Louis Fratino (born 1993) is an American visual artist. [1] [2] [3]
Fratino graduated from the Maryland Institute College of Art, Baltimore, MD in 2015.[ citation needed ] Fratino was a recipient of a Fulbright Research Fellowship in Painting, Berlin, 2015–2016 and a Yale Norfolk Painting Fellowship, Norfolk, CT in 2014. [4]
Fratino is closely associated with New Queer Intimism, a contemporary art movement inspired by the immediacy and colorwork of Impressionism paired with the intimacy of everyday queer life. Other painters who fall under this banner include Salman Toor, Anthony Cudahy, Doron Langberg, and Kyle Coniglio. [5]
Art critic Roberta Smith writes of Fratino's paintings, "Seemingly painted mostly in the same interior, they are also hot with the pleasure of lying-around-the-house domesticity, of shared privacy. And they are hot too with painterly attention and erudition — inviting a similar scrutiny from the viewer. Nearly every brush stroke and mark, every detail of furnishings and body hair, has a life of its own." [6] Similarly, Antwaun Sargent writes in The New York Times, "Fratino and these other contemporary gay figure artists share a philosophy, despite their different aesthetics: They’re all committed to reflecting the mostly unseen interior lives of the men they admire, and to celebrating a diverse set of subjects who, taken together, stand in opposition to a canonical history of art that has long ignored an openly gay view of the male body." [7] Elsewhere, the writer Durga Chew-Bose notes, "Fratino’s moony eye for the erotic is trained on details that rouse otherwise mundane prospects... which features two eggs on toast as well as other quotidian clues lyrically scattered on a round tabletop, discombobulates scale in its ode to the Cubist tableau-objet." [8]
In 2018, during his first solo exhibition, Heirloom, at the Galerie Antoine Levi, Fratino worked in Paris. Inspired by the composition and subject matter of works by Picasso, Matisse, and other Modernists, Fratino began experimenting with using soft pastel on raw linen. [9] In 2020, the artist also started experimenting with printmaking during his stay in New York, working with master printmaker Gregory Burnet to create a series of large copperplate etchings. [10]
The artist was included in the 60th Venice Biennale in 2024. [11] [12] [13] [14]