Luzmila Carpio (born December 20, 1949) is a Bolivian singer and songwriter who has performed in Spanish and Quechua. She also has served as the Bolivian ambassador to France from 2006 to 2010. [1]
Luzmila Carpio (born December 20, 1949) is a Bolivian singer and songwriter who has performed in Spanish and Quechua. She also has served as the Bolivian ambassador to France from 2006 to 2010. [1]
Luzmila Carpio was born on December 20, 1949 in Qala Qala, a community near Ayllu Panacachi, in the northern region of Department of Potosi. [2]
As a small child, she learned the daily songs of the Quechua and Aymara indigenous peoples that inhabit the Bolivian Altiplano. At 11, she travelled to Oruro to sing for a radio show that gave children the chance to take up the microphone every Sunday, but when she started to sing, the pianist shouted at her, saying "¡Esto lo cantan los indios! ¡Vuelve cuando sepas cantar en castellano!" [That’s what Indians sing! Come back when you know how to sing in Spanish!"]. Carpio fled the studio in tears, but decided that she would return the following Sunday. [2]
For several years in her early teens she sang in Spanish with a local group at the Technical University of Oruro, but the pull of her native tradition was strong and by age 15, she joined a professional group called Los Provincianos who sang in both Spanish and Quechua. [3]
In her early teens she moved to Oruro, and started expressing herself through her songs. Once she went to a radio station and sang the national anthem of Bolivia, the only song in Spanish that she knew. Later on she was selected as the lead singer by a musical band that participated in a contest in Cochabamba. The popular songs she sang in this occasion were designed to meet the demands of the vast popular segments of the population, mostly descendants of indigenous peoples but who already lived in the cities and spoke Spanish.[ citation needed ] Afterwards, "Siway Azucena", a melody composed by her inspired by the music of Northern Potosí, spread throughout the country, the first truly indigenous song to have widespread popular success.[ citation needed ]
Contrary to the prevalent trend of modernisation, she started looking deeper into the cultural and musical ways of the Andes and singing in Quechua, rather than Spanish. The main ingredient was not to please the audiences that kept growing but rather to use her music as an expression of rebellion against the predominance of western cultural ways over indigenous ones, as a way to show that this so far subordinated world also had a contribution to make, and as a way to build more harmonious relationships among the peoples of the world. In this quest, she authored and coauthored a number of songs for children: "Ima sarata munanki" ("What kind of corn do you want"), "Aylluman kutiripuna" ("Let us return to the community") and many others. These songs became popular with children in rural schools.[ citation needed ]
In the late 1980s, she travelled to Paris to continue her musical evolution and be taken seriously as an artist. According to Sergio Cáceres, former Bolivian ambassador to UNESCO, "Luzmilla suffered a double discrimination in Bolivia by being at the same time indigenous and a woman in a very racist and male dominated society. She created something more profound than urban folklore. Her music is a symbol for oppressed cultures." [2]
On 21 April 2006, President Evo Morales appointed Luzmila Carpio as Bolivia's ambassador to France. [1] This position lasted four years, until 31 March 2010. [2]
Yuyay Jap’ina Tapes was named one of Rolling Stone’s 10 best Latin albums of 2015 and referred to Carpio as being "possibly the most prolific indigenous artist in South America". [4] [5]
In 2015, ZZK Records remixed her music to create the album Luzmila Carpio meets ZZK that received critical acclaim and was described as "futuristic shamanism" by Vice and as "a condensation of tradition and futurism, of past and contemporary, of organic sounds and digital rhythms" by RFI. [5] [6]
She has released more than 25 albums and composed more than 120 songs. [7] [ citation needed ] Her albums include: [3]
Luzmila Carpio has been awarded Grand Officer of the Order of Merit of the French Republic (Grande Officier de l'Ordre National du Mérite), on June 14, 2011. [3]
The charango is a small Andean stringed instrument of the lute family, from the Quechua and Aymara populations in the territory of the Altiplano in post-Colonial times, after European stringed instruments were introduced by the Spanish during colonialization. The instrument is widespread throughout the Andean regions of Bolivia, Peru, Ecuador, northern Chile and northwestern Argentina, where it is a popular musical instrument that exists in many variant forms.
Andean music is a group of styles of music from the Andes region in South America.
The music of Bolivia has a long history. Out of all the Andean countries, Bolivia remains perhaps the most culturally linked to the indigenous peoples.
Ana Lila Downs Sánchez is a Mexican singer-songwriter. She performs her own compositions and the works of others in multiple genres, as well as tapping into Mexican traditional and popular music. She also incorporates indigenous Mexican influences and has recorded songs in many indigenous languages such as Mixtec, Zapotec, Mayan, Nahuatl and Purépecha. Born and raised in Oaxaca, she primarily studied at the Institute of Arts by Oaxaca and briefly attended the University of Minnesota, before withdrawing to focus on her musical career. She soon began performing in the traditional music scene of Oaxaca City.
Cochabamba, from Quechua qucha or qhucha, meaning "lake", pampa meaning "plain", is one of the nine departments of Bolivia. It is known to be the "granary" of the country because of its variety of agricultural products from its geographical position. It has an area of 55,631 km2. Its population in the 2012 census was 1,758,143. Its capital is the city of Cochabamba, known as the "City of Eternal Spring" and "The Garden City" because of its spring-like temperatures all year.
Oruro is a department of Bolivia, with an area of 53,588 km2 (20,690 sq mi). Its capital is the city of Oruro. According to the 2012 census, the Oruro department had a population of 494,178.
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Huayno is a genre of popular Andean music and dance. It is especially common in Peru, Western Bolivia, Northern Argentina and Northern Chile, and is practiced by a variety of ethnic groups, especially the Quechua people. The history of Huayno dates back to colonial Peru as a combination of traditional rural folk music and popular urban dance music. High-pitched vocals are accompanied by a variety of instruments, including quena (flute), harp, siku (panpipe), accordion, saxophone, charango, lute, violin, guitar, and mandolin. Some elements of huayno originate in the music of the pre-Columbian Andes, especially on the territory of the former Inca Empire. Huayno utilizes a distinctive rhythm in which the first beat is stressed and followed by two short beats.
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Quechua people or Quichua people may refer to any of the indigenous peoples of South America who speak the Quechua languages, which originated among the Indigenous people of Peru. Although most Quechua speakers are native to Peru, there are some significant populations in Ecuador, Bolivia, Chile, Colombia, and Argentina.
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Tapacarí is a province in the Cochabamba Department, Bolivia. Its capital is Tapacarí. The province is located at a turnoff from the major highway that links Cochabamba and Oruro. It has traditionally been amongst the poorest in the department. Tapacarí Province and neighboring Arque Province are the two poorest of the 16 provinces that make up the department of Cochabamba.
Teresa Carpio is a Hong Kong English- and Cantonese-language pop singer, actress, and singing teacher. Carpio was popular in Hong Kong during the 1970s and 1980s. She is the paternal cousin of actress and singer Rita Carpio, and also the mother of actress and singer T.V. Carpio. She is most well known for her Cantonese-language hits, 假如 (If), 仍然記得嗰一次, 眉頭不再猛皺 (Sukiyaki), 何必放棄 and 真愛.
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The National Council of Ayllus and Markas of Qullasuyu is a confederation of traditional governing bodies of Quechua-, Aymara- and Uru-speaking highland indigenous communities in the departments of La Paz, Oruro, Potosí, Cochabamba, Chuquisaca and Tarija, Bolivia. Specifically, it represents the following 16 suyus: Jacha Carangas, Jatun Quillacas, Asamajaquis, Charcas Qara Qara, Council of Ayllus of Potosí, Qara Qara Suyu, Sora, Kallawaya, Leco, Larecaja, Colla, Chui, Paca Jake, Ayllus of Cochabamba, Kapaj Omasuyus and Yapacaní. CONAMAQ was founded on March 22, 1997, with the purpose of restoring the self-governance of "original nations" including "collective rights to land and natural resources, re-definition of administrative units and self-determination exercised through indigenous autonomies and direct representation in state institutions." CONAMAQ is a member of the National Coordination for Change, and of the Andean Coordination of Indigenous Organizations. It was a member of the Pact of Unity in Bolivia from its founding until December 2011.
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There are several boundary conflicts between the departments of Oruro and Potosí in Bolivia, resulting from inaccurate mapping and conflicts between neighboring communities across the interdepartmental boundary.
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