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Azio Corghi was an Italian composer, academic teacher and musicologist. He composed mostly operas and chamber music. His operas are often based on literature, especially in collaboration with José Saramago as librettist. His first opera, Gargantua, was premiered at the Teatro Regio in Turin in 1984, his second opera, Blimunda, was first performed at La Scala in Milan in the 1989/90 season, and his third opera, Divara – aqua e sangue, was premiered in 1993 at the Theater Münster, Germany. He taught composition at the Accademia Nazionale di Santa Cecilia in Rome, among other academies. In 2005, he was awarded the Order of Merit of the Italian Republic.
The culture of music in Rome is intensely active. The venues for live music include:
The music of the Marche, a region of Italy, has been shaped by the fact that the entire region is a collection of small centers of population. There is no cultural giant to be found—no Florence or Naples—that might have shaped the cultural and musical expressions of the entire region. There is not a town in the region with more than 100,000 population, but there are 246 total towns, and they support no fewer than 113 theaters, a cultural building boom that started in the late 18th century. Historically, the entire area was home to a great number of monasteries and abbeys in the Middle Ages, institutions that had choirs and were active in the musical lives of the inhabitants. That period is still obscure and is currently the subject of musicological research. In the modern age, the region has a vibrant musical life.
Nicola Campogrande is an Italian composer and music journalist. He is the artistic director of the MITO SettembreMusica festival. He writes for the newspaper Corriere della Sera. His music is published exclusively by Breitkopf & Härtel.
Riccardo Piacentini is an Italian composer and pianist, professor of Composition at the Milan Conservatory.
Il prigionier superbo is an opera seria in three acts, composed by Giovanni Battista Pergolesi to a libretto attributed to Gennaro Antonio Federico, and based on an earlier libretto by Francesco Silvani for Gasparini's opera, La fede tradita e vendicata. It was premiered at the Teatro San Bartolomeo in Naples on 5 September 1733 and received further performances in October. The opera, with its labyrinthine plot involving the rivalry of Metalce and Viridate for the hand of Rosmene, soon sank into oblivion, but its comic intermezzo, La serva padrona was to achieve considerable success when performed on its own.
Sergio Rendine was an Italian composer of operas, ballets, symphonies, cantatas and chamber music. He worked as a lecturer at the Conservatorio Alfredo Casella, for the Accademia Nazionale di Santa Cecilia, and for SIAE. He was artistic director of the Teatro Marrucino in Chieti from 1997 to 2007. He received awards for Alice, a "radiophonic opera". His opera Un segreto d'importanza was premiered by the Opéra de Monte-Carlo. His Missa de beatificatione in onore di Padre Pio da Pietrelcina, a mass written for the beatification of Pio of Pietrelcina, was premiered in 1999 in Vatican City, with José Carreras as a soloist. His oratorio Passio et Ressurrectio was recorded live and broadcast from the cathedral in Chieti premiere, and his two symphonies were recorded by Chandos Records.
Filippo Maria Bressan is an Italian conductor.
Luca Francesconi is an Italian composer. He studied at the Milan Conservatory, later with Karlheinz Stockhausen and then Luciano Berio.
Flavio Emilio Scogna is an Italian composer and conductor.
Vito Palumbo is an Italian composer. He has had pieces performed by the London Symphony Orchestra, the Gävle Symphony Orchestra, the Athenäum-Quartett Berliner Philharmoniker and the RAI National Symphony Orchestra.
L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the Teatro Tordinona in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
La Salustia is a 1732 opera in three acts by Giovanni Battista Pergolesi to a revised text, possibly by Sebastiano Morelli, after Apostolo Zeno's famous 1716 libretto Alessandro Severo, which was also later adapted by Handel. The production was marred when the leading man Nicolo Grimaldi "Nicolini" fell fatally ill before the performance and an inexperienced substitute Gioacchino Conti "Gizziello" had to be called in at the last minute. La Salustia was Pergolesi's first opera seria. The story is based on the life of the Roman emperor Alexander Severus and his wife Sallustia Orbiana.
Rosa Feola is an Italian operatic soprano.
Mauro Cardi is an Italian composer.
Luca Antignani is an Italian composer of contemporary classical music. He is also an academic, teaching in Switzerland and France.
Franco Venturini is an Italian musician based in Paris. From the earliest age he demonstrated an uncommon attitude towards classical music, which led him to pursue a musical career. He started as a pianist, later devoting himself to composition mainly in the fields of contemporary classical music and electronic music.
Marco Attura is an Italian composer, pianist and conductor.
Cristian Taraborrelli is an Italian theatre, opera and cinema director.
References
- ↑ Sacatar [ dead link ]
- ↑ MacDowell Archived 2009-05-26 at the Wayback Machine
- ↑ Teatro Massimo Archived 2012-04-05 at the Wayback Machine
- ↑ Rai Trade [ dead link ]
- ↑ "Gregoretti Lucio", Suvini Zerboni
- ↑ Italian article [ dead link ]
- ↑ See Fondazione Pergolesi-Spontini Archived 2011-10-04 at the Wayback Machine site.
