"Two Fathers" | |
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The X-Files episode | |
Episode no. | Season 6 Episode 11 |
Directed by | Kim Manners |
Written by | Chris Carter Frank Spotnitz |
Production code | 6ABX11 |
Original air date | February 7, 1999 |
Running time | 45 minutes |
Guest appearances | |
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"Two Fathers" is the eleventh episode of the sixth season and the 128th episode overall of the science fiction television series The X-Files . The episode first aired in the United States and Canada on February 7, 1999, on the Fox Network and subsequently aired in the United Kingdom on Sky1. It was written by executive producers Chris Carter and Frank Spotnitz and directed by Kim Manners. The episode earned a Nielsen rating of 11.5, a total of 18.81 million viewers. The episode received mostly positive reviews.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. "Two Fathers" follows a story which would lead to the destruction of the Syndicate: with the unexpected return of Cassandra Spender and the alien rebels, members of the Syndicate prepare themselves for the final invasion.
"Two Fathers" was written in order to eliminate the Syndicate and relaunch the series' mythology. With the series being shot in Los Angeles, many members of The X-Files crew had to adjust scenes and filming techniques in order to achieve the "dark and gray feel" that had been a result of filming in Vancouver, British Columbia. The episode is the first of a two-part episode and continues with the episode "One Son".
In a train car, doctors in chemical suits are making incisions on an unseen patient's stomach; green fluid seeps out of the wounds, which heal themselves. When Dr. Eugene Openshaw arrives, he is informed that their twenty-five-year-old project is finally completed. Moments later, rebel aliens begin to appear and start burning all the doctors, the survivor being Dr. Openshaw and a patient, Cassandra Spender, who had been missing for over a year. Walter Skinner takes her son, Jeffrey Spender, to the scene, where he meets with his mother. Cassandra refuses to talk with Jeffrey about what happened to her because she knows that he won't believe her. She asks for Fox Mulder (David Duchovny). Spender then 'asks' Mulder to join him to meet his mother, but Mulder sees it as an attempt to entrap him. Later on, Dr. Openshaw informs the Cigarette Smoking Man (William B. Davis) about the completion of the project, saying he needs to kill his former wife since she is the first successful alien-human hybrid. The Cigarette Smoking Man's reaction leads to Dr. Openshaw's death. Meanwhile, one of the Syndicate elders is killed by an alien rebel, who then takes on his form.
Mulder and partner Dana Scully (Gillian Anderson) go over the crime scene photos from the train car incident and immediately recognize similarities to murders from a year earlier. Afterwards, Mulder and Scully visit Cassandra at the hospital who informs them that the aliens are here to destroy all life on Earth, further stating that this alien threat moves through the Universe to colonize other planets. She claims that a rebel force of aliens are mutilating their faces to prevent infection by the black oil.
Alex Krycek reports to the Syndicate on the rebel's recent attacks. The rebel, masquerading as the elder he killed, proposes that the Syndicate align themselves with the rebels. The Cigarette Smoking Man seems to recognize that the elder has opposed his own previous opinion—that siding with the rebels is suicide.
Mulder and Scully use the computer on the X-Files' office to find the Cigarette Smoking Man's real identity, that he is Agent Spender's father, C.G.B. Spender. Their unauthorized entry at the X-Files office is discovered by Agent Spender, resulting in both agents' immediate suspension from the FBI. Agent Spender, who then reports to the Cigarette Smoking Man demanding the truth, but is refused. Scully meets with Mulder, telling him that C.G.B. Spender is likely another alias and that the man is linked with Mulder's father, William, who he had worked with on the secret state project. The Cigarette Smoking Man decides to give Agent Spender more responsibility by having him kill the alien rebel masquerading as a Syndicate elder. Spender fails in his task, but Krycek comes to his aid and finishes. Krycek reveals to Spender that his father was responsible for his mother's (Cassandra's) abductions and that his role is to protect his father's stake in the project. This fact upsets Agent Spender.
The Cigarette Smoking Man then reveals everything to Agent Diana Fowley, who agrees to help him. Mulder tells Skinner that Cassandra is in danger because she is the first successful alien-human hybrid; Skinner goes to the hospital to check on Cassandra but finds her gone. Cassandra, having escaped from the hospital, arrives at Mulder's apartment and demands that he shoot her because she is the embodiment of fifty years of work by the Syndicate — an alien-human hybrid that will trigger colonization if the aliens learn of her existence. Just then, someone bangs on the apartment door. [1]
The plan to eliminate the Syndicate and relaunch the series' mythology in a new direction was originally conceived in September 1998. [2] Director Kim Manners stated "I've said for years that the show really resolved itself, if you will, by accident. The whole story line of the Syndicate and the bees and the aliens and the chips in the neck, they all seemed to just accidentally fall into place and create an intriguing, mysterious storyline that eventually got so mysterious and so intriguing that Chris had to blow it up, because he couldn't deal with it anymore." [3]
The original script featured various flashback sequences, with actors Peter Donat, William B. Davis and Veronica Cartwright all appearing around twenty-to-thirty years younger. The production crew applied various types of makeup on the actors to "de-age" them. However, the writers eventually came to the conclusion that it "just didn't [...] work", so they cut out most of that storyline, which ultimately led to the creation of a whole new direction in which the Cigarette Smoking Man provided a monologue explaining the history of the project instead. The first scene was shot in Long Beach, California. [2] [4]
The scene in which Jeffrey Spender visited his mother, Cassandra Spender, was shot in Los Angeles. Those members of The X-Files crew who had moved with the show from Vancouver to Los Angeles still had problems adjusting to the changes when filming an episode. They were forced to adjust to changes in the sunlight, since Vancouver had this "dark and gray feel" compared to California's sunny atmosphere. Kim Manners felt it was difficult to "get[ting] used to" the new filming area. This episode marks the first time new stock footage was used for the J. Edgar Hoover Building in over five years. [4]
The Second Elder's house was in a relatively expensive neighborhood in Los Angeles. Manners stated that he was "very nervous" when filming this scene because the crew needed to create a fire inside the house, which was done by Kelly Kerby and Bobby Calvert. When the faceless alien attacks the Second Elder, a special effects crew member can be seen behind a window "running with his rig", according to Manners. [4]
The episode earned a Nielsen household rating of 11.5, with a 16 share. It was viewed by a total of 18.81 million viewers in the United States. [5] The episode was the third highest rated episode of the sixth season. [5] The episode debuted in the United States and Canada on February 7, 1999, at the Fox Network. The episode aired in the United Kingdom and Ireland on Sky1 on May 16, 1999, and received 0.72 million viewers, making it the third most watched episode that week. [6] Veronica Cartwright was nominated for an Emmy for "Outstanding Guest Actress in a Drama Series" for her role in this episode and "One Son", [7] and the make-up department was nominated for an Emmy award in the category "Outstanding Makeup for a Series" and won. [7] The episode was later included on The X-Files Mythology, Volume 3 – Colonization , a DVD collection that contains episodes involved with the alien Colonist's plans to take over the earth. [8]
The episode received mostly positive reviews from critics. Tom Kessenich, in his book Examination: An Unauthorized Look at Seasons 6–9 of the X-Files wrote positively of the episode, saying it "wonderfully" developed the show's characters as "it unveiled many of the answers to the questions that have been dangling about for some time without using Mulder or Scully as conduits for many of these answers." [9] The main reason behind creating a resolution to the Syndicate arc was that Chris Carter thought the series was going to be cancelled by early 2000. While promoting the episode, Carter said it would give many long-waited answers but at the same time create new ones. [10] Earl Cressey from DVD Talk named "Two Fathers," along with its follow-up "One Son," as one of the "highlights of season six." [11] Joyce Millman from Salon magazine said the episode (along with "One Son") was one "of the most coherent, [...] almost unbearably tense, hours in the series' run". [12] The Michigan Daily reviewer Melissa Runstrom said "Two Fathers" along with "One Son" and season finale "Biogenesis" were the highlights of the sixth season. [13]
Emily VanDerWerff of The A.V. Club awarded the episode a "B−" rating. [14] She concluded that the episode is an example of "propulsive fun" and applauded its myriad of attention-grabbing sequences. [14] However, she was critical of its plot, noting that "the series pretty much just picks Cassandra to be the answer to a lot of questions" concerning the show's mythology. [14] Not all reviews were so glowing. Paula Vitaris from Cinefantastique gave the episode a mixed review and awarded it two stars out of four. [15] Vitaris wrote positively of the episode's filming, writing, "visually, the episode looks good […] but the scenes in the hangar are eye-poppers, with doors slowly opening and aliens walking forward, obscured by bright light." [15] However, she criticized the episode's plot, noting that "Two Fathers" was "heading straight down a path already trodden by dozens of books, short stories, movies, and other television shows." [15]
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: CS1 maint: multiple names: authors list (link)The Cigarette Smoking Man is a fictional character and one of the primary antagonists of the American science fiction drama television series The X-Files. He serves as the arch-nemesis of FBI Special Agent Fox Mulder. In the show's sixth season, his name is said to be C.G.B. Spender, but Dana Scully suggests this is one of "hundreds of aliases"; the show's characters and fans continue to refer to him by variations of "the Smoking Man" because he is almost always seen chain-smoking Morley cigarettes, and because he was credited in the pilot episode and other episodes as "Smoking Man". In the eleventh season, he reveals his full name to be Carl Gerhard Busch.
The fourth season of the American science fiction television series The X-Files commenced airing on the Fox network in the United States on October 4, 1996, concluding on the same channel on May 18, 1997, and contained 24 episodes. Following the filming and airing of the season, production began on The X-Files feature film, which was released in 1998 following the show's fifth season.
The fifth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 2, 1997, concluding on the same channel on May 17, 1998, and contained 20 episodes. The season was the last in Vancouver, British Columbia, Canada; subsequent episodes would be shot in Los Angeles, California. In addition, this was the first season of the show where the course of the story was planned, due to the 1998 The X-Files feature film being filmed before it, but scheduled to be released after it aired.
The sixth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 8, 1998, concluding on the same channel on May 16, 1999, and consisted of twenty-two episodes. The season continued from the 1998 feature film and focused heavily on FBI federal agents Fox Mulder and Dana Scully's separation from the X-Files Division and the demise of the Syndicate—a "shadow government" group attempting to cover up the existence of extraterrestrials—in the two-part episode "Two Fathers" and "One Son".
The seventh season of the American science fiction television series The X-Files commenced airing on the Fox network in the United States on November 7, 1999, concluded on May 21, 2000, and consists of twenty-two episodes. This season marks the end of various story lines; during this season, Fox Mulder learned the true fate of his sister, Samantha.
Marita Covarrubias is a fictional character on the American science fiction television series The X-Files. She was initially introduced as an informant, leaking diplomatic information to FBI Special Agent Fox Mulder to aid his investigation of paranormal cases, dubbed X-Files. However, she was revealed to be an agent of the secretive Syndicate, although ultimately betraying that organization on several occasions. Introduced in the fourth season opener "Herrenvolk", the character remained a recurring presence until the series' finale, "The Truth".
In The X-Files television show and feature film, the Syndicate is a shadow government group. They were also known as The Elders, The Consortium, and The Group. Because of their cover-up of extraterrestrial life, they were the primary antagonistic force opposing Dana Scully, Fox Mulder, John Doggett, and Monica Reyes during the series.
FBI Special agent Jeffrey Frank Spender is a fictional character in the American Fox television series The X-Files, a science fiction show about a government conspiracy to hide or deny the truth of alien existence. Spender was in control of the X-Files office after Fox Mulder's and Dana Scully's forced leaves in "The Beginning". The X-Files office is concerned with cases with particularly mysterious or possibly supernatural circumstances that were left unsolved and shelved by the FBI. Portrayed by Canadian actor Chris Owens, Spender was a recurring character during the fifth and sixth seasons, before returning for the ninth season of The X-Files in a guest role. He returned for the eleventh season of the show.
"Redux" is the two-part fifth season premiere of the science fiction television series The X-Files. "Redux" first aired on November 2, 1997, on Fox in the United States, with "Redux II" airing on November 9. Both episodes subsequently aired in the United Kingdom and Ireland. Both episodes were written by series creator Chris Carter, with "Redux" directed by R. W. Goodwin and "Redux II" helmed by Kim Manners. "Redux" became the second-most-watched episode ever broadcast, earning more than 27 million viewers in the United States alone. The first part of the episode received mixed to negative reviews, whereas the second part received mixed to positive reviews from critics.
The X-Files Mythology – Volume 3 collection is the third DVD release containing selected episodes from the fifth to the eighth seasons of the American science fiction television series The X-Files. The episodes collected in the release form the middle of the series' mythology, and are centered on alien colonization efforts, the fall of the Syndicate, and Fox Mulder's abduction.
"Patient X" is the thirteenth episode of the fifth season of American science fiction television series The X-Files. It was written by series creator Chris Carter and Frank Spotnitz, directed by Kim Manners and aired in the United States on March 1, 1998, on the Fox network. The episode earned a Nielsen household rating of 12.6, being watched by 20.21 million people in its initial broadcast. The episode received moderately positive reviews from critics.
"The Red and the Black" is the fourteenth episode of the fifth season of American science fiction television series The X-Files. It was written by series creator Chris Carter and Frank Spotnitz, directed by Carter and aired in the United States on March 8, 1998, on the Fox network. The episode earned a Nielsen household rating of 12.0, being watched by 19.98 million people in its initial broadcast. The episode received moderately positive reviews from critics.
"The End" is the 20th and final episode of the fifth season, and 117th overall of the science fiction television series The X-Files. The episode first aired in the United States and Canada on May 17, 1998. "The End" subsequently aired in the United Kingdom on March 17, 1999, on BBC One. The episode was written by executive producer Chris Carter, and directed by R. W. Goodwin. "The End" earned a Nielsen household rating of 11.9, being watched by 18.76 million people in its initial broadcast. The episode received mixed to positive reviews from television critics.
"The Beginning" is the first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 8, 1998. The episode was written by Chris Carter, and directed by Kim Manners. It helps explore the series' overarching mythology. "The Beginning" earned a Nielsen household rating of 11.9, being watched by 20.34 million people in its initial broadcast. The episode received mixed reviews from television critics.
"S.R. 819" is the ninth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on January 17, 1999, in the United States. The episode was written by John Shiban, and directed by Daniel Sackheim. The episode helps to explore the series' overarching mythology. "S.R. 819" earned a Nielsen household rating of 9.1, being watched by 15.7 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"One Son" is the twelfth episode from the sixth season of the American science fiction television series The X-Files. It first aired on February 14, 1999, on the Fox network. The episode was written by series creator Chris Carter and Frank Spotnitz, and directed by Rob Bowman. It explores the series' overarching mythology and concludes the Syndicate story arc.
"Biogenesis" is the twenty-second episode and the sixth season finale of the science fiction television series The X-Files. The episode first aired in the United States and Canada on May 16, 1999, on the Fox Network, and aired in the United Kingdom and Ireland on July 25, 1999, on Sky1. It was written by executive producers Chris Carter and Frank Spotnitz, and directed by Rob Bowman. "Biogenesis" earned a Nielsen household rating of 9.4, being watched by 15.86 million people in its initial broadcast. The episode received mixed reviews from critics.
"Requiem" is the twenty-second episode and the finale of the seventh season of the science fiction television series The X-Files, and the show's 161st episode overall. It premiered on the Fox network in the United States on May 21, 2000. The episode was written by Chris Carter, and directed by Kim Manners. The episode helped to explore the series' overarching mythology. "Requiem" earned a Nielsen household rating of 8.9, being watched by 15.26 million viewers in its initial broadcast. The episode received mostly positive reviews from television critics. Many applauded the way it made the series' increasingly marginalized alien mythology relevant again, although others lamented the partial loss of David Duchovny.
The mythology of The X-Files, sometimes referred to as its "mytharc" by the show's staff and fans, follows the quest of FBI Special Agents Fox Mulder, a believer in supernatural phenomena, and Dana Scully, his skeptical partner. Their boss, FBI Assistant Director Walter Skinner, was also often involved. Beginning with season 8, another skeptic named John Doggett, and Monica Reyes, a believer like Mulder, were also introduced. The overarching story, which spans events as early as the 1940s, is built around a government conspiracy to hide the truth about alien existence and their doomsday plan. Not all episodes advanced the mythology plot, but those that did were often set up by Mulder or Scully via an opening monologue.