Daryl Mootz, the self-proclaimed "Rain King", attaches a prosthetic leg. The harness, which pulled Clayton Rohner's actual leg out of the camera's sight, was later described as "painful".
"The Rain King" is the eighth episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on January 10, 1999. "The Rain King" was written by Jeffrey Bell and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "The Rain King" earned a Nielsen household rating of 12.5, being watched by 21.2 million people in its initial broadcast. Critical reception to the episode was mostly mixed, with reactions ranging from negative to positive.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In the episode, Mulder and Scully are asked to investigate the strange weather phenomena occurring in a small town. They find a man, Daryl Mootz, who claims to produce the rain.
"The Rain King" was written by Jeffrey Bell, his first script for the show. The episode was originally purchased as a freelance script, but Bell was later hired on as a full-time writer. Grapevine, Piru, and Culver City, California stood in for the fictional town of Kroner, Kansas during filming. The episode required several elaborate special effect sequences to create heart-shaped hail as well as to simulate a flying cow.
Plot
On Valentine's Day in Kroner, Kansas, Sheila Fontaine and Daryl Mootz get into an argument. Fontaine had put their engagement news in the paper, but Mootz had wanted to keep it a secret for as long as the drought makes business poor. After the argument, Mootz goes for a drunken drive but crashes after heart-shaped hailstones wreck his car.
Six months later, Mulder and Scully arrive in Kroner by request of the mayor. For several months a terrible drought has plagued the region. However, Mootz, now styling himself as "The Rain King", seems to have the power to control the weather. For a hefty sum, he is able to make it rain. Mulder and Scully obtain a client list and head to the local television station to talk to the weatherman, Holman Hardt. Hardt admits that while Mootz's talents are odd, he appears to truly have the power to control the weather. Mulder and Scully, both skeptical, attend one of Mootz's rituals. Despite their preconceived notions, Mulder and Scully witness Mootz apparently bring rain to a dry farm.
Mulder and Scully check into a motel, where a cow crashes through the roof of Mulder's room. After the incident, a tearful Sheila confesses that the cow might have been her fault. She admits that she's experienced a strange history of weather-related phenomena, and believes that she can unconsciously control the weather. Mulder assures her otherwise. During the conversation, Hardt overhears that Mootz was drunk the night of the accident, and is relieved. Immediately, Mootz's rain powers seem to disappear.
It is revealed that Holman Hardt is actually the one controlling the weather. All of the bizarre weather was the side-effect of his long-silent love for Sheila. He felt guilty that his weather-related problem caused Mootz to crash his car, so he would cause it to rain for Mootz. Once he realized Mootz had been drunk the night of the accident, however, he stopped. Unfortunately, Mulder begins to unintentionally attract Sheila, resulting in a massive thunderstorm that materializes due to the meteorologist's emotions. At the town's high school reunion, however, Hardt admits his love for Sheila, who accepts him. The storm stops, and Hardt and Sheila live happily ever after.[1]
Production
Writing
"The Rain King" was the first episode written by Jeffrey Bell for the series.[2] Bell had never intended to work in television, but after he wrote three script ideas, he sent them to the producers of the show.[2][3] The writing staff was impressed with the stories and agreed to buy one—which eventually became "The Rain King"—as a freelance script.[3] While developing the final script, Bell was assisted by Frank Spotnitz, John Shiban, and Vince Gilligan; the three X-Files veterans taught Bell the process of "boarding", whereby note cards are used to flesh out a story.[3] The three pitched the story idea to series creator Chris Carter in August, and Bell was later hired as a permanent show writer.[3]
The script went through considerable changes. Initially, Bell was unaware that Daryl Mootz would "steal the show" and so the episode did not feature him as much.[3] In early drafts the relationship between Holman and the FBI agents was not as strong. In the final draft, Bell attempted to parallel the emotional state of Mulder and Scully with Hardt's characterization, noting, "Here you have a guy who's affecting the weather because he's repressing his emotions [...] and who better to help him than two people whose emotions are repressed and never express their feelings for each other?"[3]
Filming
The episode was set in the fictional town of Kroner, Kansas (Kansas prairie pictured).
The scene in which Daryl Mootz crashes his car into a pole after being pummeled by heart-shaped hail was filmed on a "lonely road" near Grapevine, California.[3] The road was so seldom used that the California Department of Transportation had no problem shutting down the entire road so that the crew could film the scene.[3][4] Director Kim Manners was happy with the way the filming turned out, although he did note that filming the actual crash was difficult, because the car kept crashing into the pole at an undesired angle.[4]
Ilt Jones, the series' location manager, decided to use Piru, California as a stand-in for Kroner, Kansas—a fictitious city named after Bell's college roommate.[4] Exterior shots for "How the Ghosts Stole Christmas" would later be filmed in the same town.[5] The climactic scenes in Kroner's high school were filmed at an abandoned high school in Culver City, California. Corey Kaplan and her art team were tasked with turning the derelict gym into a believable reunion set.[4]
Effects
I stepped onto the stage just in time to see a brown cow falling through the roof of the set. It was a spectacularly good shot, but it had nothing to do with the script, which said a black and white cow falls through the ceiling. [...] All I knew was that I had to go back and re-render my own [cow] into a brown one. And in a hurry.
Property master Tom Day and costume designer Christine Peters were tasked with designing the fake prosthetic leg that Clayton Rohner wears in the episode. Because Rohner has both of his legs, Peters had to create a unique harness that pulled Rohner's actual leg out of the camera's sightline. Rohner later described the harness as "painful".[4]
An actual motel called the Sierra Palona Motel was used to film the scene in which a cow crashes through Mulder's motel room roof. To secure permission, Jones struck a deal with the owners: if the production staff was allowed to cut a hole in the motel's roof, the show would pay for an entirely new roof afterwards. Duke Tomasick, The X-Files construction coordinator, later said that the "fun part" was "calling local roofers and explaining just what kind of damage they'd be repairing for us".[4]
Special effects producer Bill Millar was tasked with creating a shot of the cow being sucked up into a storm. To do this, he photographed a number of cows in a field for reference. Then, using digital technology he animated the desire effect. This footage was then combined with a shot of a "cow puppet" being dropped on a re-creation of Mulder's motel room at Fox Studios. At the last minute, Millar noticed that the cow puppet's color was different than his computer-generated cow, which necessitated him to quickly change the color. Kim Manners later stated that his biggest regret with the episode is that he did not have David Duchovny respond "Got milk?" after the cow crashed through his roof.[4]
Broadcast and reception
"The Rain King" premiered on the Fox network on January 10, 1999.[6] Following its initial American broadcast, the episode earned a Nielsen household rating of 12.5, with an 18 share—meaning that roughly 12.5 percent of all television-equipped households, and 18 percent of households watching television, were tuned in to the episode. It was viewed by 21.20 million viewers.[7] "The Rain King" was both the highest rated episode of Season 6 and the last episode of The X-Files to be viewed by more than 20 million viewers.[7] The episode aired in the United Kingdom and Ireland on Sky1 on April 25, 1999 and received 0.75 million viewers, making it the third most watched episode that week.[8] Fox promoted the episode with the tagline "Mulder's been abducted, infected, and discredited. Tonight, he faces his greatest peril ever... a woman in love."[9]
Critical reception was mixed. Tom Kessenich, in his book Examination: An Unauthorized Look at Seasons 6–9 of the X-Files wrote positively of the episode, saying, "'The Rain King' was cute. Very cute. […] And yet I never found myself suffering from cuteness overload. In fact, I laughed and smiled the entire way through."[10] Starpulse named "The Rain King" as the ninth best X-Files episode and praised the lighter approach to the paranormal, saying that the episode was an "ingenious way to use the paranormal motif of the show for something other than thrills".[11] Zack Handlen of The A.V. Club awarded the episode a "B+" grade. Despite criticizing the show for "filming in the land of sunshine and lemon drops" and "border[ing] on that overly twee independent movie vibe", Handlen noted that "the episode’s essential sweetness has enough snarky asides from our heroes […] that it never goes completely off the rails."[12] He did, however, note that the episode's placement, after a string of several humorous episodes, hurt its reception; he argued that, had it appeared in an earlier, darker season, the entry would now be viewed as "a cock-eyed classic".[12]
Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, gave the episode a mixed review and rated the episode three out of five. The two praised the scene featuring the cow getting sucked up by the tornado, calling it "really, very funny" and "comic genius", but noted that "a romantic comedy cannot work by flying cows alone."[13] Shearman and Pearson cited casting flaws as to why the episodes was not able to live up to its potential.[13] Other reviews were more negative. In a review of the seventh season episode "Brand X", Sarah Kendzior from 11th Hour Magazine cited "The Rain King" as one of the worst episodes of The X-Files.[14] Paula Vitaris from Cinefantastique gave the episode a mixed review and awarded it two stars out of four.[15] Vitaris heavily criticized the "flying cow" scene—noting that the scene was both "poorly executed" and "offensive" for turning the death of a creature into a joke—as well as the final scene, which, according to her, featured a "false pastel sky".[15] Andy Meisler, in The End and the Beginning, noted that the episode was poorly received by fans on the Internet.[2]Rolling Stone ranked it at #179 of all 217 episodes on their "Every Episode Ranked From Worst to Best" list, calling it "a silly little mess."[16]
↑ "BARB's multichannel top 10 programmes". barb.co.uk. Retrieved 1 January 2012. Note: Information is in the section titled "w/e April 19–25, 1999", listed under Sky 1
Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN978-0-9759446-9-1.
"The Field Where I Died" is the fifth episode of the fourth season of the American science fiction television series The X-Files. It was written by Glen Morgan and James Wong, and directed by Rob Bowman. The episode originally aired in the United States on November 3, 1996, on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. This episode earned a Nielsen rating of 12.3 and was seen by 19.85 million viewers upon its initial broadcast.
"Never Again" is the thirteenth episode of the fourth season of the American science fiction television series The X-Files. It was written by producers Glen Morgan and James Wong, and directed by Rob Bowman. The episode aired in the United States on February 2, 1997, on the Fox network and in the United Kingdom on BBC One on December 3, 1997. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. The episode received a Nielsen rating of 13 and was viewed by 21.36 million viewers. It received mostly positive reviews from television critics.
"Max" is the eighteenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 23, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Max" featured guest appearances by Joe Spano, Tom O'Brien and Scott Bellis, and saw the final appearance of Brendan Beiser as special agent Pendrell. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Max" earned a Nielsen household rating of 11.6, being watched by 18.34 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Small Potatoes" is the twentieth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network in the United States appropriately on April 20, 1997. It was written by Vince Gilligan and directed by Cliff Bole. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Small Potatoes" received a Nielsen rating of 13.0 and was viewed by 20.86 million people in its initial broadcast. The episode received positive reviews from critics, with many applauding the entry's humorous tone.
"Gethsemane" is the twenty-fourth and final episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on May 18, 1997. It was directed by R.W. Goodwin, and written by series creator Chris Carter. "Gethsemane" featured guest appearances by Charles Cioffi, Sheila Larken and Pat Skipper, and introduced John Finn as recurring character Michael Kritschgau. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Gethsemane" earned a Nielsen household rating of 13.2, being watched by 19.85 million people in its initial broadcast.
"Redux" is the two-part fifth season premiere of the science fiction television series The X-Files. "Redux" first aired on November 2, 1997, on Fox in the United States, with "Redux II" airing on November 9. Both episodes subsequently aired in the United Kingdom and Ireland. Both episodes were written by series creator Chris Carter, with "Redux" directed by R. W. Goodwin and "Redux II" helmed by Kim Manners. "Redux" became the second-most-watched episode ever broadcast, earning more than 27 million viewers in the United States alone. The first part of the episode received mixed to negative reviews, whereas the second part received mixed to positive reviews from critics.
"Detour" is the fourth episode of the fifth season of the American science fiction television series The X-Files. It was written by executive producer Frank Spotnitz and directed by Brett Dowler. The episode aired in the United States on November 23, 1997, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "Detour" received a Nielsen rating of 13.2, being watched by 22.8 million viewers, and received mixed reviews from television critics.
"Emily" is the seventh episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan, John Shiban and Frank Spotnitz and directed by Kim Manners. The episode explores the series' overarching mythology. The episode premiered in the United States on December 14, 1997, on the Fox network, earning a Nielsen household rating of 12.4 and being watched by 20.94 million people in its initial broadcast. It received mixed reviews from television critics.
"Kitsunegari" is the eighth episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan and Tim Minear, and directed by Daniel Sackheim. It aired in the United States on January 4, 1998 on the Fox network. "Kitsunegari" earned a Nielsen household rating of 11.6, being watched by 19.75 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Bad Blood" is the twelfth episode of the fifth season of the American science fiction television series The X-Files. Written by Vince Gilligan, directed by Cliff Bole, and featuring guest appearances from Luke Wilson and Patrick Renna, it aired in the United States on February 22, 1998, on the Fox network. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. The episode received a Nielsen rating of 12.0, being watched by 19.25 million viewers. In addition, "Bad Blood" received largely positive reviews, with many critics praising the episode's humor.
"The Red and the Black" is the fourteenth episode of the fifth season of American science fiction television series The X-Files. It was written by series creator Chris Carter and Frank Spotnitz, directed by Carter and aired in the United States on March 8, 1998, on the Fox network. The episode earned a Nielsen household rating of 12.0, being watched by 19.98 million people in its initial broadcast. The episode received moderately positive reviews from critics.
"All Souls" is the seventeenth episode of the fifth season of the American science fiction television series The X-Files. The episode originally aired on the Fox network on April 26, 1998. The episode's teleplay was written by Frank Spotnitz and John Shiban, from a story by Dan Angel and Billy Brown; it was directed by Allen Coulter. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "All Souls" received a Nielsen household rating of 8.5 and was watched by 13.44 million viewers in its initial broadcast. It received mixed reviews from television critics.
"The Pine Bluff Variant" is the eighteenth episode of the fifth season of the American science fiction television series The X-Files. It was written by John Shiban and directed by Rob Bowman. The episode aired in the United States on May 3, 1998 on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology, or fictional history. "The Pine Bluff Variant" received a Nielsen household rating of 11.4 and was watched by 18.24 million viewers in its initial broadcast. It received largely positive reviews from television critics as well as fans on the internet.
"Kill Switch" is the eleventh episode of the fifth season of the science fiction television series The X-Files. It premiered in the United States on the Fox network on February 15, 1998. It was written by William Gibson and Tom Maddox and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Kill Switch" earned a Nielsen household rating of 11.1, being watched by 18.04 million people in its initial broadcast. The episode received mostly positive reviews from television critics, with several complimenting Fox Mulder's virtual experience. The episode's name has also been said to inspire the name for the American metalcore band Killswitch Engage.
"Triangle" is the third episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on November 22, 1998. Written and directed by series creator Chris Carter, "Triangle" is a "Monster-of-the-Week" episode, a stand-alone plot which is unconnected to the overarching mythology of The X-Files. "Triangle" earned a Nielsen household rating of 10.8, being watched by 18.20 million viewers in its initial broadcast. The episode generally received positive reviews with many critics commenting on the episode's directing style.
"Agua Mala" is the thirteenth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on February 21, 1999, in the United States. The episode was written by David Amann, and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Agua Mala" earned a Nielsen household rating of 10.1, being watched by 16.9 million people in its initial broadcast. The episode received mostly mixed to negative reviews.
"Alpha" is the sixteenth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on March 28, 1999, in the United States. The episode was written by Jeffrey Bell, and directed by Peter Markle. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Alpha" earned a Nielsen household rating of 10.1, being watched by 17.7 million people in its initial broadcast. The episode received mostly negative reviews from critics.
"Trevor" is the seventeenth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on April 11, 1999, in the United States. The episode was written by Jim Guttridge and Ken Hawryliw, and directed by Rob Bowman. "Trevor" is a "Monster-of-the-Week" episode, unconnected to the series' wider mythology. "Trevor" earned a Nielsen household rating of 10.4, being watched by 17.6 million people in its initial broadcast. The episode received mixed reviews from critics.
"Tempus Fugit" is the seventeenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 16, 1997. It was directed by Rob Bowman, and written by Frank Spotnitz and series creator Chris Carter. "Tempus Fugit" featured guest appearances by Joe Spano, Tom O'Brien and Brendan Beiser, and saw the return of Scott Bellis as alien abductee Max Fenig. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Tempus Fugit" earned a Nielsen household rating of 11.9, being watched by 18.85 million people in its initial broadcast. The title translates from Latin as "time flies."
"Chinga" is the tenth episode of the fifth season of the American science fiction television series The X-Files. It was written by noted author Stephen King and series creator Chris Carter, and directed by Kim Manners. The episode aired in the United States on February 8, 1998, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "Chinga" earned a Nielsen rating of 12.8 and was viewed by 21.33 million viewers. The episode received mixed reviews from television critics.
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