Ludwig Gruner

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Wilhelm Heinrich Ludwig Gruner (24 February 1801 - 27 February 1882) was a German artist, engraver, [1] architect and art historian, who also served as director of the Kupferstich-Kabinett, Dresden. His art historical writings were mostly dominated by his admiration of Raphael and the Italian Renaissance.

Contents

Life

Born in Dresden, [2] he initially wanted to become a decorative painter, a plan scotched in the mid-1840s by an eye problem. [3] He began his studies in 1815 under Klinger before enrolling at the Dresden Academy under Ephraim Gottlieb Krüger. Patrons then funded a move to the academy in Milan in 1825, where he studied under Giuseppe Longhi and Pietro Anderloni, and a journey through southern France and Spain in 1828, including three months studying the Escorial. Returning to Germany in 1832, he completed an engraving of the portrait of Anton Raphael Mengs before a journey to England and Scotland, where he saw a number of Madonnas after Raphael and at Blenheim Palace The Exposition of Moses. [4]

From 1836 to 1843 he returned to Italy, this time staying in Rome, making engravings using the techniques of the 16th-century engraver Marcantonio Raimondi [5] and publishing sets of engravings after Raphael's works in the dome of the Chigi Chapel at Santa Maria del Popolo [6] and after the ceiling frescoes in the Stanza di Eliodoro at the Vatican. He returned to England in 1842 to make drawings from the Raphael Cartoons and found favour with Albert, Prince Consort and Queen Victoria. [7] He worked for Albert from 1841 to 1855 and was appointed Victoria's art advisor and dealer in 1845, helping acquire around sixty paintings and sculptures for the Royal Collection and leading on the decoration of Osborne House and Buckingham Palace. [8] [9] He collaborated with Elmslie William Dallas on the decoration of the garden pavilion at Buckingham Palace in 1841.

From 1845 to 1848 he lived in Rome again before being appointed director of the Kupferstich-Kabinett in Dresden on 2 July 1858, also receiving a professorship at the academy there (Ernst Mohn was one of his students) and becoming a member of the gallery commission. He began buying valuable Spanish paintings for its collection in London as early as 1863 - they had originated in the collection of Louis Philippe of France. He travelled to London almost every summer, working for the Arundel Society, decorating the ceiling of the Blue Room in Windsor Castle after Albert's death there in 1861 and collaborating with A. J. Humbert to design both the Duchess of Kent's Mausoleum (1860) [10] and the Royal Mausoleum, Frogmore (1862) [11] Excavation work started on the site of the mausoleum on 27 January 1862, the final plans having been approved by Victoria that day. [11] Victoria had had previous meetings with Humbert and Gruner to finalise and approve their designs for Frogmore. [11] Gruner himself died in Dresden.

Selected artworks

Wilhelm Heinrich Ludwig Gruner, Viterbo, 1837 Wilhelm Heinrich Ludwig Gruner, Viterbo, 1837, NGA 141563.jpg
Wilhelm Heinrich Ludwig Gruner, Viterbo, 1837

Selected writings

As director of the Königlichen Kupferstichkabinett he also published:

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References

  1. (in German) 'Gruner, Ludwig, Kupferstecher.' In: Meyers Konversations-Lexikon. 4. Auflage. Band 8, Verlag des Bibliographischen Instituts, Leipzig/Wien 1885–1892, page 506.
  2. (in German) "Entry in the Sächsischen Landesbibliothek – Staats- und Universitätsbibliothek Dresden".
  3. Hans Wolfgang Singer: 'Gruner, Ludwig (Wilhelm Heinrich Ludw.).' In: Ulrich Thieme, Fred. C. Willis (ed.): Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart. Begründet von Ulrich Thieme und Felix Becker. Band 15: Gresse–Hanselmann. E. A. Seemann, Leipzig 1922, pages 147–148
  4. (in German) Hans Wolfgang Singer: Gruner, Ludwig (Wilhelm Heinrich Ludw.). In: Ulrich Thieme, Fred. C. Willis (ed.s): Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart. Begründet von Ulrich Thieme und Felix Becker. Band 15: Gresse–Hanselmann. E. A. Seemann, Leipzig 1922, pages 147–148
  5. Böckmann, Barbara (2021). "Ludwig Gruner's Drawings after Raphael's Cartoons for the Tapestries in the Vatican: A Discovery in the Kupferstich-Kabinett in Dresden". arthistoricum.net. Translated by Daniel Böckmann. doi:10.11588/artdok.00007227 . Retrieved February 1, 2024.
  6. Mosaics of the cupola in the "Cappella Chigiana" Sta. Maria del Popolo in Rome designed by Raffaelle Sanzio d’Urbino. Paul & Dominic Colnaghi & Co., London 1850
  7. "Biography". British Museum.
  8. "Queen Victoria & Albert: Art and Love. In: The Art Newspaper – International art news and events. 2010".
  9. "Biography and works". Royal Academy of Arts.
  10. Helen Rappaport (2003). Queen Victoria: A Biographical Companion. ABC-CLIO. p. 153. ISBN   978-1-85109-355-7.
  11. 1 2 3 Petra Schultheiss (2018). Like an Ancient Shrine: Mid-19th Century Architectural Theory, the Memorial Mosaics for Prince Albert and the Queen Victoria's Position as Female Sovereign. Georg Olms Verlag. p. 243. ISBN   978-3487155401.
  12. "Catalogue entry".