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Andreas Hammerschmidt was a German Bohemian composer and organist of the early to middle Baroque era. He was one of the most significant and popular composers of sacred music in Germany in the middle 17th century. He was nicknamed the "Orpheus of Zittau".
Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. In English, it is translated as "Make a joyful noise unto the Lord, all ye lands" in the King James Version (KJV), and as "O be joyful in the Lord, all ye lands" in the Book of Common Prayer (BCP). Its Hebrew name is מִזְמוֹר לְתוֹדָה, 'Mizmor l'Todah' and it is subtitled a "Psalm of gratitude confession". In the slightly different numbering system in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 99. In the Vulgate, it begins Jubilate Deo, or Jubilate, which also became the title of the BCP version.
Psalm 149 is the 149th psalm of the Book of Psalms, a hymn as the book's penultimate piece. The first verse of the psalm calls to praise in singing, in English in the King James Version: "Sing a new song unto the Lord". Similar to Psalm 96 and Psalm 98, Psalm 149 calls to praise God in music and dance, because he has chosen his people and helped them to victory. Psalm 149 is also marked by its martial tone: it calls on the people to be ready to fight.
Psalm 150 is the 150th and final psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD. Praise God in his sanctuary". In Latin, it is known as "Laudate Dominum in sanctis eius". In Psalm 150, the psalmist urges the congregation to praise God with music and dancing, naming nine types of musical instruments.
Psalm 2 is the second psalm of the Book of Psalms, beginning in English in the King James Version: "Why do the heathen rage". In Latin, it is known as "Quare fremuerunt gentes". Psalm 2 does not identify its author with a superscription, but Acts 4:24–26 in the New Testament attributes it to David. According to the Talmud, Psalm 2 is a continuation of Psalm 1.
Psalm 93 is the 93rd psalm of the Book of Psalms, beginning in English in the King James Version: "The LORD reigneth, he is clothed with majesty". The Latin wording is Dominus regnavit, decorem indutus est. The Book of Psalms is part of the Hebrew Bible and the Christian Old Testament. In the slightly different numbering system of the Greek Septuagint and Latin Vulgate versions of the Bible, this psalm is Psalm 92. It is the first of a series of psalms which are called royal psalms as they praise God as King.
Psalm 24 is the 24th psalm of the Book of Psalms, beginning in English in the King James Version: "The earth is the LORD's, and the fulness thereof". In the slightly different numbering system used in the Greek Septuagint version of the Bible and the Latin Vulgate, this psalm is Psalm 23. In Latin, it is known as "Domini est terra et plenitudo eius orbis terrarum". The psalm is marked as a Psalm of David.
Psalm 4 is the fourth psalm of the Book of Psalms, beginning in the English of the King James Version: "Hear me when I call, O God of my righteousness". In Latin, it is known as "Cum invocarem". The psalm is traditionally attributed to David, but his authorship is not accepted by modern scholars. The message in the psalm is that the victories of sinners are only temporary, and that only repentance can bring joy.
Psalm 6 is the sixth psalm of the Book of Psalms, beginning in English in the King James Version: "O LORD, rebuke me not in thine anger, neither chasten me in thy hot displeasure". In Latin, it is known as "Domine ne in furore tuo arguas me". This penitential psalm is traditionally attributed to David.
Psalm 29 is the 29th psalm of the Book of Psalms, beginning in English in the King James Version: "Give unto the LORD, O ye mighty, give unto the LORD glory and strength". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 28. In Latin, it is known as "Adferte Domino filii Dei". The psalm is attributed to David. It is a hymn, describing the advent of Yahweh in a storm.
Psalm 134 is the 134th psalm from the Book of Psalms, a part of the Hebrew Bible and the Christian Old Testament, beginning in English in the King James Version: "Behold, bless ye the LORD, all ye servants of the LORD". Its Latin title is "Ecce nunc benedicite Dominum". It is the last of the fifteen Songs of Ascents, and one of the three Songs of Ascents consisting of only three verses. The New King James Version entitles this psalm "Praising the Lord in His House at Night".
Psalm 96 is the 96th psalm of the Book of Psalms, a hymn. The first verse of the psalm calls to praise in singing, in English in the King James Version: "O sing a new song unto the Lord". Similar to Psalm 98 and Psalm 149, the psalm calls to praise God in music and dance, because he has chosen his people and helped them to victory. It is one of the royal psalms praising God as the King of His people.
Psalm 97 is the 97th psalm of the Book of Psalms, beginning in the English of the King James Version: "The Lord reigneth; let the earth rejoice", also as "The Lord is King". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin, it is known as "Dominus regnavit exultet terra". The psalm is a hymn psalm; the Jerusalem Bible calls it an "eschatological hymn".
Psalm 106 is the 106th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD. O give thanks unto the LORD; for he is good". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 105. In Latin, it is known by the incipit, "Confitemini Domino quoniam bonus". Alexander Kirkpatrick observes that the two historical psalms, Psalms 105 and 106, are closely related. Psalm 105 gives thanks for God's faithfulness to the covenant he made with Abraham; Psalm 106 is a psalm of penitence, reciting the history of Israel's faithlessness and disobedience. He also notes that this psalm and Psalm 107 "are closely connected together", arguing that "the division of the fourth and fifth books does not correspond to any difference of source or character, as is the case in the other books".
Psalm 115 is the 115th psalm of the Book of Psalms, beginning in English in the King James Version: "Not unto us, O LORD, not unto us, but unto thy name give glory". It is part of the Egyptian Hallel sequence in the fifth division of the Book of Psalms.
Psalm 113 is the 113th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the Lord, O ye servants of the Lord". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin, it is known as 'Laudate pueri Dominum".
"Macht hoch die Tür" is a popular German Advent hymn, written in 17th century Ducal Prussia. The lyrics were written by Georg Weissel in 1623 for the inauguration of the Altroßgärter Kirche in Königsberg. The melody that is now associated with the text appeared first in 1704 in the hymnal by Johann Anastasius Freylinghausen.
Jauchzet dem Herrn, alle Welt, WoO. 28, is an anthem for choir a cappella, a setting of Psalm 100 in German composed by Felix Mendelssohn in 1844. It was published in 1855 after the composer's death. It is the most popular setting of Psalm 100 by Mendelssohn, who also wrote a four-part motet in Latin, "Jubilate Deo", as part of Three Motets, Op. 69, in 1847 for use in the Church of England, which adds a doxology to the psalm text. He set the psalm again, but with paraphrased text by Ambrosius Lobwasser, "Ihr Völker auf der Erde all", as part of Sieben Psalmen, harmonising melodies from the Genevan Psalter.
Hammerschmidt is a German surname. It may also refer to:
Drei Motetten, Op. 39, is a collection of three sacred motets for women's voices and organ by Felix Mendelssohn. Composed in 1830 for different liturgical occasions and in different scoring, they were published together in 1838.
References
- 1 2 Hammerschmidt, Andreas (2008). Machet die Tore weit (PDF). Diocese of Cologne . Retrieved 23 December 2018.
- ↑ Veen, Johan van (2012). "Machet die Tore weit". musicweb-international.com. Retrieved 23 December 2018.
- ↑ "Jochen M. Arnold / Gli Scarlattisti / Andreas Hammerschmidt: Machet die Tore weit". AllMusic . 2012. Retrieved 23 December 2018.
