 6.5 million households, and 10.4 million viewers in its initial broadcast. It received mixed reviews from television critics.
"Roadrunners" is the fourth episode of the eighth season and the 165th episode overall of the science fiction television series The X-Files. "Roadrunners" is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. The episode first aired in the United States on November 26, 2000, on Fox and on March 1, 2001, on Sky1 in the United Kingdom and Ireland. It was written by Vince Gilligan and directed by Rod Hardy. The episode earned a Nielsen household rating of 8.3 and was watched by 13.6 million households. The episode received mixed reviews from television critics.
"John Doe" is the seventh episode of the ninth season of the American science fiction television series The X-Files. The episode first aired in the United States on January 13, 2002, on the Fox network. It was written by executive producer Vince Gilligan, and directed by co-executive producer Michelle MacLaren. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "John Doe" earned a Nielsen rating of 5.0 and was viewed by 5.28 million households. The episode received largely positive reviews from television critics.
"4-D" is the fourth episode of the ninth season and the 186th episode overall of the American science fiction television series The X-Files. The episode first aired in the United States on December 9, 2001, on the Fox network. It was written by Steven Maeda and directed by Tony Wharmby. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. The episode earned a Nielsen rating of 5.1 and was viewed by 5.38 million households. It received mixed to positive reviews from television critics.
"Dæmonicus" is the third episode of the ninth season of the American science fiction television series The X-Files and the show's 185th episode overall. It first premiered on the Fox network in the United States on December 2, 2001. The episode was written and directed by executive producer Frank Spotnitz. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. The episode earned a Nielsen rating of 5.5 and its premiere was viewed by 5.80 million households. The episode received mixed reviews from television critics.
"Trust No 1" is the sixth episode of the ninth season of the American science fiction television series The X-Files. It premiered on the Fox network on January 6, 2002. The episode was written by series creator Chris Carter and executive producer Frank Spotnitz, and directed by Tony Wharmby. "Trust No 1" helps to explore the series' overarching mythology. The episode received a Nielsen household rating of 5.1 and was viewed by 8.4 million viewers; it garnered mixed to negative reviews from television critics, with many feeling that it portrayed the series' characters in a way that was unfaithful to the show's history.
"Providence" is the tenth episode of the ninth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 10, 2002, and later aired in the United Kingdom on BBC One on January 19, 2003. The episode was written by series creator Chris Carter and executive producer Frank Spotnitz, and directed by Carter. "Providence" helps to explore the series' overarching mythology. The episode earned a Nielsen household rating of 5.2 and was viewed by 8.4 million viewers. The episode received mixed reviews from critics; some reviewers enjoyed the story and the show's way of integrating an absent Fox Mulder into the storyline, whereas others felt the plot was ludicrous.
"Audrey Pauley" is the eleventh episode of the ninth season of the American science fiction television series The X-Files. It originally aired on the Fox network on March 17, 2002. It was written by Steven Maeda and directed by Kim Manners. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. The episode earned a Nielsen household rating of 4.8, being watched by 8 million viewers. It has generally received positive reviews from television critics.
"Underneath" is the twelfth episode of the ninth season of the American science fiction television series The X-Files. The episode first aired in the United States on March 31, 2002, on the Fox network. The episode was written and directed by executive producer John Shiban. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. The episode earned a Nielsen rating of 4.4 and was viewed by 4.64 million households and 7.3 million viewers. It received mixed reviews from critics.
"Hellbound" is the eighth episode of the ninth season of the American science fiction television series The X-Files. It originally aired on the Fox network on January 27, 2002. It was written by David Amann and directed by Kim Manners. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the series' wider mythology, or the overarching fictional history. The episode earned a Nielsen household rating of 5.1 and was viewed by 7.8 million viewers in its initial broadcast. It received positive reviews from television critics.
"Provenance" is the ninth episode of the ninth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 3, 2002. The episode was written by series creator Chris Carter and executive producer Frank Spotnitz, and directed by Kim Manners. "Provenance" helps to explore the series' overarching mythology. The episode received a Nielsen household rating of 5.5 and was watched by 5.8 million households and 9.7 million viewers. It received mixed to positive reviews from critics.
"Scary Monsters" is the fourteenth episode of the ninth season of the American science fiction television series The X-Files. It originally aired on the Fox network on April 14, 2002. It was written by Thomas Schnauz and directed by Dwight H. Little. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. The episode earned a Nielsen household rating of 5.1 and was viewed by 8.2 million viewers in its initial broadcast. It received mixed to positive reviews from television critics.
"William" is the sixteenth episode of the ninth season of the American science fiction television series The X-Files, which originally aired on the Fox network on April 28, 2002. The teleplay of the episode was written by series creator Chris Carter, from a story by former series star David Duchovny, Carter, and executive producer Frank Spotnitz; the entry was directed by Duchovny. "William" helps to explore the series' overarching mythology. The episode received a Nielsen household rating of 5.8, being watched by 6.1 million households and 9.3 million viewers upon its initial broadcast. It received mixed reviews from television critics, many of whom were unhappy with the episode's conclusion.
"Patience" is the third episode of the eighth season of the American science fiction television series The X-Files. It premiered on the Fox network on November 19, 2000. The episode was written and directed by series creator Chris Carter. "Patience" is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. The episode received a Nielsen rating of 8.2 and was viewed by 13.3 million viewers. The episode received mixed to negative reviews from critics.
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