Master builder from Padua, Veneto, he improved and innovated technical aspects of piano making, which were later patented. In his capacity as master piano-maker he has been invited by Italian and foreign institutions to run courses on piano construction and technology.[1]
Profile
In 1986, at the age of 23, he built his first piano.[2] In 1991, at the age of 28, he presented his first completely handmade concert-grand piano at the European congress ‘Europiano’.[3]
Luigi Borgato registered various patents. His first patent in 1991 provided the upper register of the keyboard with four strings struck per note in the 44 keys of the upper register and changes to the design of the iron frame.[2]
DOPPIO BORGATO
DOPPIO BORGATO
In 2000, he registered a second patent. Inspired by compositions written for pianos with pedalboards, he designed and built a new instrument called the Doppio Borgato, which is the first double concert-grand piano with pedalboard constructed in modern times.[10][11][12]
BORGATO GRAND PRIX 333
BORGATO GRAND PRIX 333
In August 2017 he produced a large "stage" concert grand piano called "Borgato Grand Prix 333", 3.33 metres (10.9ft) long.
↑Pierantonio Barizza intervista Luigi Borgato (Pierantonio Barizza interviews Luigi Borgato)
↑Galileo Rivista di informazione, attualità e cultura degli Ingegneri di Padova (Paduan Engineer’s information, actuality and cultural magazine), n.172 November–December 2005, p.14-17
↑Alessandro Cannavò, Amadeus, April 1997, p.52-53-54
Atanasio Cecchini, Piano Dream. History of the Piano, Mosè Editions, 2007 p.170-171
Dario Miozzi, in Musica Rivista di cultura musicale e discografica, Zecchini Editions, December 2010 - January 2011 p.54, 59-60
Alessandro Beltrami, Avvenire, 2010 Sunday August 15
Franco Pepe, in AreaArte, Summer 2010
Luca Segalla, in Musica, Rivista di cultura musicale e discografica, Zecchini Editions, March 2011 p.28
Stuart Isacoff, on the book A Natural History of the Piano, The Instrument, the Music, the Musicians—from Mozart to Modern Jazz and Everything in Between, edited by Alfred A. Knopf, New York 2011, p.48
Enzo Beacco, Galassia Pianoforte, Una storia di compositori, interpreti e costruttori, ilSaggiatore, 2025 p. 39, 53, 434
Autori vari, Alfonso Alberti, Emanuele Arciuli, Giovanni Paolo di Stefano, Leonardo Miucci, Francesco Pareti, Guido Salvetti, Maria Grazia Sità, Stefano Zenni, Il Pianoforte, I Manuali EDT/SIdM, 2018, tav. 24
Autori vari, Ettore Borri, Giovanni Paolo Di Stefano, Anelide Nascimbeni, Alessandro Marangoni, Manuel Caruso, Piero Rattalino, Oreste Bossini, Alfonso Alberti, Luciano Del Rio, Anna Doria, Il Pianoforte e la musica pianistica italiana, una ricchezza da scoprire nell'interazione tra costruttori, compositori, didatti e grandi interpreti, Zecchini Editore, maggio 2024, p. 128
Witold Rybczynski, The Perfect House A journey with the reneissance Master Andrea Palladio, Scribner New York 2002. p. 64
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