Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
The Chiesa di San Giacomo dall'Orio is a church located in the sestiere (quarter) of Santa Croce in Venice, northern Italy.
BartolomeoMontagna was an Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's Lives as a student of Andrea Mantegna but this is widely contested by art historians.
Pietro Perugino, an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.
Carlo Crivelli was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini.
San Pietro a Majella is a church in Naples, Italy. The term may also refer to the adjacent Naples music conservatory, which occupies the premises of the monastery that used to form a single complex with the church.
The Basilica della Santissima Annunziata del Vastato is the Catholic cathedral of Genoa, northern Italy; its decoration employed the major baroque studios and artists in Genoa in the 17th century.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
The Madonna dell'Orto is a church in Venice, Italy, in the sestiere of Cannaregio. This was the home parish of Tintoretto and holds a number of his works as well as his tomb.
Giacomo Raibolini, also called Giacomo Francia or Jacopo Francia, was an Italian painter and engraver of the Renaissance period.
The San Zaccaria Altarpiece is a painting by the Italian Renaissance painter Giovanni Bellini, executed in 1505 and located in the church of San Zaccaria, Venice.
Dono Doni, also known as Adone Doni or Dono dei Doni (1505-1575) was an Italian painter of the Renaissance period active mainly in Umbria.
The Basilica of St. Sebastian is a church in Barcellona Pozzo di Gotto, Sicily, Italy, raised to the status of a minor basilica in 1991.
San Francesco is a Gothic-style, Roman Catholic church and monastery located in Matelica, province of Macerata, region of Marche, Italy.
San Michele e San Francesco is a renaissance-style, Roman Catholic parish church located in the Piazza SS Francesco e Michele in the town of Carmignano, province of Prato, region of Tuscany, Italy. It is best known for housing the Jacopo Pontormo altarpiece of the Visitation.
The Master of Staffolo was an anonymous late-Gothic style painter active in the region of Marche and Umbria.
Mystical Marriage of St Catherine and Saints is an oil-on-panel painting by Lorenzo Lotto, signed and dated 1524, now in the Collections of the Galleria Nazionale d'Arte Antica, Rome, Italy.
The Museum & Gallery, Inc. is currently located on the campus of Bob Jones University in Greenville, South Carolina. It was established in 1951, and focuses on sacred art, mainly European Old Master paintings, but also includes smaller collections of sculpture, furniture, architectural elements, textiles, Greek and Russian icons, and ancient artifacts. As of 2017, the museum is closed for a planned move to downtown Greenville, SC.
The Pesaro Altarpiece is an oil-on-panel painting by the Italian artist Giovanni Bellini, dated to some time between 1471 and 1483. It is considered one of Bellini's first mature works, though there are doubts on its dating and on who commissioned it. The work's technique is not only an early use of oils but also of blue smalt, a by-product of the glass industry. It had already been used in the Low Countries in Bouts' 1455 The Entombment, but this marked smalt's first use in Italian art, twenty years before Leonardo da Vinci used it in Ludovico il Moro's apartments in Milan in 1492. Bellini also uses the more traditional lapis lazuli and azurite for other blues in the work.
The Pisa Altarpiece was a large multi-paneled altarpiece produced by Masaccio for the chapel of Saint Julian in the church of Santa Maria del Carmine in Pisa. The chapel was owned by the notary Giuliano di Colino, who commissioned the work on February 19, 1426 for the sum of 80 florins. Payment for the work was recorded on December 26 of that year. The altarpiece was dismantled and dispersed to various collections and museums in the 18th century, but an attempted reconstruction was made possible due to a detailed description of the work by Vasari in 1568.
Catherine of Alexandria
Jerome in the desert
Nativity
Martyrdom of St Sebastian
St George and the Dragon
