Louis Archimbaud (November 1705 – 13 May 1789) was a Comtadin composer. He was one of the last representatives of the Baroque style of French organ school.
Archimbaud was born in Carpentras and educated there in the Carpentras Cathedral school. He became an acolyte, then a singer, and finally, in 1727, organist of the cathedral. He occupied this post until his death in 1789. Ten years before he died the church authorities made him an honorary canon.
Neither the composer nor the music were known until the late 1990s, when Joseph Scherpereel discovered seven autograph manuscripts at the Bibliothèque Inguimbertine of Carpentras. Archimbaud's works include a massive Livre d'orgue [de Carpentras], six masses, two Magnificats and four settings of Dixit Dominus. The organ collection contains 408 pieces organized by liturgical function and mode: two volumes of preludes, one volume of elevations, three volumes of offertories and a compilation titled Miscellanea that includes pieces from several volumes and contains indications that at least one more autograph manuscript is still to be found. Most of the works are comparatively brief, occupying no more than a page of music; the offertories average two pages. The style combines simple, songlike melodies, and features that are typical of French Baroque organ music.
François Couperin was a French Baroque composer, organist and harpsichordist. He was known as Couperin le Grand to distinguish him from other members of the musically talented Couperin family.
Louis Couperin was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of the Church of St. Gervais in Paris and as musician at the court. He quickly became one of the most prominent Parisian musicians, establishing himself as a harpsichordist, organist, and violist, but his career was cut short by his early death at the age of thirty-five.
Carpentras is a commune in the Vaucluse department in the Provence-Alpes-Côte d'Azur region in southeastern France.
Nicolas de Grigny was a French organist and composer. He died young and left behind a single collection of organ music, and an Ouverture for harpsichord.
Michel Corrette was a French composer, organist and author of musical method books.
Louis Marchand was a French organist, harpsichordist and composer. Born into an organist's family, Marchand was a child prodigy and quickly established himself as one of the best known French virtuosos of his time. He worked as organist of numerous churches and, for a few years, as one of the four organistes du roy. Marchand had a violent temperament and an arrogant personality, and his life was filled with scandals, publicized and widely discussed both during his lifetime and after his death. Despite his fame, few of his works survive to this day, and those that do almost all date from his early years. Nevertheless, a few pieces of his, such as the organ pieces Grand dialogue and Fond d'orgue have been lauded as classic works of the French organ school.
Guillaume-Gabriel Nivers was a French organist, composer and theorist. His first livre d'orgue is the earliest surviving published collection with traditional French organ school forms. Nivers's other music is less known; however, his treatises on Gregorian chant and basso continuo are still considered important sources on 17th century liturgical music and performance practice.
François d'Agincourt was a French harpsichordist, organist, and composer. He spent most of his life in Rouen, his native city, where he worked as organist of the Rouen Cathedral and of three smaller churches. Highly regarded during his lifetime, d'Agincourt was one of the organists of the royal chapel. The single surviving book of harpsichord music by him contains masterful pieces inspired by François Couperin; also extant are some 40 organ works that survive in manuscript copies.
Pierre Du Mage was a French Baroque organist and composer. His first music teacher was most likely his father, who was the organist at Beauvais Cathedral. At some point during his youth, Du Mage moved to Paris and studied under Louis Marchand. He also befriended Nicolas Lebègue, who in 1703 procured for him a position as the organist of the Collegiate Church of Saint-Quentin. In 1710, Du Mage was appointed the titular organist of Laon Cathedral. Due to strained relations with his superiors in the cathedral chapter, Du Mage left on 30 March 1719, at the age of 45, and became a civil servant. He apparently neither played nor composed music professionally until his death.
The French Organ Mass is a type of Low Mass that came into use during the Baroque era. Essentially it is a Low Mass with organ music playing throughout: part of the so-called alternatim practice.
Christophe Moyreau was a French Baroque composer, organist and harpsichordist.
Nicolas-Antoine Lebègue was a French Baroque composer, organist and harpsichordist. He was born in Laon and in the 1650s settled in Paris, quickly establishing himself as one of the best organists of the country. He lived and worked in Paris until his death, but frequently made trips to other cities to consult on organ building and maintenance matters. Lebègue's reputation today rests on his keyboard music. He made particularly important contributions to the development of the French organ school by devising pieces with independent pedal parts and developing the Tierce en taille genre. His oeuvre also includes the earliest published unmeasured preludes, as well as some of the earliest known noëls.
Gilles Jullien was a French Baroque composer and organist.
André Raison was a French Baroque composer and organist. During his lifetime he was one of the most famous French organists and an important influence on French organ music. He published two collections of organ works, in 1688 and 1714. The first contains liturgical music intended for monasteries and a preface with information on contemporary performance practice. The second contains mostly noëls.
George C. Baker is an American organist, composer, pedagogue, and dermatologist.
Marius André Gueit was a 19th-century French organist, cellist and composer.
Jean-Baptiste Nôtre was a French composer and organist.
The Fantasia or Pièce d'Orgue in G major, BWV 572, is a composition for organ by Johann Sebastian Bach.
The Livre d'orgue de Montréal is a music manuscript dating from the 18th century, which contains about 400 organ pieces. It is one of the largest surviving manuscripts of works by the French organ school from the reign of Louis XIV. It was brought to North America by Jean Girard, a French Sulpician clerk born in Bourges, appointed organist and teacher at the Notre-Dame parish in Montreal. Most of the music is anonymous, although a few pieces have been positively identified as works of Nicolas Lebègue.
Livre d'orgue is a French term which usually designates a collection of pieces for organ. It may refer to many such publications, including: