Lovely Joan

Last updated

Lovely Joan is a traditional English folk song/ballad (Roud #592), and the tune to which it is sung. Its melody was used as the counterpoint tune used in British composer Ralph Greaves's arrangement of Fantasia on "Greensleeves" from Ralph Vaughan Williams's opera Sir John in Love .[ citation needed ]

Contents

Lyrics

The words to "Lovely Joan," as printed in The Penguin Book of English Folk Songs, [1] are as follows:

A fine young man it was indeed,
He was mounted on his milk-white steed;
He rode, he rode himself all alone,
Until he came to lovely Joan.
"Good morning to you, pretty maid."
And, "Twice good morning, sir", she said.
He gave her a wink, she rolled her eye.
Says he to himself, "I'll be there by and by."
"Oh don't you think those pooks of hay
A pretty place for us to play?
So come with me like a sweet young thing
And I'll give you my golden ring."
Then he pulled off his ring of gold.
"My pretty little miss, do this behold.
I'd freely give it for your maidenhead."
And her cheeks they blushed like the roses red.
"Give me that ring into my hand
And I will neither stay nor stand,
For this would do more good to me
Than twenty maidenheads," said she.
And as he made for the pooks of hay
She leaped on his horse and tore away.
He called, he called, but it was all in vain
Young Joan she never looked back again.
She didn't think herself quite safe,
No, not till she came to her true love's gate.
She's robbed him of his horse and ring,
And left him to rage in the meadows green.

Sung by C. Jay, Acle, Norfolk (R.V.W. 1908).

Other uses

The melody for Lovely Joan was used by Emerson, Lake & Powell on the track Touch and Go of their eponymous album Emerson Lake & Powell in 1986 (uncredited). [2] This traditional English folk song/ballad was integrally covered by Bristol-based teenage folk quartet Folkal Point and released on their self-titled studio album in 1972 through Midas Recordings. [3]

The melody was used for a set of variations commissioned for the 2017 Presteigne Festival from a number of composers, who each wrote one variation. The composers were Thomas Hyde, David Matthews, Adrian Williams, Michael Berkeley, Christopher Gunning, Huw Watkins, Sally Beamish, and Matthew Taylor.

Related Research Articles

"Scarborough Fair" is a traditional English ballad. The song, which is a variant of The Elfin Knight, lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough Fair" variant was most common in the Yorkshire and Northumbria, where it was sung to various melodies, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine."

Barbara Allen (song) Traditional ballad

"Barbara Allen" is a traditional folk song that is popular throughout the English speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.

"Lily of the West" is a traditional British and Irish folk song, best known today as an American folk song, listed as number 957 in the Roud Folk Song Index. The American version is about a man who travels to Louisville and falls in love with a woman named Mary, Flora or Molly, the eponymous Lily of the West. He catches Mary being unfaithful to him, and, in a fit of rage, stabs the man she is with, and is subsequently imprisoned. In spite of this, he finds himself still in love with her. In the original version, the Lily testifies in his defense and he is freed, though they do not resume their relationship.

"Fare Thee Well" is an 18th-century English folk ballad, listed as number 422 in the Roud Folk Song Index. In the song, a lover bids farewell before setting off on a journey, and the lyrics include a dialogue between the lovers.

"I Saw Three Ships " is an English Christmas carol, listed as number 700 in the Roud Folk Song Index. The earliest printed version of "I Saw Three Ships" is from the 17th century, possibly Derbyshire, and was also published by William Sandys in 1833. The song was probably traditionally known as "As I Sat On a Sunny Bank", and was particularly popular in Cornwall.

"The Unquiet Grave" is an English folk song in which a young man mourns his dead love too hard and prevents her from obtaining peace. It is thought to date from 1400 and was collected in 1868 by Francis James Child, as Child Ballad number 78. One of the more common tunes used for the ballad is the same as that used for the English ballad "Dives and Lazarus" and the Irish pub favorite "Star of the County Down".

The Raggle Taggle Gypsy Traditional folk song

"The Raggle Taggle Gypsy", is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the gypsies. Common alternative names are "Gypsy Davy", "The Raggle Taggle Gypsies O", "The Gypsy Laddie(s)", "Black Jack David" and "Seven Yellow Gypsies".

The Bonnie Lass o' Fyvie is a Scottish folk song about a thwarted romance between a soldier and a girl. Like many folk songs, the authorship is unattributed, there is no strict version of the lyrics, and it is often referred to by its opening line "There once was a troop o' Irish dragoons". The song is also known by a variety of other names, the most common of them being "Peggy-O", "Fennario", and "The Maid of Fife".

"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.

"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.

"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, of whom either one or both die from heartbreak. Thomas Percy included it in his folio and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret have been regarded as folk song as early as 1823.

"The Baffled Knight" or "Blow Away the Morning Dew" is Child ballad 112, existing in numerous variants. The first known version was published in Thomas Ravenscroft's Deuteromelia (1609) with a matching tune, making this one of the few early ballads for which there is extant original music. The song was included in such notable collections as Pills to Purge Melancholy by Thomas d'Urfey (1719–1720) and Reliques of Ancient English Poetry by Thomas Percy (1765).

"Bonnie Annie" is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter.

"Blacksmith", also known as "A Blacksmith Courted Me", is a traditional English folk song listed as number 816 in the Roud Folk Song Index.

"Down in Yon Forest", also known as "All Bells in Paradise" and "Castleton Carol," is a traditional English Christmas carol dating to the Renaissance era, ultimately deriving from the anonymous Middle English poem known today as the Corpus Christi Carol. The song was originally associated with Good Friday or the Corpus Christi Feast rather than Christmas, but some more recent variants have additional verses which reference Christmas. It is listed in the Roud Folk Song Index as number 1523.

"The Trees They Grow So High" is a British folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".

Dives and Lazarus is traditional English folk song listed as Child ballad 56 and number 477 in the Roud Folk Song Index. It is considered a Christmas carol and based on the parable of the rich man and Lazarus. The song traditionally used a variety of tunes, but one particular tune, published by Lucy Broadwood in 1893 and used in other traditional songs, inspired many notable works and appeared in several pieces composed by Ralph Vaughan Williams.

The song "All Around my Hat" is of nineteenth-century English origin. In an early version, dating from the 1820s, a Cockney costermonger vowed to be true to his fiancée, who had been sentenced to seven years' transportation to Australia for theft and to mourn his loss of her by wearing green willow sprigs in his hatband for "a twelve-month and a day", the willow being a traditional symbol of mourning. The song was made famous by Steeleye Span in 1975, whose rendition may have been based on a more traditional version sung by John Langstaff.

Six Studies in English Folk Song is a piece of chamber music written by English composer Ralph Vaughan Williams in 1926. It is a collection of six English folk songs set for cello and piano. Each song follows the same format: presentation of the tune in the solo line, followed by a full iteration of the folk song in the piano with an ornamented solo line.

The Lark in the Morning is an English folk song. It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.

References

    • Vaughan Williams, Ralph; Lloyd, A. L., eds. (1959). The Penguin Book of English Folk Songs. Harmondsworth: Penguin Books. p. 64. ISBN   0-85418-188-1.
  1. Duxbury, Janell R. (April 25, 1985). "SS0197". Rockin' the Classics and Classicizin' the Rock: A Selectively Annotated Discography. Westport, CT: Greenwood. p. 86. ISBN   978-0313246050 . Retrieved 25 April 2014.
  2. "Folkal Point – Folkal Point". Discogs. Retrieved 16 February 2022.