"Madame George" | |
---|---|
Song by Van Morrison | |
from the album Astral Weeks | |
Released | November 1968 |
Recorded | 25 September 1968 |
Genre | Folk rock |
Length | 9:45 |
Label | Warner Bros. |
Songwriter(s) | Van Morrison |
Producer(s) | Lewis Merenstein |
Astral Weeks track listing | |
"Madame George" is a song by Northern Irish singer-songwriter Van Morrison. It appears on the album Astral Weeks , released in 1968. The song features Morrison performing the vocals and acoustic guitar. It also features a double bass, flute, drums, vibraphone, and a string quartet.
"Madame George" was recorded during the first Astral Weeks session that took place on 25 September 1968, at Century Sound Studios in New York City with Lewis Merenstein as producer. [1]
The main theme of the song is contentious. Some believe it is about leaving the past behind. The character of Madame George is considered by many to be a drag queen, although Morrison himself denied this in a Rolling Stone interview. [2] He later claimed that the character was based on six or seven different people: "It's like a movie, a sketch, or a short story. In fact, most of the songs on Astral Weeks are like short stories. In terms of what they mean, they're as baffling to me as to anyone else. I haven't got a clue what that song is about or who Madame George might have been." [3]
Van Morrison, speaking to biographer Ritchie Yorke about the writing and meaning of the song, said in part:
"Madame George" was recorded live. The vocal was live and the rhythm section and the flute too and the strings were the only overdub. The title of the song confuses one, I must say that. The original title was "Madame Joy" but the way I wrote it down was "Madame George". Don't ask me why I do this because I just don't know. The song is just a stream of consciousness thing, as is "Cyprus Avenue"..."Madame George" just came right out. The song is basically about a spiritual feeling. [4]
An earlier recording with slightly altered lyrics and a much swifter tempo changes the tone considerably from the Astral Weeks recording, which is downbeat and nostalgic; the earlier recording is joyous, and seems to be from the point of view of a partygoer who sees the titular character. This version surfaced on the 1973 release T.B. Sheets , which compiled unreleased recordings Morrison had made for Bang Records in 1967.
This song contains a number of references to places and events in Van Morrison's native Belfast: Cyprus Avenue (also the title of another song on Astral Weeks) is a tree lined, up-market residential street in east Belfast; "throwing pennies at the bridges down below" was a practice of Northern Irish Unionists as they travelled on the train from Dublin to Belfast where the train crossed the River Boyne (site of the Battle of the Boyne, 1690); the train from Dublin arrived in Belfast at one end of Sandy Row, a working class staunchly Unionist/Protestant street and neighbourhood. Fitzroy may be a reference to Fitzroy Avenue, a narrow residential street in Belfast between the Ormeau Road and Rugby Road.
Comedian Frankie Boyle suggested it was a song about Van Morrison's mother in a video on Instagram. This is suggested by the line "With a childlike vision leaping into view Clicking, clacking of the high heeled shoe." Boyle suggests this is a child walking behind his mother down the street. This, according to Boyle is why Van Morrison is so miserable, as no one understands what he is saying.
The rock journalist Lester Bangs wrote in 1979 that the song "is the album's whirlpool. Possibly one of the most compassionate pieces of music ever made, it asks us, no, arranges that we see the plight of what I'll be brutal and call a lovelorn drag queen with such intense empathy that when the singer hurts him, we do too." Bangs also remarks that "Morrison has said in at least one interview that the song has nothing to do with any kind of transvestite – at least as far as he knows, he is quick to add – but that's bullshit." [5] Indeed, the lyrics contain the lines "In the corner playing dominoes in drag/The one and only Madame George".
Artist Mark Wallinger said of "Madame George": "The sense of desire and loss expressed in this song is so sad because it dares one to try to hear it again as if for the first time. It describes our exile from our past. Radical, allusive, heartbreaking, and the ultimate three-chord trick." [6]
In 1974, after he had recorded eight albums, Morrison told Ritchie Yorke when he asked him what he considered his finest single track and the one that he enjoyed the most that it was: "Definitely 'Madame George', definitely. I'm just starting to realize it more and more. It just seems to get at you... it just lays right in there, that whole track. The vocals and the instruments and the whole thing. I like that one." [7]
Always a favorite of rock critics, "Madame George" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and it was listed as No. 467 on the All Time 885 Greatest Songs compiled in 2004 by WXPN (88.5 FM) from listener's votes [8] and No. 356 in 2014. [9]
Madame George appears in the "Black Boys on Mopeds" lyrics of Sinéad O'Connor: "England's not the mythical land of Madame George and roses" suggesting that she is a legendary figure. David Gray pays tribute to the song on the final track of his album White Ladder , with his cover version of the Soft Cell song, "Say Hello, Wave Goodbye", which ends similarly and even borrows lyrics "Through the rain, hail, sleet and snow, say goodbye. Get on the train, the train and say goodbye". In David A. Stewart and the Spiritual Cowboy's song "Out of Reach", from the album Honest, there is a line that goes: "Madame George got played today, she almost forgot she could feel that way". Although not a direct imitation, the riff that the string quartet repeats at the end of the song is mimicked at the end of Bruce Springsteen's "Born to Run" (one of several indicators that Morrison had great influence on Springsteen), confirmed by Springsteen himself on Desert Island Discs talking to Kirsty Young. The American rock band Hat On, Drinking Wine takes their name from a lyric from the song: "He's much older now/With hat on, drinking wine."
When singer-songwriter Joan Armatrading appeared on Desert Island Discs talking to Sue Lawley on 29 January 1989, "Madame George" was selected as one of the eight records she would like to take to her desert island, and also as the one favoured record she would most want to save if the other seven were lost. [10]
Singer/songwriter Harry Styles has cited it as one of his favorite songs, and Astral Weeks as his favorite album. [11]
It is included on the soundtrack of the Steve McQueen thriller “Widows” 2018.
"Madame George" was featured on Morrison's album Astral Weeks Live at the Hollywood Bowl , released in 2009 to celebrate forty years since Astral Weeks was first released.
Sir George Ivan MorrisonOBE is a singer-songwriter and musician from Northern Ireland whose recording career spans seven decades.
"4th of July, Asbury Park (Sandy)", often known just as "Sandy", is a 1973 song by Bruce Springsteen, originally appearing as the second song on his album The Wild, the Innocent & the E Street Shuffle. It was released as a single from the album in Germany.
Moondance is the third studio album by Northern Irish singer-songwriter Van Morrison. It was released on 27 January 1970 by Warner Bros. Records. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969.
Astral Weeks is the second studio album by Northern Irish singer-songwriter Van Morrison. It was recorded at Century Sound Studios in New York during September and October 1968, and released in November of the same year by Warner Bros. Records.
"Brown Eyed Girl" is a song by Northern Irish singer and songwriter Van Morrison. Written by Morrison and recorded in March 1967 for Bang Records owner and producer Bert Berns, it was released as a single in June of the same year on the Bang label, peaking at No. 10 on the Billboard Hot 100. The song spent a total of sixteen weeks on the chart. It featured the Sweet Inspirations singing back-up vocals and is considered to be Van Morrison's signature song.
Veedon Fleece is the eighth studio album by Northern Irish singer-songwriter Van Morrison, released in October 1974. Morrison recorded the album shortly after his divorce from wife Janet (Planet) Rigsbee. With his broken marriage in the past, Morrison visited Ireland on holiday for new inspiration, arriving on 20 October 1973. While there he wrote, in less than three weeks, the songs included on the album.
His Band and the Street Choir is the fourth studio album by Northern Irish singer-songwriter Van Morrison. It was released in November 1970 by Warner Bros. Records. Originally titled Virgo's Fool, Street Choir was renamed by Warner Bros. without Morrison's consent. Recording began in early 1970 with a demo session in a small church in Woodstock, New York. Morrison booked the A&R Studios on 46th Street in New York City in the second quarter of 1970 to produce two sessions of songs that were released on His Band and the Street Choir.
Hard Nose the Highway is the seventh studio album by Northern Irish singer-songwriter Van Morrison, released in 1973. It is his first solo album since his 1967 debut Blowin' Your Mind! to contain songs not written by Morrison. A cover version of the song "Bein' Green", usually associated with Kermit the Frog, is included, as is a take of the traditional song "Purple Heather". The album also contains the single "Warm Love," a fan favourite.
"Into the Mystic" is a song written by Northern Irish singer-songwriter Van Morrison and featured on his 1970 album Moondance. It was also included on Morrison's 1974 live album, It's Too Late to Stop Now.
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.
"Cyprus Avenue" is a song written by Northern Irish singer-songwriter Van Morrison and included on his 1968 album Astral Weeks. It refers to Cyprus Avenue, a residential street in Morrison's hometown of Belfast, Northern Ireland.
"Saint Dominic's Preview" is the title song of the sixth album by Northern Irish singer-songwriter Van Morrison, released in July 1972 by Warner Bros. It was recorded at the Wally Heider Studios in San Francisco in April 1972, with overdubs made later on. Morrison wrote it in a stream of consciousness in the same vein as some of his earlier works, particularly those on Astral Weeks. The song's narrative moves from France to San Francisco, Morrison's place of residence at the time, to Belfast, where he grew up, to New York City.
"Listen to the Lion" is a song written by Northern Irish singer-songwriter Van Morrison and featured on his sixth album, Saint Dominic's Preview (1972). Its poetic musings and "bass-led shuffle" lead back to Astral Weeks territory.
"Sweet Thing" is a song by Northern Irish singer-songwriter Van Morrison, released on his second studio album Astral Weeks (1968). It was on the first side of the album, that was under the heading: In the Beginning. The song was later used in 1971 as the American B-side to Morrison's single "Blue Money".
"The Way Young Lovers Do" is a song by Northern Irish singer-songwriter Van Morrison from his second solo album, Astral Weeks. It was recorded in 1968, at Century Sound Studios New York City, during September and October of that year. The song is in triple metre. The distinctive feel of the original recording emerges from the non-rock style of double-bass phrasing by veteran jazzman Richard Davis and additional jazz musician session players, which combined with Morrison's soulful vocals, creates a relatively unusual combination of stylistic elements.
"Ballerina" is the second to last song on Astral Weeks, the 1968 album by Northern Irish singer-songwriter Van Morrison.
"Astral Weeks" is the title song and opening track on the 1968 album Astral Weeks by Northern Irish singer-songwriter Van Morrison.
"In the Garden" is a spiritually inspired song written by Northern Irish singer-songwriter Van Morrison and included on his 1986 album No Guru, No Method, No Teacher.
"Slim Slow Slider" is the closing track on the 1968 album Astral Weeks by Northern Irish singer-songwriter Van Morrison.
T.B. Sheets is a retrospective album of recordings made in 1967 by Northern Irish musician Van Morrison, released in 1973 on Bang Records. It contains songs that had appeared on Morrison's debut album, Blowin' Your Mind!, including his first hit, "Brown Eyed Girl". It also features early versions of two songs that appeared in 1968 on Morrison's acclaimed album Astral Weeks — "Beside You" and Astral Weeks' centerpiece, "Madame George".