Lyubov Lvovna Streicher (3 March 1888 - 31 March 1958) [1] was a Russian composer, [2] teacher, and violinist, as well as a founding member of the Society for Jewish Folk Music. [3]
Streicher was born in Vladikavkaz. [4] She graduated from the St. Petersburg Conservatory, [5] where she studied with Leopold Auer, [6] Mikhail Gnessin, [7] Anatoly Lyadov, and Maximilian Steinberg. [8] In 1908, [9] she joined Gnessin and Lazare Saminsky as founding members of the Society for Jewish Folk Music in St. Petersburg. The Society was part of the Jewish art music movement. It promoted Jewish folk music through research, composition, performance, and publishing. Branches of the Society were established in several Russian cities, and it remained active through 1919. [10]
At least one of Streicher’s compositions, “A Simple Soviet Man,” was recorded commercially by pianist Maria Yudina in 1937. [11] Streicher’s compositions included:
Noch Fialki [8]
Armenian String Quartet [8]
Improvisation (cello and piano) [8]
Sonata (cello and piano) [8]
String Quartet [8]
Suite (string quartet) [8]
Suite on Folk Themes of the Peoples of the Soviet Union (string quartet) [8]
Chasi (for children; text by Elizaveta Polonskaya) [8]
Jewish Poem [8]
Zhenshchina Vostoka (chorus and orchestra; text by Elizaveta Polonskaya) [8]
Six Pieces [8]
Sonata [8]
Twelve Children’s Pieces on Folk Themes of the USSR [8]
“A Simple Soviet Man” (with Sergey Germanov; lyrics by Vasily Lebedev-Kumach ) [11]
“Klyatva” (text by Elizaveta Polonskaya) [8]
Romances (text by Fyodor Tyuchev and Paul Verlaine) [8]
Seven Poems from Eugene Onegin (text by Alexander Pushkin) [8]
“Shir Hashirim” [12]
Ten Jewish Work Songs [8]
“Ya Lesom Shia” [8]
The Song of Songs, also Song of Solomon, Canticle of Canticles, or Canticles, is one of the megillot (scrolls) found in the last section of the Tanakh, known as the Ketuvim. It is unique within the Hebrew Bible: it shows no interest in Law or Covenant or the God of Israel, nor does it teach or explore wisdom like Proverbs or Ecclesiastes ; instead, it celebrates sexual love, giving "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy". The two are in harmony, each desiring the other and rejoicing in sexual intimacy. The women of Jerusalem form a chorus to the lovers, functioning as an audience whose participation in the lovers' erotic encounters facilitates the participation of the reader. Scholars differ on when it was written, with estimates ranging from the 10th to 2nd century BCE, with an analysis of the language used suggesting the 3rd century BCE.
Miriam Gideon was an American composer.
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