Lyle Chan

Last updated

Lyle Chan is an Australian composer, known for his unique approach of writing cumulative works with only one work per genre. His AIDS Memoir Quartet chronicles his years years as an HIV/AIDS activist at the height of the epidemic in Australia. John Cage was a major influence on his work, and he is regarded as an authority on the musician.

Contents

Early life and education

Lyle Chan received a Bachelor of Physics from the University of Wisconsin, Madison. He studied music with Conrad Pope, J. Peter Burkholder and the Pro Arte String Quartet. He was Artists & Repertoire Manager for the Australian record label ABC Classics for over ten years. [1]

Musical influences

Chan has acknowledged John Cage and Morton Feldman among his primary musical influences [2] and is himself acknowledged as an authority on Cage. For the composer's centenary in 2012 he was invited by the John Cage Trust and the Sydney Opera House to deliver a lecture in that landmark building on Cage's seminal "silent" piece 4′33″. [3] [4] [5] Timed to last 43 minutes and 30 seconds, the lecture was called "probing" by Limelight magazine. [6] "It took four years for Cage to write the piece, to master the courage and rationale behind it", he said. [7]

Works

Chan has described his music as a diary or memoir, particularly of emotions, and writes cumulative works with only one work per genre. These cumulative compositions have highly abstract titles such as Orchestra with Solo Instruments and Solo Piano, but each is made up of self-contained sections with more descriptive titles.[ citation needed ] His most autobiographical works are Solo Piano and String Quartet.[ citation needed ]

He has called it "a perpetual work in progress", saying "as an artist, you create one work, which is the work defined by the life that you lead and the experiences that you have". [8] "The music were my diaries, a way of writing down feelings. As a composer I think of music as the sound that feelings make." [9]

Four such sections have received high-profile media coverage: Wind Farm Music (Dedicated to Tony Abbott) [10] , Rendezvous With Destiny, [11] AIDS Memoir Quartet [12] and Serenade for Tenor, Saxophone and Orchestra. [13]

Solo Piano

Very few sections of Solo Piano have been publicly released, the major exception being Forever #1, a one-minute piece written for the second anniversary of the 9/11 terrorist attacks in the USA. It is purposely similar to the one minute of silence observed at commemoration ceremonies. [14] [15] [16]

His website contains memoir essays on several other sections of Solo Piano, such as Untitled (for Steve), Wisconsin Cowboy Lullaby and Nachtstück, none of which he has allowed to be publicly performed so far. [17]

String Quartet

Several sections of String Quartet have been publicly released, notably the sections covering the years 1991 to 1996, known as the AIDS Memoir Quartet. Other sections include Liberty and the Pursuit, [18] a tribute to his teachers the Pro Arte Quartet, and Farwell My Good I Forever, [19] and Untitled (Thomas Brand gewidmet). [20]

AIDS Memoir Quartet

AIDS Memoir Quartet chronicles Chan's six years as an AIDS activist at the height of the epidemic in Australia, including importing experimental medications from Los Angeles to Sydney. [12] [21] The work has been exclusively performed by the Acacia Quartet.

Voices and Instruments

Voices and Instruments is a diverse work employing any combination of voices (solo or choral) and instruments (chamber, orchestral or electronic). Though less obviously autobiographical than String Quartet or Solo Piano, it does contain sections inspired by events within his direct experience, such as the Lindt Cafe hostage crisis of 2014, or discovering that Benjamin Britten's first love Wulff Scherchen was alive and living in Australia.

Several sections have been released: "Wachsein ist andersvo (Awakening is elsewhere)", [22] Rendezvous With Destiny, [11] [23] [24] [25] "Dass ich dich schau ewiglich" (That I may see you eternally),, [26] [27] Love Is Always Born (December) [28] [29] and Serenade for Tenor, Saxophone and Orchestra ("My Dear Benjamin"). [30] [31]

Serenade for Tenor, Saxophone and Orchestra ("My Dear Benjamin")

This orchestral song cycle is based on letters between Benjamin Britten and Wulff Scherchen.

Chan decided to write the work when he discovered that Scherchen was still alive and went to meet the 95-year-old who was living in northern New South Wales, Australia. [30]

It was awarded the Orchestral Work of the Year prize at the 2017 Art Music Awards. [32] [33]

Recognition

In particular the AIDS Memoir Quartet has been recognised for its significance both as a work of art and as a historical document. Limelight magazine described it as "A crushingly powerful work of musical history... A towering piece". [34] Award-winning American composer John Corigliano wrote that it is "a very ambitious work born out of a seemingly endless plague. Its composer has taken his experiences of living through the enormous tragedy of AIDS and from them has molded a serious and deeply felt work of art." [35]

Since 2013, Chan's personal website has been selected for ongoing preservation by the National Library of Australia on its PANDORA archive, recognising his contribution to culture and history. [36]

Chan's works have been programmed by the major arts organisations in Australia such as the Sydney Philharmonia Choir, the Song Company, Queensland Symphony Orchestra, Tasmanian Symphony Orchestra, Camerata of St John's, Brisbane Festival, National Gallery of Victoria, Art Gallery of NSW, Sydney Opera House, Australian Broadcasting Corporation, and others.[ citation needed ]

Chan is especially highly regarded for his chamber music, which has been performed by pianists Simon Tedeschi and Benjamin Martin, and groups such as Australia Piano Quartet, Australian Art Quartet, Seraphim Trio, New Sydney Wind Quintet, and Acacia Quartet.[ citation needed ]

Related Research Articles

<span class="mw-page-title-main">Peter Sculthorpe</span> Australian composer (1929–2014)

Peter Joshua Sculthorpe was an Australian composer. Much of his music resulted from an interest in the music of countries neighboring Australia as well as from the impulse to bring together aspects of Aboriginal Australian music with that of the heritage of the West. He was known primarily for his orchestral and chamber music, such as Kakadu (1988) and Earth Cry (1986), which evoke the sounds and feeling of the Australian bushland and outback. He also wrote 18 string quartets, using unusual timbral effects, works for piano, and two operas. He stated that he wanted his music to make people feel better and happier for having listened to it. He typically avoided the dense, atonal techniques of many of his contemporary composers. His work was often distinguished by its distinctive use of percussion.

Carl Edward Vine, is an Australian composer of contemporary classical music.

<span class="mw-page-title-main">Ross Edwards (composer)</span> Australian composer

Ross Edwards is an Australian composer of a wide variety of music including orchestral and chamber music, choral music, children's music, opera and film music. His distinctive sound world reflects his interest in deep ecology and his belief in the need to reconnect music with elemental forces, as well as restore its traditional association with ritual and dance. He also recognises the profound importance of music as an agent of healing. His music, universal in that it is concerned with age-old mysteries surrounding humanity, is at the same time connected to its roots in Australia, whose cultural diversity it celebrates, and from whose natural environment it draws inspiration, especially birdsong and the mysterious patterns and drones of insects. As a composer living and working on the Pacific Rim, he is aware of the exciting potential of this vast region.

Brett Dean is an Australian composer, violist and conductor.

Matthew John Hindson AM is an Australian composer.

Stephen Whittington is an Australian composer, pianist, teacher and writer of music.

<span class="mw-page-title-main">Don Kay (composer)</span> Australian classical composer (born 1933)

Donald Henry Kay AM is an Australian classical composer.

<span class="mw-page-title-main">Colin Brumby</span> Australian composer and conductor

Colin James Brumby was an Australian composer and conductor.

Philip Bračanin is an Australian composer and musicologist.

Daniel Rojas is a Chilean-born Australian pianist and composer. Rojas' work as a composer and improviser draws upon indigenous, folk, popular and classical Latin American traditions.

James Ledger is an Australian composer of contemporary classical music, and senior lecturer in composition at the Conservatorium of Music at the University of Western Australia, where he is chair of orchestral composition.

The Acacia Quartet is a string quartet based in Australia. It was founded in 2010 by violinists Lisa Stewart and Myee Clohessy, violist Stefan Duwe, and cellist Anna Martin-Scrase. Stewart and Clohessy both play A. E Smith violins. The quartet were artists-in-residence at the radio station Fine Music 102.5 from 2014 to 2016. They made their international debut performing the 2-hour long AIDS Memoir Quartet of Lyle Chan in Vancouver, Canada and then travelled to Berlin to perform and record several string quartets by the Nazi-banned late German composer Günter Raphael. Their discography demonstrates their longstanding collaborations with Australian composers Lyle Chan, Elena Kats-Chernin. and Moya Henderson. Jane Sheldon recorded with the quartet.

String Quartet: An AIDS Activist's Memoir in Music, commonly abbreviated to AIDS Memoir Quartet, is a musical composition by composer Lyle Chan which premiered in 2014. The work has been exclusively performed by the Acacia Quartet.

Serenade for Tenor, Saxophone and Orchestra is a musical composition by Lyle Chan.

Mark Isaacs is an Australian classical and jazz composer and pianist.

Chris Hung is a Hong Kong composer and teacher.

Katy Abbott is an Australian composer. Abbott writes music for orchestra, chamber ensemble and voice. Her work reflects her interests in contemporary Australian cultures and often explores notions of home, place, humour and connection.

<span class="mw-page-title-main">Stuart Greenbaum</span> Musical artist

Stuart Greenbaum is an Australian composer and professor of music composition at the University of Melbourne. He is currently the Head of Composition at the Melbourne Conservatorium of Music.

Claire Olivia Edwardes is an Australian classical percussionist, artistic director, composer and advocate for change in the classical music sector. Edwardes is the co-founder and artistic director of Ensemble Offspring, roles she shared with composer Damien Ricketson until his retirement from the group in 2015. In 2016, she won two APRA Art Music Awards, with one going to Ensemble Offspring for "sustained services to Australian music for 20 years", and Edwardes receiving an individual award "for performance, advocacy and artistic leadership”. She is the only Australian to have won the Luminary Art Music Award for an Individual 3 times. In 2019, Edwardes created and performed the music and dance theatre work RECITAL with dancer Richard Cilli and director Gideon Obarzanek for Dance Massive 2019. Edwardes composed the music and sound design for RECITAL in collaboration with Paul Mac. In 2011 and 2017, Edwardes was a member of the Australian World Orchestra. In 2015-216, Edwardes was the Vice President of the New Music Network. Edwardes has appeared on television as an occasional host of Play School, and as a panelist on Spicks and Specks. In 2021, Edwardes created The Australian Marimba Composition Kit and a comprehensive list of percussion works by female composers. Additionally, Edwardes has composed numerous works for solo waterphone. She is currently on staff as a percussion teacher at the Sydney Conservatorium of Music.

Vincent Plush is an Australian composer. He studied at the University of Adelaide under the composer Richard Meale and founded the Seymour Group in 1976. He has taught at the NSW State Conservatorium of Music and worked for the Australian Broadcasting Corporation. Plush was awarded a Harkness Fellowship and spent time at Yale University researching American composers. He writes about classical music for The Australian newspaper and has contributed to Limelight magazine. Baker’s Biographical Dictionary of Musicians describes Plush as a "remarkable Australian composer".

References

  1. "Lyle Chan". Australian Music Centre . Retrieved 12 March 2017.
  2. "Lyle Chan speaks to classikON about his musical influences". classikON. Retrieved 12 March 2017.
  3. John Cage Centenary Celebration (printed program for events 2 & 3 November 2012). Sydney Opera House. 2012.
  4. "Cage Centenary Program_FINAL" . Retrieved 12 March 2017 via Scribd.
  5. "100 years of John Cage – Classic Melbourne". Classic Melbourne. 5 September 2012. Retrieved 12 March 2017.
  6. "Live Review: John Cage Festival – Bang On A Can". Limelight . Retrieved 12 March 2017.
  7. "The Composers: John Cage Centenary Celebration". Megaphone Oz. Retrieved 16 March 2017.
  8. "Queer Arts Festival composers venture into the perpetual and the textual". Georgia Straight Vancouver's News & Entertainment Weekly. 22 June 2016. Retrieved 12 March 2017.
  9. "ABC Classic FM – Australian Music – String Quartet: An AIDS Activist's Memoir". ABC Classic FM. Retrieved 12 March 2017.
  10. Daley, Mick (19 August 2015). "Julian Burnside commissions classical ode to wind farms as rebuke to Tony Abbott". The Sydney Morning Herald. Retrieved 12 March 2017.
  11. 1 2 Burke, Kelly (2 April 2011). "I've got you, Abe … Carr channels his inner Lincoln". The Sydney Morning Herald. Retrieved 12 March 2017.
  12. 1 2 Westwood, Matthew (4 September 2014). "Composer Lyle Chan's musical reflections on an epidemic". The Australian.
  13. "Britten's letters with a teenage muse become a new song cycle". Limelight . Retrieved 12 March 2017.
  14. "Forever No. 1 : from 'Solo Piano' by Lyle Chan : Work : Australian Music Centre". australianmusiccentre.com.au. Retrieved 12 March 2017.
  15. Koehne, James (2004). Liner notes to Eternity: The Timeless Music of Australian Composers (sound recording) (PDF). Australian Broadcasting Corporation. p. 9.
  16. "Forever No. 1 and Forever No. 13 from Solo Piano". Lyle Chan. 31 August 2010. Retrieved 12 March 2017.
  17. "solo piano". Lyle Chan. Retrieved 12 March 2017.
  18. Lyle Chan (8 March 2012), Liberty & The Pursuit by Lyle Chan – All Souls Church, Leichhardt , retrieved 12 March 2017
  19. "Farwell My Good I. Forever : (excerpt from String Quartet) by Lyle Chan : Work : Australian Music Centre". australianmusiccentre.com.au. Retrieved 12 March 2017.
  20. "Untitled (2005, Thomas Brand gewidmet) : string quartet by Lyle Chan : Work : Australian Music Centre". australianmusiccentre.com.au. Retrieved 12 March 2017.
  21. Carnegie, Joel (25 July 2014). "AIDS activist's musical memoir a triumph". The Age. Retrieved 12 March 2017.
  22. ""Wachsein ist andersvo" from Voices and Instruments". Lyle Chan. 2 November 2010. Retrieved 12 March 2017.
  23. "Resonate 2011 :: Art Gallery NSW". artgallery.nsw.gov.au. Retrieved 12 March 2017.
  24. "Last Night's Rendezvous with Destiny". Thoughtlines with Bob Carr. 4 April 2011. Retrieved 12 March 2017.
  25. "Another Rendezvous with Destiny". Thoughtlines with Bob Carr. 20 September 2011. Retrieved 12 March 2017.
  26. Architecture of Sound (program book for concerts 24–25 August 2013) (PDF). Sydney Philharmonia Choirs.
  27. "Sydney Conservatorium of Music Chamber Choir". music.sydney.edu.au. Retrieved 12 March 2017.
  28. McCallum, Peter. "The Song Company review: All Leunig Song Almanac brings cartoon whimsy to life". The Sydney Morning Herald. Retrieved 12 March 2017.
  29. Wilson, Janet (2 November 2015). "The All-Leunig Song Almanac: 12 composers on 12 months". The Canberra Times. Retrieved 12 March 2017.
  30. 1 2 "My Dear Benjamin | Queensland Symphony Orchestra". qso.com.au. Retrieved 12 March 2017.
  31. "My Dear Benjamin". Brisbane Festival 2015. Retrieved 12 March 2017.
  32. AMCOS, APRA. "2017 Art Music Awards". apraamcos.com.au. Retrieved 4 October 2017.
  33. "2017 Art Music Awards: winners : News (AMC) Article : Australian Music Centre". australianmusiccentre.com.au. Retrieved 4 October 2017.
  34. "Review: Blackwattle Trio (Bellingen Music Festival)". Limelight . Retrieved 12 March 2017.
  35. "String Quartet: An AIDS Activist's Memoir". vexations840.com. Retrieved 12 March 2017.
  36. "Lyle Chan". PANDORA, Australia's Web Archive via Trove.