Doris Magaly Ruiz Lastres (born 1941) is a Cuban musician and composer. Her compositions have been performed at a number of international music festivals.
Doris Magaly Ruiz Lastres (born 1941) is a Cuban musician and composer. Her compositions have been performed at a number of international music festivals.
Magaly Ruiz was born in Santa Clara, Cuba, in 1941. In 1981, she graduated with a degree in Composition from the Instituto Superior de Arte de La Habana, where she studied with Harold Gramatges, César Pérez Sentenat, José Ardévol, Félix Guerrero, Alfredo Diez Nieto, Dolores Torres and Roberto Valera. [1] [2]
Since then, she has worked as a Professor at the Instituto as well as at the Instituto Superior Pedagógico Enrique José Varona and the provincial school of music, Amadeo Roldán. She has worked for many years as technical advisor of the subject Harmony in the Dirección Nacional de Enseñanza Artística, and technical advisor at the Centro para la Investigación y Desarrollo de la Música Cubana.[ citation needed ]
Ruiz' curriculum is published in prestigious dictionaries such as The Grove Dictionary of Music and Musicians [3] and Diccionario Iberoamericano de la Música. Several of her compositions are included as part of the curriculum of the leading music education institutions in Cuba, among them, the Conservatorio Amadeo Roldán, the Instituto Superior de Arte de La Habana, the Instituto Superior Pedagógico Enrique José Varona and Conservatorio Alejandro Garcia Caturla. Her compositions have been performed at many festivals such as the International Musical Festival, Festival de La Habana, Festival Boleros de Oro, International Festival of Contemporary Music, the International Festival Donne in Musica in Fiuggi, Italy and the Festival Sounds of Americas, New York City, United States. She has received the First Award in the music contests Concurso "La Edad de Oro", Concurso de la Dirección Nacional de Enseñanza Artística, Concurso Amadeo Roldán and the Concurso de la "Unión Nacional de Escritores y Artistas de Cuba [4] ".
She has also been awarded several medals and honours, among them The Medalla por la Educación Cubana, Medalla al Mérito Pedagógico, Medalla José Tey, Distinción Especial of the Cuban Ministry of Education, and the Premio Anual de Composición of the Unión Nacional de Escritores y Artistas de Cuba to the total created work of a composer.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.
Danzón is the official musical genre and dance of Cuba. It is also an active musical form in Mexico and Puerto Rico. Written in 2
4 time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble.
Contradanza is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador.
Luis Advis Vitaglich was a Chilean professor of philosophy, and a noted composer of traditional and New Chilean music. He was officially recognized as a fundamental figures of Chilean music in 2003.
Roberto Sierra is a Puerto Rican composer of contemporary classical music.
Cuban folk music includes a variety of traditional folk music of Cuba, and has been influenced by the Spanish and the African culture as well as the remaining indigenous population of the Caribbean.
Antonio María Romeu Marrero was a Cuban pianist, composer and bandleader. His orchestra was Cuba's leading charanga for over thirty years, specializing in the danzón. Throughout his career he was popularly known as El Mago de las Teclas.
Alejandro López Román is a Spanish composer and pianist. Musician of eclectic style, his works cover both current symphonic composition like jazz or film music.
Luis Sandi Meneses, was a musician, teacher and composer.
Cuban culture encompasses a wide range of dance forms. The island's indigenous people performed rituals known as areíto, which included dancing, although little information is known about such ceremonies. After the colonization of Cuba by the Spanish Kingdom, European dance forms were introduced such as the French contredanse, which gave rise to the Cuban contradanza. Contradanza itself spawned a series of ballroom dances between the 19th and 20th centuries, including the danzón, mambo and cha-cha-cha. Rural dances of European origin, such as the zapateo and styles associated with punto guajiro also became established by the 19th century, and in the 20th century son became very popular. In addition, numerous dance traditions were brought by black slaves from West Africa and the Congo basin, giving rise to religious dances such as Santería, yuka and abakuá, as well as secular forms such as rumba. Many of these dance elements from European dance and religious dances were fused together to form the basis of la técnica cubana. Cuban music also contributed to the emergence of Latin dance styles in the United States, namely rhumba and salsa.
Flores Chaviano is an accomplished Cuban composer, guitarist, professor and orchestral conductor that has achieved great international recognition.
José Luis Turina is a Spanish composer, grandson of Joaquín Turina.
Efraín Amador Piñero is a Cuban guitarist, lutist, composer and professor. He has conducted extensive investigations about the “Cuban lute” and “tres” performance styles, and has created several methods of study and numerous compositions for those instruments.
Luis Manuel Molina de Varona is a Cuban musician, concert guitarist, composer, arranger, musical director, broadcaster and radio producer.
Adolfo Guzmán was a Cuban pianist, music director, arranger and composer. During his 40-year-long career he directed several important Cuban ensembles, including Orquesta Riverside and Los Modernistas, as well as prominent radio and cabaret orchestras.
Cuban Jam Sessions in Miniature is the debut album by Cuban double bassist Cachao, released in 1957 by Panart. The album is composed of descargas, improvised jam sessions with Cuban themes. It was the fourth installment in Panart's Cuban Jam Session series after Julio Gutiérrez's Cuban Jam Session Vol. 1 and Vol. 2, and Niño Rivera's Vol. 3. Unlike the other installments, Cachao's session comprised short improvisations instead of extended jams. The album sold over a million copies and became "a Latin music milestone". In 2013, it was induced into the Latin Grammy Hall of Fame and the National Recording Registry.
Héctor Angulo was a Cuban composer who combined in his works the result of deep studies about Afro-Cuban folklore and the most modern techniques of musical composition.
José Eulalio Loyola Fernández is a Cuban composer, professor and flutist.
Carlos Malcolm is a Cuban composer and pianist.
| International | |
|---|---|
| National | |
| Artists | |
