Jerome Richardson was an American jazz musician, tenor saxophonist, and flute player, who also played tenor saxophone, soprano saxophone, alto saxophone, baritone saxophone, bass saxophone, soprano clarinet, alto clarinet, tenor clarinet, bass clarinet, western concert flute, soprano flute, alto flute, and piccolo. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. The bossa nova wave became popular around the world and it helped to renew samba and to contribute to the modernization of Brazilian music.
Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform music of Afro-Jazz, the Caribbean, México and Latin America.
Baden Powell de Aquino, known professionally as Baden Powell, was a Brazilian guitarist. He combined classical techniques with popular harmony and swing. He performed in many styles, including bossa nova, samba, Brazilian jazz, Latin jazz and MPB. He performed on stage during most of his lifetime. Powell composed many pieces for guitar, such as "Abração em Madrid", "Braziliense", "Canto de Ossanha", "Casa Velha", "Consolação", "Horizon", "Imagem", "Lotus", "Samba", "Samba Triste", "Simplesmente", "Tristeza e Solidão", and "Samba da Benção". He released Os Afro-sambas, a watershed album in MPB, with Vinicius de Moraes in 1966.
Eumir Deodato de Almeida is a Brazilian pianist, composer, arranger and record producer, primarily in jazz but who has been known for his eclectic melding of genres, such as pop, rock, disco, rhythm and blues, classical, Latin and bossa nova.
Sérgio Santos Mendes is a Brazilian musician. His career took off with worldwide hits by his band Brasil '66. He has over 55 releases and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Oscar for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Luiz Floriano Bonfá was a Brazilian guitarist and composer. He was best known for the music he composed for the film Black Orpheus.
Walter Wanderley was a Brazilian organist and pianist, best known for his lounge and bossa nova music and for his instrumental version of the song Summer Samba which became a worldwide hit.
Charlie Rouse was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years.
William Correa, better known by his stage name Willie Bobo, was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music.
"Manhã de Carnaval", often referred to as "Black Orpheus", is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria.
Oscar Castro-Neves, was a Brazilian guitarist, arranger, and composer who is considered a founding figure in bossa nova.
João Donato de Oliveira Neto is a Brazilian jazz and bossa nova pianist from Brazil. He first worked with Altamiro Carrilho and went on to perform with Antonio Carlos Jobim and Astrud Gilberto.
George "Buster" Cooper was an American jazz trombonist.
Ugo Marotta is a Brazilian musician, conductor, arranger, composer, keyboards and vibraphonist. He took part at the Brazilian music movements Bossa Nova and Musicanossa.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
This is a Herbie Mann discography. Mann spent his early years recording for a number of jazz oriented record labels, and signed with Atlantic Records in 1961. He recorded with them through the 1960s and 1970s, including their subsidiary Cotillion Records, where he ran his own imprint, Embryo Records, in the 1970s, for his records as well as other musicians. Mann also ran two independent record labels, Herbie Mann Music in the 1980s, and during the 1990s, Kokopelli Records. Minor reissues are not noted.
"The Gentle Rain" is a 1965 bossa nova composition by Luiz Bonfá, with lyrics by Matt Dubey. Originally written in A minor key and 4/4 time, this song was first released as part of the motion picture soundtrack of the 1966 film The Gentle Rain of the North-American director Burt Balaban. The music of the film was a collaboration of Luiz Bonfá as a composer and Eumir Deodato as orchestra arranger and director.
Trombone Jazz Samba is an album by jazz trombonist and arranger Bob Brookmeyer featuring bossa nova compositions recorded in 1962 for the Verve label.
