Luzmila Carpio (born 1949) is a Bolivian singer and songwriter who has performed in Spanish and Quechua. She served as the Bolivian ambassador to France from 2006 to 2010. [1]
Luzmila Carpio (born 1949) is a Bolivian singer and songwriter who has performed in Spanish and Quechua. She served as the Bolivian ambassador to France from 2006 to 2010. [1]
Luzmila Carpio was born in 1949 in Qala Qala, a community near Ayllu Panacachi, in the northern region of Department of Potosi. [2]
As a small child, she learned the daily songs of the Quechua and Aymara indigenous peoples that inhabit the Bolivian Altiplano. At 11, she travelled to Oruro to sing for a radio show that gave children the chance to take up the microphone every Sunday, but when she started to sing, the pianist shouted at her, saying "¡Esto lo cantan los indios! ¡Vuelve cuando sepas cantar en castellano!" [That’s what Indians sing! Come back when you know how to sing in Spanish!"]. Carpio fled the studio in tears, but decided that she would return the following Sunday. [2]
For several years in her early teens she sang in Spanish with a local group at the Technical University of Oruro, but the pull of her native tradition was strong and by age 15, she joined a professional group called Los Provincianos who sang in both Spanish and Quechua. [3]
In her early teens she moved to Oruro, and started expressing herself through her songs. Once she went to a radio station and sang the national anthem of Bolivia, the only song in Spanish that she knew. Later on she was selected as the lead singer by a musical band that participated in a contest in Cochabamba. The popular songs she sang in this occasion were designed to meet the demands of the vast popular segments of the population, mostly descendants of indigenous peoples but who already lived in the cities and spoke Spanish.[ citation needed ] Afterwards, "Siway Azucena", a melody composed by her inspired by the music of Northern Potosí, spread throughout the country, the first truly indigenous song to have widespread popular success.[ citation needed ]
Contrary to the prevalent trend of modernisation, she started looking deeper into the cultural and musical ways of the Andes and singing in Quechua, rather than Spanish. The main ingredient was not to please the audiences that kept growing but rather to use her music as an expression of rebellion against the predominance of western cultural ways over indigenous ones, as a way to show that this so far subordinated world also had a contribution to make, and as a way to build more harmonious relationships among the peoples of the world. In this quest, she authored and coauthored a number of songs for children: "Ima sarata munanki" ("What kind of corn do you want"), "Aylluman kutiripuna" ("Let us return to the community") and many others. These songs became popular with children in rural schools.[ citation needed ]
In the late 1980s, she travelled to Paris to continue her musical evolution and be taken seriously as an artist. According to Sergio Cáceres, former Bolivian ambassador to UNESCO, "Luzmilla suffered a double discrimination in Bolivia by being at the same time indigenous and a woman in a very racist and male dominated society. She created something more profound than urban folklore. Her music is a symbol for oppressed cultures." [2]
On 21 April 2006, President Evo Morales appointed Luzmila Carpio as Bolivia's ambassador to France. [1] This position lasted four years, until 31 March 2010. [2]
Yuyay Jap’ina Tapes was named one of Rolling Stone’s 10 best Latin albums of 2015 and referred to Carpio as being "possibly the most prolific indigenous artist in South America". [4] [5]
In 2015, ZZK Records remixed her music to create the album Luzmila Carpio meets ZZK that received critical acclaim and was described as "futuristic shamanism" by Vice and as "a condensation of tradition and futurism, of past and contemporary, of organic sounds and digital rhythms" by RFI. [5] [6]
She has released more than 25 albums and composed more than 120 songs. [7] [ citation needed ] Her albums include: [3]
Luzmila Carpio has been awarded Grand Officer of the Order of Merit of the French Republic (Grande Officier de l'Ordre National du Mérite), on June 14, 2011. [3]
The charango is a small Andean stringed instrument of the lute family, from the Quechua and Aymara populations in the territory of the Altiplano in post-Colonial times, after European stringed instruments were introduced by the Spanish during colonialization. The instrument is widespread throughout the Andean regions of Bolivia, Peru, Ecuador, northern Chile and northwestern Argentina, where it is a popular musical instrument that exists in many variant forms.
Andean music is a group of styles of music from the Andes region in South America.
Violeta del Carmen Parra Sandoval was a Chilean composer, singer-songwriter, folklorist, ethnomusicologist and visual artist. She pioneered the Nueva Canción Chilena, a renewal and a reinvention of Chilean folk music that would extend its sphere of influence outside Chile.
The music of Bolivia has a long history. Out of all the Andean countries, Bolivia remains perhaps the most culturally linked to the indigenous peoples.
Bolivia is a country in South America, bordered by Brazil to the north and east, Paraguay and Argentina to the south, Chile to the west, and Peru to the west.
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Pilcomayo is a river in central South America. At 1,100 kilometres (680 mi) long, it is the longest western tributary of the Paraguay River. Its drainage basin is 270,000 square kilometres (100,000 sq mi) in area, and its mean discharge is 200 cubic metres per second (7,100 cu ft/s).
Huayno is a genre of popular Andean music and dance. It is especially common in Peru, Western Bolivia, Northern Argentina and Northern Chile, and is practiced by a variety of ethnic groups, especially the Quechua people. The history of Huayno dates back to colonial Peru as a combination of traditional rural folk music and popular urban dance music. High-pitched vocals are accompanied by a variety of instruments, including quena (flute), harp, siku (panpipe), accordion, saxophone, charango, lute, violin, guitar, and mandolin. Some elements of huayno originate in the music of the pre-Columbian Andes, especially on the territory of the former Inca Empire. Huayno utilizes a distinctive rhythm in which the first beat is stressed and followed by two short beats.
Quechua people, Quichua people or Kichwa people may refer to any of the Indigenous peoples of South America who speak the Quechua languages, which originated among the Indigenous people of Peru. Although most Quechua speakers are native to Peru, there are some significant populations in Ecuador, Bolivia, Chile, Colombia, and Argentina.
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Olga Gutiérrez Iraolagoite was an Argentine-Ecuadorian pasillo singer.
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