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Lorna M. Hughes | |
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![]() Professor Lorna M. Hughes, 2019 | |
Born | 1 May 1968 |
Alma mater | University of Glasgow |
Lorna M. Hughes MAE (born 1 May 1968) has been Professor in Digital Humanities at the University of Glasgow since 2015. [1] From 2016 to 2019, she oversaw the redevelopment of the Information Studies subject area (previously HATII, the Humanities Advanced Technology and Information Institute. [2] ) The re-launch was marked by an international symposium at the University of Glasgow in 2017. [3] [4]
Hughes studied at the University of Glasgow, where she completed a MPhil in History and Computing. [5] [ failed verification ] Her Master's research on the structure and contingencies of data in seventeenth century Scottish landholding charters was used in the first edition of the TEI Guidelines in 1990. [6] [ failed verification ] [7] [ failed verification ]
Hughes's research addresses the creation of digital cultural heritage, and the use and re-use of digital collections for research, teaching, and public engagement. She has a specific interest in the conceptualisation, development, implementation and categorisation of digital methods in the humanities, and the collaborations between the humanities and scientific disciplines that drive this agenda. Amongst her publications, she is the author of Digitizing Collections: Strategic Issues for the Information Manager, published by Facet in 2004, and editor of Digital Collections: Use, Value and Impact, published by Facet in 2011. She is the co-editor of The Virtual Representation of the Past [8] (with Mark Greengrass) published by Ashgate in 2008; and Cultural Heritage Infrastructures in Digital Humanities, (with Agiatis Benardou, Erik Champion, and Costis Dallas. Her digital outputs include “Rhyfel Byd 1914-1918 a’r profiad Cymreig / Welsh experience of the First World War 1914-1918”. [9] National Library of Wales, and the digital archive and performance: “The Snows of Yesteryear: Narrating extreme weather”, [10] National Library of Wales/Aberystwyth University. She has made numerous media appearances, including BBC Radio 4's Today discussing sustainability of digital cultural heritage. Hughes was elected to the Academia Europaea (Academy of Europe) in 2020. [11]
Hughes has worked in digital humanities, and on the development of hybrid digital collections based on material culture held by memory institutions, at several organisations in the US and UK. In 2015, she was Chair in Digital Humanities at the School of Advanced Study, University of London. [12] From 2011-15, she was the University of Wales Chair in Digital Collections, the world’s first Chair in Digital Collections, [13] based in the National Library of Wales, holding three chairs in one year. She has also held digital humanities posts at New York University, Oxford University, King's College London, and Arizona State University.
Hughes's research is intensely collaborative and practice-led. In her inaugural lecture at the University of Glasgow on 24 February 2018, she stated "I’ve not just seen but lived how digital humanities are, by its very nature, collaborative: I’ve had the pleasure of conducting research with colleagues from the arts, humanities, and sciences; from cultural heritage and other research organizations, and with developers, funders, data scientists, and technical experts…the collaborative building and making of digital cultural heritage bridges the interdisciplinarity and experimentation of the digital humanities, and the creation and management of information in cultural heritage, and enables a theoretical and practice-led critical framework for the production and consumption of knowledge in a digital age." [14]
Hughes has had leading roles - as primary investigator, or co-investigator - over twenty funded research projects, including The Snows of Yesteryear: Narrating Extreme Weather, the digital archive The Welsh Experience of the First World War; [15] the EPSRC-AHRC Scottish National Heritage Partnership; the Living Legacies 1914-18 Engagement Centre, Listening and British cultures: listeners' responses to music in Britain, c. 1700-2018, and the EU DESIR project (DARIAH Digital Sustainability). With Alistair Dunning and Agiatis Benardou, Hughes established Europeana Research, [16] and since 2015 she has been chair of the Europeana Research Advisory Board. [17] [18] She is also a member of the Governing Board of EuroScience [19] where she became vice-president in 2018. [20] She was the Chair of the European Science Foundation (ESF) Network for Digital Methods in the Arts and Humanities, [21] a former secretary of the Alliance of Digital Humanities Organisations (ADHO), and former president of the Association for Computers and the Humanities (ACH). Hughes has had visiting positions at the University of Graz, and a visiting scientist at the Digital Curation Unit, Athena Research Institute, Greece.
From 2011 to 2015, Hughes was Chair in Digital Collections at the University of Wales. This is a unique post funded by the University of Wales and based in the National Library of Wales. In this post, she established a Research Programme in Digital Collections, [22] which included documentary heritage and material culture in Welsh collections. In parallel with her Chair based in NLW, Hughes held a fellowship at the University of Wales Centre for Advanced Welsh and Celtic Studies. [23]
One of the major projects Hughes developed at NLW was “Rhyfel Byd 1914-1918 a’r profiad Cymreig / Welsh experience of the First World War 1914-1918”. This digital archive is an integrated collection of materials relating to the impact of the First World War on all aspects of Welsh life, from the archives and special collections of Wales. The project was funded by the Jisc e-content programme as a mass digitisation initiative, [24] [25] and launched by the Welsh Government Minister of Culture, John Griffith, in 2013. [26] Hughes documented the development of the project as an open, co-produced digital resource, via a blog [27] and via a process of participatory design, bringing digital humanities principles to the creation of a digital archive. [28] She also worked with key communities to ensure that the archive would be re-used – and therefore sustained – and that it played a key role in the Welsh First World War Centenary activities, working closely with Wales Remembers, [29] the national programme for the commemoration of the First World War. Cymru1914.org was one of the first projects announced by First Minister Carwyn Jones when he launched Wales Remembers in 2012. [30]
The digital archive has been used extensively. Paul O’Leary at Aberystwyth University has used the content to develop an Omeka-based digital exhibition on the Great War and the Valleys, [31] exploring the impact on civilians of "Total War". It also enabled the artist Bedwyr Williams to create the sound and video installation Traw, [32] commissioned as a public artwork by 14-18-NOW. The work contained images of unknown recruits and conscripts from Llandeilo and Ammanford, digitised from the D.C. Harries Collection of glass plate negatives held by the National Library of Wales. It has been used to visualise the references to Belgian Refugees in Wales from 1914 to 1918. [33] The AHRC has also recently awarded funding to a project that will enable further linking material in cymru1914.org with data from other archives relating to Belgian refugees. [34]
Philip Edward Thomas was a British writer of poetry and prose. He is sometimes considered a war poet, although few of his poems deal directly with his war experiences. He only started writing poetry at the age of 36, but by that time he had already been a prolific critic, biographer, nature writer and travel writer for two decades. In 1915, he enlisted in the British Army to fight in the First World War and was killed in action during the Battle of Arras in 1917, soon after he arrived in France.
Hedd Wyn was a Welsh-language poet who was killed on the first day of the Battle of Passchendaele during World War I. He was posthumously awarded the bard's chair at the 1917 National Eisteddfod. Evans, who had been awarded several chairs for his poetry, was inspired to take the bardic name Hedd Wyn from the way sunlight penetrated the mist in the Meirionnydd valleys.
The Perseus Digital Library, formerly known as the Perseus Project, is a free-access digital library founded by Gregory Crane in 1987 and hosted by the Department of Classical Studies of Tufts University. One of the pioneers of digital libraries, its self-proclaimed mission is to make the full record of humanity available to everyone. While originally focused on the ancient Greco-Roman world, it has since diversified and offers materials in Arabic, Germanic, English Renaissance literature, 19th century American documents and Italian poetry in Latin, and has sprouted several child projects and international cooperation. The current version, Perseus 4.0, is also known as the Perseus Hopper, and is mirrored by the University of Chicago.
The National Library of Wales, in Aberystwyth, is the national legal deposit library of Wales and is one of the Welsh Government sponsored bodies. It is the biggest library in Wales, holding over 6.5 million books and periodicals, and the largest collections of archives, portraits, maps, and photographic images in Wales. The Library is also home to the national collection of Welsh manuscripts, the National Screen and Sound Archive of Wales, and the most comprehensive collection of paintings and topographical prints in Wales. As the primary research library and archive in Wales and one of the largest research libraries in the United Kingdom, the National Library is a member of Research Libraries UK (RLUK) and the Consortium of European Research Libraries (CERL).
The Humanities Advanced Technology and Information Institute (HATII) was a research and teaching institute at the University of Glasgow in Scotland. It was established in 1997 with Professor Seamus Ross as Founding Director until 2009. HATII led research in archival and library science and in information/knowledge management. Research strengths were in the areas of humanities computing, digitisation, digital curation and preservation, and archives and records management.
Thomas Evan Nicholas, who used the bardic name Niclas y Glais, was a Welsh language poet, preacher, radical, and champion of the disadvantaged of society.
Europeana is a web portal created by the European Union containing digitised cultural heritage collections of more than 3,000 institutions across Europe. It includes records of over 50 million cultural and scientific artefacts, brought together on a single platform and presented in a variety of ways relevant to modern users. The prototype for Europeana was the European Digital Library Network (EDLnet), launched in 2008.
The Collections Trust is an independent UK-based charity that works with museums, libraries, galleries and archives worldwide to improve the management and use of collections. It was established in February 1977 as the Museum Documentation Association (MDA) and re-launched as the Collections Trust in 2008. Its head office is in Shoreditch, London.
The Archaeology Data Service (ADS) is an open access digital archive for archaeological research outputs. It is located in The King's Manor, at the University of York. Originally intended to curate digital outputs from archaeological researchers based in the UK's Higher Education sector, the ADS also holds archive material created under the auspices of national and local government as well as in the commercial archaeology sector. The ADS carries out research, most of which focuses on resource discovery, cross-searching and interoperability with other relevant archives in the UK, Europe and the United States of America.
Medwin Hughes was the Vice-Chancellor of the University of Wales Trinity Saint David and of the University of Wales from 2011 until August 2023. He was previously principal of Trinity University College, Carmarthen and Vice-Chancellor of the University of Wales, Lampeter.
The Welsh Group is an artists' collective, with the purpose of exhibiting and "giving a voice" to the visual arts in Wales.
Europeana 1914–1918 is a major project to digitise and publish primary and secondary historical sources on the First World War. It is coordinated by Europeana, as part of a broader program to digitise European cultural heritage.
Hugh Hughes (1790–1863) was a Welsh painter, engraver and writer.
Thomas Hughes Jones was a Welsh poet and writer from Ceredigion (Cardiganshire) in West Wales. He wrote several collections of stories and contributed to various journals, including Welsh Outlook, throughout his career. In 1940 he won the Literature Medal for his story, "Sgweier Hafila", at the National Eisteddfod. His pen name was generally abbreviated to "T. Hughes Jones".
1914-1918-online. International Encyclopedia of the First World War is an international, English-language online encyclopedia of the First World War. Deemed the largest research network of its kind, it officially went online on 8 October 2014. The editorial office is staffed by historians and uses Semantic MediaWiki.
David Hughes, known by his bardic name of Eos Iâl, was a Welsh poet and publisher. Hughes is known as the author of the plygain carol Ar Gyfer Heddiw'r Bore.
Rhiannon Ifans, FLSW is a Welsh academic specialising in English, Medieval and Welsh literature. She was an Anthony Dyson Fellow at the Centre for Advanced Welsh and Celtic Studies, in University of Wales Trinity St. David. She twice won a Tir na-n-Og prize for her work and won the literary medal competition at the Welsh Eisteddfod, for her 2019 debut novel, Ingrid, which was chosen for the Welsh Literature Exchange Bookshelf. In 2020, Ifans was elected as a Fellow of the Learned Society of Wales.
Wales, as part of the United Kingdom, participated as part of the allies in World War I (1914–1918) and the allies in World War II (1939–1945).
The Centre for Advanced Welsh and Celtic Studies is a research institute located in Aberystwyth, Wales. The centre was established by the University of Wales in 1985, and works under the University of Wales Trinity Saint David.
Alun Llywelyn-Williams, born Alun Rhun Llewelyn Williams, was a poet, critic, academic and arts administrator. He was for more than 30 years on the faculty of the University College of North Wales, Bangor. His three Welsh-language verse collections – Cerddi 1934–1942 (1944), Pont y Caniedydd (1956), and Y Golau yn y Gwyll (1979) – secured him a distinctive place in the poetry of his country as a thoughtful observer of 20th-century Welsh life in the context of the wider European experience. The novelist and scholar Gwyn Jones wrote that he "says much to men of my generation that we dearly wish we could say ourselves about the course and aftermath of wars and depressions, the changing vistas of Wales and Welsh society, the hard-held hopes and ideals that no one else can carry for us, our regrets for good things lost and ploughed-in illusions." His work can be found in The Penguin Book of Welsh Verse, The Oxford Book of Welsh Verse, and The Oxford Book of Welsh Verse in English.
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