Louis Henry Sullivan was an American architect, and has been called a "father of skyscrapers" and "father of modernism." He was an influential architect of the Chicago School, a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School. Along with Wright and Henry Hobson Richardson, Sullivan is one of "the recognized trinity of American architecture." The phrase "form follows function" is attributed to him, although the idea was theorised by Viollet le Duc who considered that structure and function in architecture should be the sole determinants of form. In 1944, Sullivan was the second architect to posthumously receive the AIA Gold Medal.
Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.
Louis Comfort Tiffany was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is associated with the art nouveau and aesthetic art movements. He was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany.
George Grant Elmslie was an American Prairie School architect whose works are is mostly found in the Midwestern United States. He worked with Louis Sullivan and later with William Gray Purcell as a partner in the firm Purcell & Elmslie.
Hildreth Meière (1892–1961) was an American muralist active in the first half of the twentieth century who is especially known for her Art Deco designs. During her 40-year career she completed approximately 100 commissions. She designed murals for office buildings, churches, government centers, theaters, restaurants, cocktail lounges, ocean liners, and world’s fair pavilions, and she worked in a wide variety of mediums, including paint, ceramic tile, glass and marble mosaic, terracotta, wood, metal, and stained glass. Among her extensive body of work are the iconographic interiors at the Nebraska State Capitol in Lincoln, the dynamic roundels of Dance, Drama, and Song at Radio City Music Hall, the apse and narthex mosaics and stained-glass windows at St. Bartholomew's Episcopal Church (Manhattan), and the decoration of the Great Hall at the National Academy of Sciences in Washington, D.C.
Second Presbyterian Church is a landmark Gothic Revival church located on South Michigan Avenue in Chicago, Illinois, United States. In the late nineteenth and early twentieth centuries, some of Chicago's most prominent families attended this church. It is renowned for its interior, completely redone in the Arts and Crafts style after a disastrous fire in 1900. The sanctuary is one of America's best examples of an unaltered Arts and Crafts church interior, fully embodying that movement's principles of simplicity, hand craftsmanship, and unity of design. It also boasts nine imposing Tiffany windows. The church was listed on the National Register of Historic Places in 1974 and later designated a Chicago Landmark on September 28, 1977. It was designated a National Historic Landmark in March 2013.
The National Farmers' Bank of Owatonna, Minnesota, United States, is a historic bank building designed by Louis Sullivan, with decorative elements by George Elmslie. It was built in 1908, and was the first of Sullivan's "jewel box" bank designs. The building is clad in red brick with green terra cotta bands, and features two large arches on its street-facing facades. Single-story wings, originally housing bank offices, extend along each side. Internal elements include two stained-glass windows designed by Louis J. Millet, a mural by Oskar Gross, and four immense cast iron electroliers designed by Elmslie and cast by Winslow Brothers Company.
Holy Trinity Orthodox Cathedral is the cathedral church of the Orthodox Church in America Diocese of the Midwest. It is one of only two churches designed by Louis Sullivan, one of the seminal architects of the late 19th and early 20th centuries. It is listed on the US National Register of Historic Places and is designated a Chicago Landmark.
Conrad Schmitt Studios is an architectural arts studio located in New Berlin, Wisconsin. It provides ecclesiastical art, stained glass artistry, art glass, decorative painting, mosaics, murals and sculptural arts. The studio specializes in restoration services for buildings of architectural, historical and religious significance. Founded in 1889 by German-American artist Conrad Schmitt, the company is one of the oldest and largest glass studios in the United States.
The Merchants' National Bank (1914) building is a historic commercial building located in Grinnell, Iowa. It is one of a series of small banks designed by Louis Sullivan in the Midwest between 1909 and 1919. All of the banks are built of brick and for this structure he employed various shades of brick, ranging in color from blue-black to golden brown, giving it an overall reddish brown appearance. It was declared a National Historic Landmark in 1976 for its architecture. In 1991, it was listed as a contributing property in the Grinnell Historic Commercial District.
The Van Allen Building, also known as Van Allen and Company Department Store, is a historic commercial building at Fifth Avenue and South Second Street in Clinton, Iowa. The four-story building was designed by Louis Sullivan and commissioned by John Delbert Van Allen. Constructed 1912–1914 as a department store, it now has upper floor apartments with ground floor commercial space. The exterior has brick spandrels and piers over the structural steel skeletal frame. Terra cotta is used for horizontal accent banding and for three slender, vertical applied mullion medallions on the front facade running through three stories, from ornate corbels at the second-floor level to huge outbursts of vivid green terra cotta foliage in the attic. There is a very slight cornice. Black marble facing is used around the glass show windows on the first floor. The walls are made of long thin bricks in a burnt gray color with a tinge of purple. Above the ground floor all the windows are framed by a light gray terra cotta. The tile panels in Dutch blue and white pay tribute to Mr. Van Allen's Dutch heritage of which he was quite proud.. The Van Allen Building was declared a National Historic Landmark in 1976 for its architecture.
The King–Nash House, also known as Patrick J. King House, is a combination of Sullivanesque, Colonial Revival, and Prairie styles house in the East Garfield Park area of Chicago, Illinois, United States. The house was built in 1901 by George W. Maher for Patrick J. King. From 1925 until his death in 1943, it was home to Chicago political boss Patrick Nash.
Thomas Augustin "Gus" O'Shaughnessy (1870-1956) was an Irish American Celtic Revival designer from Missouri who worked primarily in stained glass. He was employed as a Chicago Daily News staff artist and had earlier studied under stained glass master Louis Millet at the Art Institute of Chicago, then traveled to Europe to perfect his art. O'Shaughnessy, who was a member of Chicago's Palette and Chisel Academy of Fine Art, is best remembered for having created the greatest examples of Celtic Revival architectural design in America.
The Ryerson & Burnham Libraries are the art and architecture research collection of the Art Institute of Chicago. The libraries cover all periods with extensive holdings in the areas of 18th-, 19th- and 20th-century architecture and 19th-century painting, prints, drawings, and decorative arts. A variety of materials important to scholarly research includes architects' diaries, correspondence, job files, photographs, sketchbooks, scrapbooks, articles, transcripts, and personal papers.
B. Gunar Gruenke is a stained glass artist in Wisconsin.
École de Nancy, or the Nancy School, was a group of Art Nouveau artisans and designers working in Nancy, France between 1890 and 1914. Major figures included the furniture designer Louis Majorelle, ebonist and glass artist Jacques Grüber, the glass and furniture designer Émile Gallé, and the crystal manufactory of Daum. Their work was largely inspired by floral and vegetal forms found in the region. The goal of the group was to produce in series ordinary objects, such as furniture, glassware, and pottery, with fine craftsmanship and in original forms, making art objects available for people's homes.
The Villa Majorelle is a house located at 1 rue Louis-Majorielle in the city of Nancy, France, which was the home and studio of the furniture designer Louis Majorelle. It was designed and built by the architect Henri Sauvage in 1901-1902. The villa is one of the first and most influential examples of the Art Nouveau architectural style in France. It served as a showcase for Majorelle's furniture and the work of other noted decorative artists of the period, including ceramist Alexandre Bigot and stained glass artist Jacques Gruber. It is now owned by the city of Nancy, and is open to the public certain days for tours by reservation.
The Cathedral of St. Brendan, Loughrea, is the cathedral church of the Roman Catholic Diocese of Clonfert. Though designed in neo-gothic style, it arguably houses the most extensive collection of arts and crafts and Celtic Revival artifacts of any single building in Ireland. Its most noteworthy feature is the extensive collection of stained glass windows by the Dublin-based An Túr Gloine studio. There are also twenty-four embroidered banners, mostly depicting Irish saints as well as vestments by the Dun Emer Guild. Sculptors represented are John Hughes (sculptor) and Michael Shortall, and the architect William Alphonsus Scott also contributed designs for metalwork and woodwork. The foundation stone was laid on 10 October 1897 and the structure was completed in 1902; most of the interior features date from the first decade on the twentieth century with the exception of the stained glass windows which continued to be commissioned up until the 1950s.
The Richard H. Driehaus Museum is a museum located at 40 East Erie Street on the Near North Side in Chicago, Illinois, near the Magnificent Mile. The museum is housed within the historic Samuel M. Nickerson House, the 1883 residence of a wealthy Chicago banker. Although the mansion has been restored, the Driehaus Museum does not re-create the Nickerson period but rather broadly interprets and displays the prevailing design, architecture, and decorating tastes of Gilded Age America and the art nouveau era in permanent and special exhibitions.
