![]() | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(January 2013) |
Lubomyr Melnyk (born December 22, 1948) is a composer and pianist of Ukrainian origin. [1] [2] [3]
Melnyk is noted for his 'continuous music', a piano technique featuring extremely rapid notes and complex note-series, usually with the sustain pedal held down to generate harmonic overtones and sympathetic resonances.
"This is a completely-completely different piano universe from everything that has existed before", Melnyk explains. [4]
Melnyk links his piano technique to his national identity.
"This music would not exist at all if I were not Ukrainian. Our distinguishing feature is that we tend to sacrifice ourselves. Ukrainians are self-sacrificing for things that are important to them". [4]
Melnyk often plays rapid sequences, and can play up to 19 notes per second with each hand. [5] These overtones blend or clash according to harmonic changes. Most of his music is for the solo piano, but he has also composed chamber music and orchestral works where he plays the continuous piano and is accompanied by musicians with other instruments, for example: "The End of the World" [6] or "Vocalises and Antiphons". [7] Some pieces are performed for two pianos, where he plays over a recording of himself, for instance "Niche-Nourish-Niche-Xon". [8] [9] Of his technique, he has said:
There's an act of creation. For this act of creation to happen every day the body of the pianist, and not just the fingers, but the entire body has to be transformed. Because in order to make these very small changes and very small decisions that I make when I'm creating music, or when I playing the music, it has to happen at a faster speed of time than any other music. The mind has to control many things. So the decisions happen in another dimension than what the fingers are doing. Part of my mind controls the fingers, part of my mind controls my hand, part of my mind is controlling my entire body, part of my mind is thinking about something else, and part of my mind is combining everything. For the body to be able to reach this enormous universe, which is huge, it has to be changed. This is what continuous music is about. [4]
Melnyk offers lessons to a general audience of piano students, [10] [11] and has liked to run workshops [12] at concerts in the past - when possible. Though, few have truly taken interest in studying. [13] Two notable students who are successful pianists in their own right are Ell Kendall [14] and Matthew Thomasson, [15] who perform their own music which is (occasionally) seen to be inspired by Melnyk's technique. Another is Hauschka, who helped Melnykr's music become noticed by the record label Erased Tapes, which he has worked with for many years. [13] One of the only current students of his, who performs and promotes his music online, is the student Nathan Adlam. [16] He has also worked with Peter Broderick and Nils Frahm. He has expressed fears that his music will not outlive him. [13] In another old interview [17] he commented:
I am yet to find anyone who can interpret my music at a level where I could say they are actually able to play the piece. None of my students are ready but when the time comes, their fingers will obey their minds and I will be able to gauge the success of their interpretation.
Melnyk has also made certain educational recordings [18] [19] and has written exercises for students such as the Meditations [20] [21] and the 22 Circular Etudes. [12] As mentioned in the below section, he wrote a book titled Open Time, [22] which focuses on explaining his notation and surrounding philosophy and spirituality, in relation to the music.
Some of his pieces have individual scores available online, e.g. Cloud Nr. 81 [23] or Barcarolle. [24] There is also a scorebook of six pieces, published by Erased Tapes, [25] wherein scores for Pockets of Light, Butterfly, Parasol, Evertina, Awaiting and The Moving Window may be found.
Melnyk lived in Paris from 1973 to 1975, supporting himself by playing for modern dance classes, most notably in conjunction with Carolyn Carlson at the Paris Opera. Many of his works were presented in conjunction with modern dance. Through his work with Carlson, he began to create continuous music for piano. [26]
Melnyk has composed over 120 works, mostly for piano solo and double piano, and some for piano with ensemble. To explain the proper physical and mental techniques for his music, Melnyk wrote a treatise, OPEN TIME: The Art of Continuous Music (1981) and 22 Etudes, to teach the fundamental levels of his continuous technique. [26]
In 1985, Melnyk set two world records, documented on film and with full audio, at the Sigtuna Stiftelsen in Sweden. He sustained speeds of over 19.5 notes per second in each hand, and played between 13 and 14 notes per second for one full hour. [27]
Artur Schnabel was an Austrian-born classical pianist, composer and pedagogue. Schnabel was known for his intellectual seriousness as a musician, avoiding pure technical bravura. Among the 20th century's most respected and important pianists, his playing displayed marked vitality, profundity and spirituality in the Austro-German classics, particularly the works of Beethoven and Schubert.
Piano Phase is a minimalist composition by American composer Steve Reich, written in 1967 for two pianos. It is one of his first attempts at applying his "phasing" technique, which he had previously used in the tape pieces It's Gonna Rain (1965) and Come Out (1966), to live performance.
Sviatoslav Teofilovich Richter was a Soviet and Russian classical pianist. He is regarded as one of the greatest pianists of all time, and has been praised for the "depth of his interpretations, his virtuoso technique, and his vast repertoire".
Milton Byron Babbitt was an American composer, music theorist, mathematician, and teacher. He was a Pulitzer Prize and MacArthur Fellowship recipient, recognized for his serial and electronic music.
Horace Ward Martin Tavares Silver was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.
Arthur Rubinstein KBE OMRI was a Polish-American pianist. He is widely regarded as one of the greatest pianists of all time. He received international acclaim for his performances of the music written by a variety of composers and many regard him as one of the greatest Chopin interpreters of his time. He played in public for eight decades. His repertoire also included the works of Beethoven, Mozart, Schubert, Liszt, Tchaikovsky, Saint-Saëns, Schumann and more.
Armando Anthony "Chick" Corea was an American jazz pianist, composer, bandleader and occasional percussionist. His compositions "Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba" and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock and Keith Jarrett, Corea is considered to have been one of the foremost pianists of the post-John Coltrane era.
Jean-Claude Raoul Olivier Risset was a French composer, best known for his pioneering contributions to computer music. He was a former student of André Jolivet and former co-worker of Max Mathews at Bell Labs.
Conversations with Myself is a 1963 album by American jazz pianist Bill Evans recorded for Verve Records.
Géza Zichy was a Hungarian composer and was also renowned as the world's first professional one-armed pianist. Zichy also published an autobiography and some poetry.
Nobuyuki Tsujii is a Japanese pianist and composer. He was born blind due to microphthalmia. Tsujii performs extensively, with a large number of conductors and orchestras, and has received critical acclaim for his unique techniques for learning music and performing with an orchestra while being unable to see.
Michael Price is an English composer and pianist. Prior to establishing himself as a composer, he held a number of roles within the TV & film music field such as producer, arranger and music editor, much of which whilst working alongside acclaimed film score composer Michael Kamen.
Nils Frahm is a German musician, composer, and record producer based in Berlin. He is known for combining classical and electronic music and for an unconventional approach to the piano in which he mixes a grand piano, upright piano, Roland Juno-60, Rhodes piano, drum machines, and Moog Taurus.
Douglas Samuel Charles Dare is an English singer-songwriter and pianist based in London.
Paddy Mulcahy is an Irish composer and producer based in Limerick City. Classically trained in piano from the age of 5, Paddy found his love for electronic music growing in his early teens. In 2011 he was signed to Canadian label Limbic Records.
KMH: Piano Music in the Continuous Mode is the debut album by the pianist Lubomyr Melnyk. It was originally released in 1978 and then re-released by Unseen Worlds in 2007.
Erased Tapes Records is a London-based independent record label focusing on releasing avant-garde and experimental electronic music.
Daniel Brandt is a German composer, drummer, and filmmaker from Wiesbaden based in London and Berlin. He is a member of the ensemble Brandt Brauer Frick and also records as a solo artist for the British record label Erased Tapes.
Fallen Trees is a studio album by Ukrainian composer and pianist Lubomyr Melnyk. It was released on 7 December 2018, Erased Tapes Records.
Cloud Corner is the sixth solo studio album by Portland-based guitarist Marisa Anderson, released June 15, 2018, by Thrill Jockey. It is her first release with the label.