 | |
| Editor | Fausto Fasulo |
|---|---|
| Categories | Film |
| Frequency | 11 issues a year |
| Founded | 1972 |
| Company | Custom Publishing |
| Country | France |
| Based in | Paris, France |
| Language | French |
| Website | mad-movies |
| ISSN | 0338-6791 |
Mad Movies is a French magazine created in 1972 by Jean-Pierre Putters, dedicated to fantastic and science-fiction cinema. [1]
Mad Movies started as a fanzine and put out 21 issues between 1972 and 1981. [1]
In 1979, Putters opened Movies 2000, a film bookstore that became a hotspot for Paris' horror fandom and fanzine trading community. [2]
From number 22 (February 1982), Mad Movies became a quarterly newsstand publication. [1] That first widely distributed issue featured a cover story about Italian director Lucio Fulci, which coined the term "Poet of the Macabre" (French : Poête du macabre), an Edgar Allan Poe-inspired nickname that has become one of the director's signatures. [3] [4]
The magazine became bimonthly in 1984. [5] Between 1986 and 2001, it was published alternately with a spinoff called Impact. [5] In 2001, following the sale of both magazines by Putters, new ownership merged Impact into Mad Movies, the latter thus becoming a monthly title. [5]
Impact was a bimonthly spinoff of Mad Movies, with a focus on action films and the more action-oriented fantastic films. Its first run lasted from January 1986 to January 2001. [6]
The title was reintroduced in January 2009, [6] first as a booklet bundled monthly with Mad Movies, [7] then as a standalone bimonthly akin to its original incarnation. [8] It was discontinued again after the October 2011 issue. [8] Following Impact's demise, some Mad Movies special issues devoted to the action genre have been branded as Collection Impact. [9]
The magazine published another bimonthly spinoff dedicated to Asian cinema, called Mad Asia, which ran between 2005 and 2007. [10]
Following his departure from Mad Movies, Jean-Pierre Putters co-founded Metaluna. The Metaluna brand, which took its name from a fictional planet in This Island Earth , encompassed a short-lived magazine dedicated to b-movies, [11] a film production house active between 2007 and 2017, [12] as well as a store (which replaced Movies 2000). [2]
Among Metaluna's productions was Among The Living [13] from directors Julien Maury and Alexandre Bustillo, the latter a former Mad Movies writer. [14] As of 2021, the store still exists under different ownership. [15]
In the 1980s, Mad Movies organized an 8mm film festival, held at various Parisian theaters. [16]
Between 2003 and 2013, the magazine sponsored a special Mad Movies prize at the Neuchatel International Fantastic Film Festival. At its inception, it was part of the festival's Asian cinema competition. Later worldwide films became eligible. [17]
Mad Movies has been a founding partner of the Paris International Fantastic Film Festival (PIFFF), established in 2011. [18]
French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia.
Jean-Luc Godard was a Franco-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
Lucio Fulci was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and spaghetti Westerns, he garnered an international cult following for his giallo and horror films.
A literary genre and mode characterized by the intrusion of supernatural elements into the realistic framework of a story, accompanied by uncertainty about their existence.
The Deauville American Film Festival is a yearly film festival devoted to American cinema, which has taken place since 1975 in Deauville, France.
Fantasporto, also known as Fantas, is an international film festival, annually organized since 1981 in Porto, Portugal. Giving screen space to fantasy/science fiction/horror-oriented commercial feature films, auteur films and experimental projects from all over the world, Fantasporto has created enthusiastic audiences, ranging from cinephiles to more popular spectators, with an annual average of 110,000 attendees. It was rated in Variety as one of the 25 leading festivals of the world. In its 27th edition in February 2006 the festival reached 104,000 people and 5,000 media references, both domestic and international, with a record of 187 hours of TV time. Present in Porto were about 100 members of the foreign press and about 250 Portuguese journalists and media representatives.
Avoriaz is a French mountain resort in the heart of the Portes du Soleil. It is located in the territory of the commune of Morzine. It is easily accessible from either Thonon at Lake Geneva or Cluses station on the A40 motorway between Geneva and Chamonix. Either way one follows the D902, Route des Grandes Alpes, to Morzine and then the D338 running from Morzine to Avoriaz. Snow chains are often necessary. Avoriaz is built on a shelf high above the town of Morzine, which is among the pioneering towns of skiing with its first lifts dating back to the early 1930s. Today Avoriaz is one of the major French ski destinations catering for all standards of skiing and ranks among the top snowboarding destinations of the world. Apart from snow-based pursuits, Avoriaz is also a centre for trekking, golf, VTT and other outdoor activities during the summer. Cars are forbidden in Avoriaz. The resort is designed to be fully skiable. Other transport around the resort includes horse-drawn sleighs and snowcats during winter.
Cinephilia is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile, cinemaphile, filmophile, or, informally, a film buff. To a cinephile, a film is often not just a source of entertainment as they see films from a more critical point of view.
Catherine Jacob is a French film and theatrical actress who has won a César Award for her role in Life Is a Long Quiet River (1988), and was nominated for Best Supporting Actress in Tatie Danielle (1990), Merci la vie (1991) and Neuf mois (1994). She has been two-time president of the Lumières Award. She is known for her voice and her charisma.
La Symphonie fantastique is a 1942 French drama film by Christian-Jaque and produced by the German-controlled French film production company Continental Films. The film is based upon the life of the French composer Hector Berlioz. The title is taken from the five-movement programmatic Symphonie fantastique of 1830. The film lasts around 90 minutes and was first shown at the 'Normandie' cinema in Paris on 1 April 1942. The posters at the premiere contained the sub-title 'La Vie passionnée et glorieuse d'un génie'.
La Nuit fantastique is a 1942 French fantasy film directed by Marcel L'Herbier. It is regarded as one of the most successful films made in France during the German occupation.
Julien Maury and Alexandre Bustillo are French filmmakers who work together on their projects. They list their influences as Dario Argento, Roman Polanski, Clive Barker and John Carpenter.
Julien Magnat is a film and television screenwriter and director. He is best known for Bloody Mallory (2002) and Faces In The Crowd (2010).
The Strasbourg European Fantastic Film Festival (SEFFF), is an annual film festival held in Strasbourg, France, that focus on fantasy, science fiction and horror films. The festival takes place annually in September since 2008, it derives from the Spectre Film Festival that was created in 2005 by the organization Les Films du Spectre.
Raphaël Gesqua is a French composer, arranger and sound designer.
Reveries of a Solitary Walker, also known as Reveries of a Lonely Walker and Reveries of a Solitary Stroller, is a 2014 Italian live-action/claymation fantasy film directed by Paolo Gaudio, inspired by Reveries of a Solitary Walker by Jean-Jacques Rousseau. It was screened at the Sci-Fi-London festival, and later released in the United States by Uncork’d Entertainment. It is also available on Prime Video.
The Paris International Fantastic Film Festival (PIFFF), was created in 2011 by the Paris Ciné Fantastique association as a venue for horror, thriller and science fiction films. It takes place in Paris every year in December, and has been recently presented by television station fr:Ciné+ and Mad Movies magazine. PIFFF has prizes in both feature length and short films. The most recent festival in December 2018 showed 26 films over 8 days and attracted over 10,000 attendees, making it one of the largest film festivals in the city of Paris.
The Paris International Festival of Fantastic and Science-Fiction Film was a film festival hosted in France between 1972 and 1989. The event was affiliated with film periodical L'Écran fantastique, and chaired by its Chief Editor Alain Schlockoff.
The festival is remembered for its raucous atmosphere, which left a durable impression on a number of attending filmmakers. It was one of the founding members of the European Fantastic Film Festivals Federation in 1987.
L'Écran fantastique is a French magazine created in 1969 by Alain Schlockoff, dedicated to fantastic and science-fiction cinema.
The Avoriaz International Fantastic Film Festival was a film festival held in the French resort of Avoriaz between 1973 and 1993. It was the precursor to the current Gérardmer International Fantastic Film Festival.
Unlike many such events, the Avoriaz festival did not have grassroots origins. Organized as a vehicle for the eponymous skiing resort, it intended to promote the genre and its host town to a mainstream audience, with a level of glamour typically associated with more accepted film genres. The New York Times called it "a great success, the high point of many junketing French journalists' winters" and the Financial Times wrote that its two decades of existence had turned Avoriaz into "a momentary movie mecca". In its time, the festival was hailed as the premier fantasy film event in the world, although recent assessments have ranked Sitges, which outlasted it by a considerable margin, as the genre's foremost gathering.
Collection Impact