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Luis de Miranda is a philosopher and novelist. His earlier books, written in French, have been translated into English, Chinese, [1] Swedish, [2] among other languages[ citation needed ]. A PhD from the University of Edinburgh,[ citation needed ] he previously graduated in philosophy at Pantheon-Sorbonne University [ citation needed ] and in economics at HEC Paris [ citation needed ]. Since 2018, Luis de Miranda is a philosophical practitioner and member of the Swedish Society for Philosophical Practice[ citation needed ], and an academic researcher[ citation needed ] in Sweden.
Between 2005-2012 he gathered his literary and philosophical projects under the name of "Crealism"[ citation needed ]. Arsenal du Midi, his virtual writing laboratory from 2004 to 2007, used one of two anagrammatic signatures "Arsenal du Midi" and "Animal du Désir" to explore the triple dimension of creation: natural, egotistic and idealistic. His philosophical essays develop a specific interest for societal issues, historical methods, technological devices, and the cosmological concept of continuous creation via process philosophy (Deleuze, Bergson, Heraclitus, Alfred North Whitehead, Hegel). He has written a cultural and philosophical history of neon signs published by MIT Press (Being & Neonness), [3] a philosophical history of digital devices and automata (L'art d'être libres au temps des automates)[ citation needed ] presented by the French magazine Sciences Humaines as "a new utopia", "both philosophical, literary, artistic and scientific, [4] an analysis of the Lacanian concept of jouissance in its relation with capitalism, and a study on Deleuze which was translated and published by Edinburgh University Press (Deleuze Studies). [5] In all of these he developed his concept of "Creal" or "creative Real". [6] [7]
He was awarded[ citation needed ] his Doctor of Philosophy (PhD) from the University of Edinburgh in 2017 and soon after came out his book Ensemblance, based on his doctoral work and published by Edinburgh University Press. [8] While researching and teaching at the University of Edinburgh he founded the CRAG (Creation of Reality Group) [9] and the Anthrobotics Cluster.
From September 2014 to March 2017 Luis de Miranda conducted his PhD research on the concept of esprit de corps. [10] at the University of Edinburgh [11] He explored the ideas of collective existence and the hive mind from a discourse analysis and conceptual history perspective: "Beyond well-being, “well-belonging” is a fundamental human aspiration. But so is individual autonomy." [12] His research is multidisciplinary, focused on diverse questions such as What is Life?, process philosophy, social creation, discourse analysis, cultural and conceptual history and French philosophy, intellectual history, with, in his publications until 2020, an emphasis on Deleuze (and Guattari), Lacan, Bergson, Foucault. De Miranda's core concept of 'Creal' explores a form of post- or pre-anthropocentric creativity and notions as (collective) agency, autonomy, subjectivity, social creation, empiricism, biotechnologies, philosophy as care, and esprit de corps. [13]
Along with the Creation of Reality Group, [14] he was the founder of the Anthrobotics Cluster, "a platform of cross-disciplinary research" [15] working on the relationship between humans, robots and artificial intelligence: "partial automation is part of the definition of what humans have always been", [16] "a hybrid unity made of flesh and protocols, creation and creature". [17]
Since 2019, Luis de Miranda is working both empirically and theoretically on the concept of "philosophical health". [18] In a talk at the UNESCO headquarters, [19] de Miranda said: "“Philosophical health will be in the 21st century what physical and psychological health were in the 20th century. At the beginning of the century, it is a luxury for the happy few. By the end of the century, it is a necessity for all." [20]
His philosophical essay "Is a new life possible?", published by Edinburgh University Press, and one of the most downloaded Deleuze Studies articles between 2013 and 2015, is an attempt to present an overview of Deleuze's philosophy through the concept of lines of life and the Creal. In his dialogues with Claire Parnet, Deleuze asserts that: "Whether we are individuals or groups, we are made of lines" (Deleuze and Parnet 2007: 124). Luis de Miranda explains how a singular individual or group may arise from the play of the lines of life; eventually, he introduces the concept of 'Creal' to develop the Deleuzian figure of the 'Anomal', the so(u)rcerer, the active rather than reactive Nietzschean creator. [21]
"The relationship between crealism and digitalism [numérisme] is the dialectic of the 21st century". [22] Partly born out of his readings of Jacques Lacan, Karl Marx, Gilles Deleuze and Martin Heidegger between 2003-2007, The Creal (Créel in French), crealism or more recently crealectics is Luis de Miranda's proposed answer to the philosophical problem of the Real: "Creal is obviously a portmanteau compound of created-real. At the same time, in an essay on Deleuze (Is a New Life Possible?), in my novels Paridaiza and Who Killed the Poet? and in the essay Being & Neonness, a Creal-cosmology is proposed. A philosophical concept answers a question and Creal is my answer to the question What is more real than the Real?". [23] Since 2017, Luis de Miranda seems to be systematically using the concept of "crealectics" instead of crealism: "crealectics integrates but supersedes the analytical and dialectical modes of thinking into a practice of prognosis, a meta-anticipation of what is likely to be actualised. A crealectical intelligence integrates and unifies the pluridimensionality and pluridirectionality of living and spiritual processes. It corresponds perhaps to what Spinoza called the third kind of knowledge." [24]
In Spring 2017 to coincide with the imminent publication of the English translation of Qui a tué le poète? Luis de Miranda launched a world literature project to disseminate several translations of his novella. Its aim is to explore the "transnational existential grammar [25] of the book and its universal themes, which although written in differing languages and using their own poetry describe the same human emotions". In an interview with World Literature Today, Luis de Miranda described this collective project, performed with the collaboration of a network of translators, as "reawakening a sort of universal reader". [26] Who Killed The Poet? was translated by Tina Kover and joins the already published Turkish edition with Chinese and Swedish translations. [27]
Pierre-Félix Guattari was a French psychoanalyst, political philosopher, semiotician, social activist, and screenwriter. He co-founded schizoanalysis with Gilles Deleuze, and ecosophy with Arne Næss, and is best known for his literary and philosophical collaborations with Deleuze, most notably Anti-Oedipus (1972) and A Thousand Plateaus (1980), the two volumes of their theoretical work Capitalism and Schizophrenia.
Gilles Louis René Deleuze was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be his magnum opus.
Henri-Louis Bergson was a French philosopher, who was influential in the traditions of analytic philosophy and continental philosophy, especially during the first half of the 20th century until the Second World War, but also after 1966 when Gilles Deleuze published Le Bergsonisme. Bergson is known for his arguments that processes of immediate experience and intuition are more significant than abstract rationalism and science for understanding reality.
Schizoanalysis is a set of theories and techniques developed by philosopher Gilles Deleuze and psychoanalyst Félix Guattari, first expounded in their book Anti-Oedipus (1972) and continued in their follow-up work, A Thousand Plateaus (1980).
Gaston Bachelard was a French philosopher. He made contributions in the fields of poetics and the philosophy of science. To the latter, he introduced the concepts of epistemological obstacle and epistemological break. He influenced many subsequent French philosophers, among them Michel Foucault, Louis Althusser, Dominique Lecourt and Jacques Derrida, as well as the sociologists Pierre Bourdieu and Bruno Latour.
Alain Badiou is a French philosopher, formerly chair of Philosophy at the École normale supérieure (ENS) and founder of the faculty of Philosophy of the Université de Paris VIII with Gilles Deleuze, Michel Foucault and Jean-François Lyotard. Badiou's work is heavily informed by philosophical applications of mathematics, in particular set theory and category theory. Badiou's "Being and Event" project considers the concepts of being, truth, event and the subject defined by a rejection of linguistic relativism seen as typical of postwar French thought. Unlike his peers, Badiou openly believes in the idea of universalism and truth. His work is notable for his widespread applications of various conceptions of indifference. Badiou has been involved in a number of political organisations, and regularly comments on political events. Badiou argues for a return of communism as a political force.
Gilbert Simondon was a French philosopher best known for his theory of individuation and his work on the field of philosophy of technology. Simondon's work is characterized by his philosophical approach on information theory, communication studies, technology and the natural sciences. Although largely overlooked in his lifetime, the advent of the Information Age has collaborated to a reappraisal and increased interest in Simondon's books, with him being seen as someone who has precisely predicted and described the social effects and paradigms technical objects and technology itself have offered in the 21st century.
François Laruelle is a French philosopher, formerly of the Collège international de philosophie and the University of Paris X: Nanterre. Laruelle has been publishing since the early 1970s and now has around twenty book-length titles to his name. Alumnus of the École normale supérieure, Laruelle is notable for developing a science of philosophy that he calls non-philosophy. He currently directs an international organisation dedicated to furthering the cause of non-philosophy, the Organisation Non-Philosophique Internationale.
Quentin Meillassoux is a French philosopher. He teaches at the Université Paris 1 Panthéon-Sorbonne.
Bernard Stiegler was a French philosopher. He was head of the Institut de recherche et d'innovation (IRI), which he founded in 2006 at the Centre Georges-Pompidou. He was also the founder in 2005 of the political and cultural group, Ars Industrialis; the founder in 2010 of the philosophy school, pharmakon.fr, held at Épineuil-le-Fleuriel; and a co-founder in 2018 of Collectif Internation, a group of "politicised researchers" His best known work is Technics and Time, 1: The Fault of Epimetheus.
André Leroi-Gourhan was a French archaeologist, paleontologist, paleoanthropologist, and anthropologist with an interest in technology and aesthetics and a penchant for philosophical reflection.
Rosi Braidotti is a contemporary philosopher and feminist theoretician. Born in Italy, she studied in Australia and France and works in the Netherlands. Braidotti is currently Distinguished University Professor Emerita at Utrecht University, where she has taught since 1988. She was professor and the founding director of Utrecht University's women's studies programme (1988-2005) and founding director of the Centre for the Humanities (2007-2016). She has been awarded honorary degrees from Helsinki (2007) and Linkoping (2013); she is a Fellow of the Australian Academy of the Humanities (FAHA) since 2009, and a Member of the Academia Europaea (MAE) since 2014. Her main publications include Nomadic Subjects (2011) and Nomadic Theory (2011), both with Columbia University Press, The Posthuman (2013), Posthuman Knowledge (2019), and Posthuman Feminism (2022) with Polity Press. In 2016, she co-edited Conflicting Humanities with Paul Gilroy, and The Posthuman Glossary in 2018 with Maria Hlavajova, both with Bloomsbury Academic.
Louis Lavelle was a French philosopher, considered one of the greatest French metaphysicians of the twentieth century. His magnum opus, La Dialectique de l'éternel présent (1922), is a systematic metaphysical work. Lavelle's other principal works include De l'Être (1928), De l'Acte (1937), Du Temps et de l'Eternité (1945), and De l'Âme Humaine (1951).
Of Grammatology is a 1967 book by the French philosopher Jacques Derrida. The book, originating the idea of deconstruction, proposes that throughout continental philosophy, especially as philosophers engaged with linguistic and semiotic ideas, writing has been erroneously considered as derivative from speech, making it a "fall" from the real "full presence" of speech and the independent act of writing.
The Logic of Sense is a 1969 book by the French philosopher Gilles Deleuze. The English edition was translated by Mark Lester and Charles Stivale, and edited by Constantin V. Boundas.
Catherine Malabou is a French philosopher. She is a Professor at the Centre for Research in Modern European Philosophy (CRMEP) at Kingston University, at the European Graduate School, and in the department of Comparative Literature at the University of California, Irvine, a position formerly held by Jacques Derrida.
Nietzsche and Philosophy is a 1962 book about Friedrich Nietzsche by the philosopher Gilles Deleuze, in which the author treats Nietzsche as a systematically coherent philosopher, discussing concepts such as the will to power and the eternal return. Nietzsche and Philosophy is a celebrated and influential work. Its publication has been seen as a significant turning-point in French philosophy, which had previously given little consideration to Nietzsche as a serious philosopher.
Assemblage is a philosophical approach for studying the ontological diversity of agency, which means redistributing the capacity to act from an individual to a socio-material network of people, things, and narratives. Also known as assemblage theory or assemblage thinking, this philosophical approach frames social complexity through fluidity, exchangeability, and their connectivity. The central thesis is that people do not act predominantly according to personal agency; rather, human action requires material interdependencies and a network of discursive devices distributed across legal, geographical, cultural, or economic infrastructures.
Thomas Lepeltier is a French independent scholar, essayist and science writer specializing in the history and philosophy of science and applied ethics, known in particular for his contributions to the field of animal law. He is the author of several philosophical works on animal ethics such as L'imposture intellectuelle des carnivores and of science history books including Darwin hérétique and Univers parallèles. Known initially as a science historian, he now mainly advocates in defense of animals in the French media.
Daniel W. Smith is an American philosopher, academic, researcher, and translator. He is a professor in the Department of Philosophy at Purdue University, where his work is focused on 19th and 20th century continental philosophy.